It is more appropriate to evaluate Degang Guo's crosstalk with the innovation of traditional crosstalk. In the final analysis, from the perspective of the program framework, it still follows and inherits the artistic mode of traditional cross talk, but does not clearly reflect the artistic characteristics of talk shows. Therefore, Degang Guo's performance form can't be defined as a new type of cross talk, but has made some innovations on the basis of traditional cross talk to cater to the audience's expectations and preferences for cross talk art.

In addition, Yun-peng Yue,,, and Meng, as popular and favored actors in Deyun Society, have their own strong points in performance methods and artistic forms, but strictly speaking, they still adhere to the artistic style of traditional cross talk. For example, Yun-peng Yue and Zhang Helun pay attention to singing, while Zhang Yunlei pays attention to ditty and minor, which are typical features, but there is no obvious artistic style of talk show.

Of course, there are many crosstalk performers under Deyun Society, and each pair of partners has its own characteristics. Especially the young actors in Nine Sons and Noisy, their performances in small theaters show a diversified trend. Whether it is the change of art form or the integration with other art categories, it has achieved ideal results. Even if it is not certain that it is a combination of traditional cross talk and talk show, there are many similarities in terms of performance methods and audience experience.

Both the innovation of traditional crosstalk and the new type of crosstalk combined with talk show are changes made in line with the trend of the times. In fact, Deyun Society has been able to go today because of its constant innovation in artistic style and performance form. I believe that in the future, more young actors from Deyun Society will show completely different performance characteristics on the cross talk stage.