Na Wei, pen name Qiu Chi. 1955 was born in Hainan, and 1982 graduated from Henan University majoring in Chinese painting. Member of China Artists Association, member of China Gongbi Society, president of Luoyang Gongbi Research Institute, and wenbo researcher. He used to be the director of Luoyang Tomb Museum, the director of Luoyang Capital Museum, the director and researcher of Luoyang Tianzijia No.6 Museum, and the director and researcher of Luoyang Institute of Cultural Relics and Archaeology (retired on 20 12). He has been engaged in the copying, research and protection of ancient tomb murals for nearly 30 years, and presided over and completed the copying, restoration and display of more than ten ancient tomb murals. Complete the classification and painting techniques of murals in Luoyang Han tombs in stages; Complete the artistic research of brick structure and painting of Song tomb. Published more than 200,000 words of monographs and papers. He has published more than 10 papers in national and provincial academic journals and created nearly 100 modern works of art.
Famous works are as follows:
200 1, Selected Paintings of Na Wei was published by Henan Fine Arts Publishing House. In 2003, China Contemporary Powerful Painter Na Wei Series was published by Chinese and Western Literature and Art Publishing House.
In 2004, the monograph "The Mural Art of Han Tombs in Luoyang" was published by Henan Fine Arts Publishing House [2].
Stamp: "Twelve Peony Products" Chinese painting "Zhuangyuanhong"
Paper: Luoyang Han Tomb Mural Art
Thesis: On the Position of Han Dynasty Mural Art in China Painting History, published in the 3rd issue of Cultural Relics Archaeology in 2005.
Paper: On Luoyang Traditional New Year Pictures Art
Paper: Han society in the murals of Han tombs in Luoyang.
Paper: Analysis of Lotus-patterned Bricks Unearthed in Taizaifu, Kyushu-Published in Cultural Relics of the Central Plains, No.2, 2005
Paper: Textual research on the epitaph of Liu, the mother of Chen in the Southern Dynasties and discussion on related issues "On the position of mural art in the history of China painting in the Han Dynasty"