To distinguish their styles, we should start with their experiences and thoughts: as we all know, Li Bai and Du Fu are the two most famous poets in the middle of the prosperous Tang Dynasty. Studying their writing styles and life experiences will help us understand the basic characteristics of poetry creation in the prosperous and middle Tang Dynasty. Li Bai's creative style and life experience Li Bai is a talented poet bred by the culture of the prosperous Tang Dynasty. The vitality, appeal and appeal of poetry in the prosperous Tang Dynasty have been fully demonstrated in Li Bai's poems. His poetry creation is full of passion and magical imagination, which is not only vast and spectacular, but also beautiful and natural. It can be said: "The charm of Li Bai is the charm of 1 in the prosperous Tang Dynasty." Looking at Tianmen Mountain is one of Li Bai's seven masterpieces. This poem describes the poet's aesthetic feelings and emotional moments in the embrace of nature and daily life, and it is a work that is free and natural. The feeling of that moment, infinite charm, shows the beauty of nature and universal humanity, human feelings, simplicity, sincerity, full of life interest, and there is a kind of beauty of "clear water produces hibiscus, natural carving" Of course, it is not enough to explain the seven wonders of Li Bai just by saying "Looking at Tianmen Mountain from afar". Li Bai's seven unique poems are mostly landscape poems and farewell poems. In these poems, there is a temperament that is integrated with nature, and with its naive childlike innocence, it is integrated with mountains and rivers. No matter how you write about scenery and love, there is a natural and clear air, such as watching Lushan Waterfall, making Baidi City as early as possible, and asking questions in the mountains. Li Bai not only made outstanding achievements in four-character poems, but also made good achievements in Yuefu and Gexing. For example, Yuefu poems "Difficult Travel in Shu" and "Difficult Travel" highlight subjective feelings with bold exaggeration and clever metaphors, and form a majestic momentum with arbitrary writing. Li Bai brought his romantic temperament into Yuefu, brought new life to the ancient Yuefu poems, and pushed Yuefu poetry creation to an unparalleled peak. However, Li Bai's achievements in composition are 3 higher than Yuefu's. Such as "Climbing Mount Tianmu in a Dream" and other works, completely broke all the inherent forms of poetry creation, with no support and changeable brushwork, reaching the realm of unpredictability and swaying at will. It fully embodies the vigorous spirit of the times in the poetry of the prosperous Tang Dynasty and has the great masculine beauty of expanding it. Looking at Li Bai's poems, it is not difficult to see that Li Bai is a very distinctive artistic personality; In the history of China's poetry, the artistic individuality of his works is also unique. At the same time, I have a certain understanding of his creative style. His poems have a strong subjective color, which is mainly manifested in paying attention to expressing heroism and passionate feelings, and rarely describing objective images and specific events in detail. The most striking feature of Li Bai's lyric style is that it often breaks out. Once emotions are aroused, like hurricanes and overflowing volcanoes in the sky, they rush out without restraint. Combined with the expression of bursting feelings, his poetic imagination is unpredictable, often unreasonable and strange. Most of the images in poetry are magnificent things such as Dapeng, giant fish, long whale, great river and snow-capped mountains. This provides more and broader imagination and creates more romance. The language style of Li Bai's poems is fresh and lively, and hearty and lively is the basic tone of his words. His poems, which are blurted out and unadorned, often show transparency, purity and dazzling brilliance, reflecting his noble personality of rejecting secular identity. Why is Li Bai's creative style so romantic, elegant and unrestrained? Let's take a look at Li Bai's life experience. Li Bai was born in a rich and educated family. Let him "carry Liu Jia at the age of five and see a hundred schools at the age of ten". He grew up in Shu as a teenager. Zhongshu is a place with a strong Taoist atmosphere, and the environment has a great influence on his immortal Taoist belief. The influence of Taoism has been with him almost all his life. /kloc-about 0/8 years old, learning vertical and horizontal techniques. In my opinion, it is precisely because of the influence of these things in his youth that he has a proud, elegant and free-and-easy temperament. In the 12th year of Kaiyuan (724), Li Bai began to travel about life, asking for recommendations many times, but failed. He was full of dissatisfaction and disappointment with the imperial court, but he cared about state affairs and hoped to make achievements. Until Li Guangbi went to the southeast, half sick and dead. In my opinion, it is Li Bai who has received a good education and has the Confucian thoughts of "helping the poor" and "settling down" by poets in the Tang Dynasty. At the same time, Taoist thought runs through his life. Therefore, his over-idealized life design keeps wandering back and forth between failures, which makes him often fall into grief, injustice and disappointment, while maintaining the spirit of conceit, self-confidence, openness and high spirits. Romantic and independent at the same time. Du Fu's writing style and life experience are "the history of poetry". Du Fu is a great poet who links the past with the future. His writing style is also very unique. Of course, this is also inseparable from his life experience. Eight Autumn Poems is Du Lv's masterpiece, and only one of them is included in the textbook. I don't think this is enough to show the poet's superb ability to control poetry. The six songs in Eight Poems of Autumn Prosperity, which started with chrysanthemums in full bloom, triggered the feeling of bitter years and yearning for the homeland. Immersed in memories, the second song starts from reality, enters feelings and memories, and is awakened by the sad sound of the mountain city and returns to reality. Times have changed, and the moon has reached the zenith, so there is a third song. The next few songs, recalling the past again and again, were filled with emotion and lamented their own life experiences. It's not easy to express such complex and low feelings with a poem, but group poems can do it, which is why I think we should comment on group poems. Du Lu's poems are free and unrestrained, and he tries his best to change things. They live in harmony with the law but can't see the bondage of the law. They are uniform and can't see the traces of confrontation. He is also very successful in refining Chinese characters. He once said, "I'm afraid I can't stop worrying about beautiful sentences for human nature." It is a true portrayal of his pursuit of refined words. Another feature of his refined words is that colloquial Chinese characters make poetry more intimate to read. Du Fu's narrative poems are also well written, such as Three Officials and Three Farewells, which are of historical value. His narrative poems not only provide historical value, but also provide a broader, more concrete and more vivid picture of life than the event itself. Therefore, the world calls it? Quot history of poetry ". The main style characteristics of Du Fu's poems are melancholy and frustration, with a sad emotional tone. There is a deep anxiety in his poems. Whether sketching people's sufferings or writing about their own poverty, his feelings are profound and broad. His poems contain a kind of accumulated power, which makes them slow and profound, and become low and ups and downs. Secondly, the styles of Du Fu's poems are diverse, which is related to his different experiences in different periods. The above aspects are the creative style of Du Fu's poems, which cannot be said to have nothing to do with his life experience. Let's take a look at Du Fu's life experience. 9. Du Fu grew up in a family that abides by Confucianism. His youth is a period of wandering north and south, and Qiu Ma's frivolous memories. At the age of 33, I met Li Bai and formed a friendship that has been told for generations. Like many poets in the Tang Dynasty, he had lofty aspirations and devoted himself to his country. However, in 746 AD, he took an exam, in which Li set up a scam. Shortly after his last visit, he returned to Chang 'an and tried several times to attract him, but all failed. Ten years in Chang 'an, I have experienced bitterness. At the same time, he saw the hardships of people's livelihood and always cared about national security. After the Anshi Rebellion, he experienced many twists and turns, became an official and was demoted. Finally, in his later years, he began to wander in the southwest, and eventually died in poverty and misery. I think that the formation of Du Fu's unique creative style is obviously closely related to his life experience. The different styles of Du Fu's poems seem to be related to different situations in different periods or different moods in the same period. When his life is rough and wandering, his homesickness and life experience naturally gush out, his sad songs are impassioned, and his poems are often characterized by depression and frustration. When his life is a little stable, he writes some poems that are scattered naturally. During the time in Chengdu Caotang, there were many such works.