Liang Heng, a contemporary writer, is from Huozhou, Shanxi. Born in 1946, graduated from China Renmin university 1968. Liang Heng is a famous news theorist, essayist, popular science writer and political commentator. He has won many honorary titles such as National Youth Literature Award, Zhao Shuli Literature Award, National Excellent Popular Science Works Award and "Five Ones" Project Award of the Propaganda Department of the Communist Party of China. He has served as a reporter of Guangming Daily and deputy director of the State Press and Publication Administration. He is currently the deputy editor-in-chief of People's Daily, a member of the National Committee of Chinese Writers Association, the executive director of the National Committee of China Journalists Association, and the general consultant of primary and secondary school textbooks published by People's Education Publishing House. He has been a reporter of Inner Mongolia Daily and Guangming Daily, and deputy director of the State Press and Publication Administration. He is a famous news theorist, essayist, popular science writer and political commentator. Currently, he is deputy editor-in-chief of People's Daily, doctoral supervisor of School of Journalism, Renmin University of China, member of the National Committee of Chinese Writers Association, executive director of the National Committee of China Journalists Association, and general consultant of primary and secondary school textbooks published by People's Education Publishing House. He has won the National Youth Literature Award, the Zhao Shuli Literature Award, the National Excellent Popular Science Works Award, and the main work of the Propaganda Department of the Communist Party of China is the novel "Popular Romance of Mathematics and Physics"; News trilogy "Corner without News", "The Vein of News Green Leaves" and "Reflections on News Principles"; In terms of prose creation, in the past 20 years, he has won the tradition of classical landscape articles by focusing on landscape prose. His works are herbaceous and elegant. In recent years, he has devoted himself to the prose of figures, especially the writing of historical celebrities, "Finding the ferry, finding the ferry, and crossing where?" ""Red Hair, Miki Sayaka "and so on have caused great repercussions in the society. There are prose collections: Summer Feelings and Qiu Si, Searching for a New Place, Red Classics, Notes on Famous Mountains and Rivers, Outstanding People, Liang Heng Volume, Collection of Contemporary Prose Masters, Everyone Can Be King, The Way of Writing, Hukou Waterfall and Liang Heng Science. And Jinci, in summer, find the ferry, find the ferry, where else? Many essays, such as Temple of Wuhou, Meditation for 1,500 Years, Beauty Spanning a Hundred Years, and Shooting All over the Railroad, were selected in middle school textbooks, and Liang Heng's rational essay Hukou Waterfall was selected in the first semester of Shanghai No.1 Middle School. "The castle peak is not old" was selected as the first volume of the sixth grade of the Primary School People's Education Edition. "One hundred years of beauty" selected primary school people's education edition sixth grade volume 65438 +08 lesson. "Summer Sense" was selected as the first volume of the seventh grade of junior middle school people's education edition. "Summer" was selected as the first volume of Jiangsu Education Edition, the seventh grade of junior high school.
Edit the main works of this paragraph
The main works are the novel "Popular Romance of Mathematics and Physics" written by Zhang Hui in the history of science; News trilogy "Corner without News", "The Vein of News Green Leaves" and "Thinking about News Principles"; In terms of prose creation, he has focused on landscape prose for nearly 20 years and won Liang Heng's works.
In the tradition of classical landscape articles, the style of writing is grass with water and stone with rhyme. In recent years, he has devoted himself to the prose of figures, especially the writing of historical celebrities, "Find the ferry, find the ferry, and where to cross?" "Red Hair, Miki Sayaka" and so on have caused great repercussions in the society. There are prose collections, such as Summer Sense and Qiu Si, Searching for New Places, Red Classics, Thoughts on Famous Mountains and Rivers, Outstanding People, Works of Contemporary Prose Masters-Liang Heng Volume, Everyone Can Be King and other academic collections: the way of writing, Hukou Waterfall, Liang Heng's scientific collections, inheritance and transcendence, approaching politics. Nine volumes of Liang Heng's collected works; And Jinci, in summer, find the ferry, find the ferry, where else? Many essays, such as Temple of Wuhou, Meditation in 1,500 Years, Beauty in a Hundred Years, Shooting All over the Railroad, etc., were selected into middle school textbooks, and Hukou Waterfall, a rational essay by Liang Heng, was selected into the first semester text of no.1 middle school of shanghai. From 65438 to 0996, the essay "Suddenly Listening to the West" published in Foshan Literature and Art won the Excellence Award of "Heart is China" jointly organized by Mei Wen, Literature Freedom Talk and Foshan Literature and Art. Three essays, Jinci, Seeking Crossing the River, Seeking Crossing the River and Summer Feeling, were selected as textbooks of Hebei Education Publishing House, and Hayes was also selected as textbooks of Hubei Education Publishing House in recent years. His book "The Castle Peak is Never Old" has been selected in the first volume of the sixth grade primary school of People's Education Publishing House, lesson 16, and "Hundred Years of Beauty" has been selected in the second volume of the sixth grade primary school of People's Education Publishing House, lesson 18. Summer Sense is selected from Liang Heng's Collected Works (People's Education Press, 2002). Summer is not a popular season in the works of poets and writers. Perhaps, the germination of spring flowers can give people a sense of regeneration, the beauty and harmony of spring can release people's emotions freely; Perhaps, the harvest in autumn can give people a mature sense of satisfaction, and the loneliness in autumn can give people a dripping vent; Therefore, almost all the people who chanted about the Spring and Autumn Period, danced with words and made ink, were eager to cross the river. What about summer? Maybe it's too hot, too dense and a little "too thick to melt", so it always gives people a sense of disharmony, overload and overload. If so, how can we get the psychological identity of the literati who are governed by the "happy principle" like ordinary people? How can you not be assigned a vacancy by them! Even if someone writes it, it is inevitable that it will be written as "vicious gray sand array", "scalding pedestrians' faces", "dry and hot wind", "ferocious scream", "people are like dying fish" and "the earth trembles in the heat" (quoted from the works of Mao Dun, Lao She, Gorky and romain rolland)-a feeling of summer as a symbol of depression in artistic content. Or, write "Liang Heng's handwritten works when he sleeps every day."
Ruthless Thinking (Yang Wanli), Sleeping with Tired Hands, Sleeping in the Afternoon (Cai Que)-a summer feeling that reveals a sense of helplessness and loss in relaxation and leisure.
writing
However, Comrade Liang Heng dares to do new and strange things, from what people say, "loudly praise the golden summer of spring and autumn." It should be noted that this kind of praise itself deserves our praise. The pure realm, rich elegance and lofty aesthetic feeling he created in this work, and his elegant language are even more impressive. Summer Sense is indeed a rare masterpiece in contemporary prose. The heat of the second summer will never be dull; It conveys the noise of summer without a trace of dryness. The persistent sound over the treetops reflects the bright colors of the summer scenery, sets off an atmosphere of "cicadas are silent in the forest", and also shows the richness, massiness and calmness of the summer earth. Therefore, the author has set a high-spirited and positive theme for the full text in the blend of sound and emotion and reality.
search one's heart
Then, the author put the perspective straight and moved the camera down, as if looking at the endless Yuan Ye, watching the rolling wheat waves "slapping the distant mountains, the clouds in the sky, slapping the cars on the expressway, like the waves surging over the ships." Here, what the author presents us is not a simple reduction of the real world, but a meaningful landscape, which is the flicker of external objects on the author's mind screen; In other words, it is a projection of the times reflecting the author's emotional beam. Then, a wave of hot air, "floating across the field", seems to be blowing "mature wheat fragrance" to the author and readers who are overlooking. This little dyeing is not only just right but also icing on the cake. Just as the contrast of cicada singing in front is the blend of sound and color, the touch dyeing here is the harmony of color and fragrance. If the previous contrast is a touch of atmosphere, then the touch here is a sign of affection-a sign of the richness and enrichment of life. After such meticulous preparation, the author deliberately leads the brushwork to the key point of the article-"the spirit of spring, which has been accumulated for half a year, has now become a majestic trend, rolling in the fields and rising between heaven and earth." This is the author's own summer feeling, which is a unique summer feeling that the author discovered, experienced and learned. From here, the author seems to naturally extend a subtle argument: "The color of spring is cool and green, such as blue waves and tender bamboo, full of hope;" The color of autumn is fiery red, such as sunset glow and red leaves, which indicates the extreme of things. Summer is just between spring flowers and autumn fruits, and naturally it should be neutral yellow. "This passage has unique sentences, unique words and clever parallelism, showing an antique and rare sense of interest, that is, a lyrical aesthetic feeling bred by the combination of beauty and deep feeling. This discussion focuses on the previous meaning, that is, occurrence, extension and deepening; In fact, it is also an abstract and incisive explanation of the essence of summer by a philosopher discovered, realized and learned by the author. So what does this quality mean? The author soon hit the nail on the head. It turns out that the "majestic momentum" accumulated in The Spirit of that Spring is a great rush of "harvest there but hope is not exhausted", a rhythm of "connecting the past with the future and alternating life" from gestation to abundance, and a torrent of creative waves printed with huge letters of mankind. It is such a poem of strength, life and creation that the author enthusiastically eulogizes.
Writing about the beauty of summer
Third, Liang Heng is old and full of energy.
The summer praised by Comrade Liang Heng is a summer of rolling wheat waves and bursts of wheat fragrance, and a summer of "gold dominates everything in the world". Where is it this summer? Obviously, the author's emphasis is very clear. After that subtle discussion, he wrote: "You see, the wheat that has just been cut, the cotton seedlings with seven or eight green leaves in the field, the sorghum corn with megaphones in the sky, and the melon seedlings crawling on the ground all show exuberant vitality. At this time, their time in the spring breeze and light rain is not long, but under the transpiration of the hot summer, they are flourishing, and the end of Xiang Qiu is making a final sprint. " Here, the author's perspective seems to be getting closer and closer, and the lens has changed from grand to subtle. As a result, an interesting close-up jumped into our eyes. A word "pick" makes us almost feel the uniform and powerful breathing of cotton seedlings; A word "lift" makes us almost feel the joy of sorghum and corn shaking their heads; In a "crawling", we also felt the waist of the melon seedlings shaking and winding. It seems that everyone is seizing this wonderful time to show their talents and courageously "sprint" in the direction of self-improvement and sacred dedication day and night. In a word, the exquisite description makes us feel the elegance, tolerance and grace of people from these summer darlings. Flaubert once said, "No matter what you describe, there is only one verb that can make it vivid." . We must constantly think hard and find this word, and we must never use similar words to perfunctory it in order to avoid difficulties. "Comrade Liang Heng's passage is exquisitely crafted, and the author's bleak meaning is obvious. It is also a vivid practice of Flaubert's "one word theory". This passage not only strongly supports the artistic conception of the full text, but also enriches and strengthens the main image of Xia with gold as the keynote. Liang Heng won the prize.
Looking at everything described by the author, I'm afraid it's hard for us to think of the beautiful south of the Yangtze River, and it's hard to think of the endless grassland beyond the Great Wall. I'm afraid the first thing that comes to mind is the magnificent Yellow River Basin-800 Li Qinchuan, Sanjin Plateau and endless alluvial plain, which spans Hebei, Shandong and Henan. Yes, it is this dignified and heavy yellow land that has nurtured our nation and nourished the splendid civilization of China for thousands of years, and the author himself has been resident in Sri Lanka for many years as a reporter of the Central News. Therefore, he regards the summer in the yellow land as a typical object of his indulgence and praise, which not only has the meaning of being familiar with life, but also has deeper symbolic and metaphysical significance. Of course, the author of "Summer Sense" didn't just focus on the summer scenery, but let his perspective gradually enter the muscles from the surface, aiming at the real master of our planet-people. In summer, life is alternating, and at the end of crops, Xiang Qiu finally "sprints" in summer. This vigorous operation, of course, has the eternal generation mechanism of nature, but it can not be ignored that since human beings participated in it, it has mostly become the objectification of our will as the spirit of all things and a manifestation of human essential strength. Man is the real painter of summer colors; It is also a human being, which sets off the tense melody in summer. "Those farmers who wield sickles in the fields are bent and sweaty, thinking about cutting fast; As soon as the wheat came on the court, he thought about playing fast and playing fast. " "When the wheat is harvested, it's time to breathe a sigh of relief, and we must hurry to water the autumn seedlings." This passage seems to be written casually by the author, which is quite different from the previous meticulous carving. On the surface, it even gives people a clumsy and shallow feeling. The language form of line drawing is actually in line with the simple content. If a series of adjectives are piled on these ordinary workers, it may be a beautiful creation. Therefore, it is reasonable for the author not to use lead China here.
artistic appeal
So, how to strengthen the artistic influence of works? The beauty of Comrade Liang Heng's application lies in the details. "Getting up early and going to bed late is enough for them. They have to listen to the window paper when they wake up in the middle of the night, but the wind is very strong; Looking out of the window, the sky is overcast. " These details are in line with the narrative features of quick cutting, quick beating, quick topdressing and quick watering, which constitute the overall style of this paragraph. At first glance, these details seem a bit trite, and repeated chewing is like making people feel its unique charm. In Listening to Window Paper and Looking out of the Window, the outline of summer tense melody is the fast rhythm of summer, and it is also the psychological lens introduced by the author through indirect expression. It externalizes the melodious melody of "every nerve is tense", and lets us see their eyes eager for harvest, their anxiety about harvest and the emotional rhythm of people ringing with the rhythm of summer in the imaginary space. In several details, it is extremely relaxed and vivid, bright and natural, vivid and vivid, and it is not an exaggeration to describe it as "seemingly the most unusual". It can be said that if it is changed to another detail, the charm of the work will be greatly weakened.
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His book "Castle Peak is Never Old" was selected by People's Education Publishing House as the sixth grade lesson of nine-year compulsory education in primary schools 16. His book "A Hundred Years of Beauty" was selected into the sixth grade of nine-year compulsory education 18 class published by People's Education Publishing House. His book "Summer Feeling" became the first volume of the seventh grade of nine-year compulsory education published by People's Education Publishing House, the first 13 lesson. Hayes, written by him, was selected as the seventh lesson in the first volume of the eighth grade of nine-year compulsory education in Hubei Education Press. His Summer was selected into Lesson 17 of the seventh grade of nine-year compulsory education published by Jiangsu Education Publishing House and Lesson 1 of the sixth grade of nine-year compulsory education published by West Normal University Publishing House, focusing on examples such as color, atmosphere and melody in summer. When Mr. Liang Heng wrote "Summer Feeling", he described the natural scenery in summer and people's feelings about life and work with warm language.
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Whether landscape prose or figure prose, Liang Heng's works are full of wisdom and insight, full of magnificent and profound thoughts. Full passion is contained in deep thinking, and the unique massiness avoids simple lyricism and confession, showing the charm of great prose. Most of Liang Heng's character essays are about outstanding figures and ghosts. Most of them are famous and well-known great men in the universe, and there are also literati who shocked the world and passed down from generation to generation. However, these figures, who span a thousand years and a hundred years, have come alive from the author's pen. In Liang Heng's prose, both sense and reason are emphasized, and the characters he wrote are all re-evaluated after thousands of years' summary, which is not the same. He reinterpreted a character from the deep level of human nature. In Liang Heng's character prose, most of the protagonists have a certain tragic color. From the aesthetic point of view, tragedy can be sublime. In his prose, Liang Heng can fly into the wild, think for thousands of years, think what he thinks, feel what he feels, and integrate philosophy with real life. This paper describes the nature in summer and the scenes of people's life and work in warm language, which brings us into a beautiful artistic conception. Is the author just describing these scenes? What inner feelings and experiences does he have to express? Comments on the essays "Feeling in Summer" and "Feeling in Summer" are taken from Liang Heng's Collected Works (People's Education Press, 2002). Summer is not a popular season in the works of poets and writers. Perhaps, the germination of spring flowers can give people a sense of regeneration, and the Vientiane and Taihe in spring can let people's feelings be released freely; Perhaps, the harvest in autumn can give people a mature sense of satisfaction, and the loneliness in autumn can give people a dripping vent; Therefore, people who chant the Spring and Autumn Period and dance with words and ink are almost like crucian carp crossing the river. What about summer? Maybe it's too hot, too dense and a little "too thick to melt", so it always gives people a sense of disharmony, overload and overload. If so, how can we get the psychological identity of the literati who are governed by the "happy principle" like ordinary people? How can you not be assigned a vacancy by them! Even if someone writes it, it is inevitable that it will be written as "vicious gray sand array", "scalding pedestrians' faces", "dry and hot wind", "ferocious scream", "people are like dying fish" and "the earth trembles in the heat" (quoted from the works of Mao Dun, Lao She, Gorky and romain rolland)-a feeling of summer as a symbol of depression in artistic content. Or, write "sleep every day."
Liang Heng's works
Ruthless thinking "(Yang Wanli)," Tired hands throw books in the afternoon and dreams grow long "(Cai Que)-a summer feeling that reveals helplessness and loss in relaxation and leisure. However, Comrade Liang Heng dares to do some novel things, from what people call "loudly praising this golden summer in spring and autumn". "It should be pointed out that this kind of praise itself deserves our praise. The pure realm, rich elegance and lofty aesthetic feeling he created in this work, and his elegant language are even more impressive. Summer Sense is indeed a rare masterpiece in contemporary prose. The heat of the second summer will never be dull; It conveys the noise of summer without a trace of dryness. The persistent sound over the treetops reflects the bright colors of the summer scenery, sets off an atmosphere of "cicadas are silent in the forest", and also shows the richness, massiness and calmness of the summer earth. Therefore, the author has set a high-spirited and positive theme for the full text in the blend of sound and emotion and reality. Then, the author put the perspective straight and moved the camera down, as if looking at the endless Yuan Ye, watching the rolling wheat waves "slapping the distant mountains, the clouds in the sky, slapping the cars on the expressway, like choppy boats. "Here, what the author presents us is not a simple reduction of the real world, but a meaningful landscape, which is the flicker of external objects on the author's mind screen; In other words, it is a projection of the times reflecting the author's emotional beam. Then, a wave of hot air, "floating across the field", seems to be blowing "mature wheat fragrance" to the author and readers who are overlooking. This little dyeing is not only just right but also icing on the cake. Just as the contrast of cicada singing in front is the blend of sound and color, the touch dyeing here is the harmony of color and fragrance. If the previous contrast is a touch of atmosphere, then the touch here is a sign of affection-a sign of the richness and enrichment of life. After such meticulous preparation, the author deliberately leads the brushwork to the key point of the article-"The spirit of spring has been accumulated for half a year, and now it has become a majestic trend, rolling in the fields and rising between heaven and earth. "This is the author's own summer feeling, which is a unique summer feeling that the author discovered, experienced and learned. From here, the author seems to naturally extend a subtle argument: "The color of spring is cool and green, such as blue waves and tender bamboo, full of hope;" "The color of autumn is fiery red, such as sunset glow and red leaves, which indicates the extreme of things. Summer is just between spring flowers and autumn fruits, and naturally it should be neutral yellow. " This passage has unique sentences, unique words and clever parallelism, showing an antique and rare sense of interest, that is, a lyrical aesthetic feeling bred by the combination of beauty and deep feeling. This discussion focuses on the previous meaning, that is, occurrence, extension and deepening; In fact, it is also an abstract and incisive explanation of the essence of summer by a philosopher discovered, realized and learned by the author. So what does this quality mean? The author soon hit the nail on the head. It turns out that the "majestic momentum" accumulated in The Spirit of that Spring is exactly a great rush of "harvest there but hope is not exhausted", a rhythm of "connecting the past with the future and alternating life" from gestation to abundance, and a torrent of creative waves printed with huge letters of mankind. It is such a poem of strength, life and creation that the author enthusiastically eulogizes. The summer praised by Comrade Liang Heng is a summer of rolling wheat waves and bursts of wheat fragrance, and a summer of "gold dominates everything in the world". Where is it this summer? Obviously, the author's emphasis is very clear. After that subtle discussion, he wrote: "You see, the wheat that has just been cut, the cotton seedlings with seven or eight green leaves in the field, the sorghum corn with megaphones in the sky, and the melon seedlings crawling on the ground all show exuberant vitality. At this time, their time in the spring breeze and light rain is not long, but under the transpiration of the hot summer, they are flourishing, and the end of Xiang Qiu is making a final sprint. " Here, the author's perspective seems to be getting closer and closer, and the lens has changed from grand to subtle. As a result, an interesting close-up jumped into our eyes. A word "pick" makes us almost feel the uniform and powerful breathing of cotton seedlings; A word "lift" makes us almost feel the joy of sorghum and corn shaking their heads; In a "crawling", we also felt the waist of the melon seedlings shaking and winding. It seems that everyone is seizing this wonderful time to show their talents and courageously "sprint" in the direction of self-improvement and sacred dedication day and night. In a word, the exquisite description makes us feel the elegance, tolerance and grace of people from these summer darlings. Flaubert once said, "No matter what you describe, there is only one verb that can make it vivid." . We must constantly think hard and find this word, and we must never use similar words to perfunctory it in order to avoid difficulties. "Comrade Liang Heng's passage is exquisitely crafted, and the author's bleak meaning is obvious. It is also a vivid practice of Flaubert's "one word theory". This passage not only strongly supports the artistic conception of the full text, but also enriches and strengthens the main image of Xia with gold as the keynote. Looking at everything described by the author, I'm afraid it's hard for us to think of the beautiful south of the Yangtze River, and it's hard to think of the endless grassland beyond the Great Wall. I'm afraid the first thing that comes to mind is the magnificent Yellow River Basin-800 Li Qinchuan, Sanjin Plateau and endless alluvial plain, which spans Hebei, Shandong and Henan. Yes, it is this dignified and heavy yellow land that has nurtured our nation and nourished the splendid civilization of China for thousands of years, and the author himself has been resident in Sri Lanka for many years as a reporter of the Central News. Therefore, he regards the summer in the yellow land as a typical object of his indulgence and praise, which not only has the meaning of being familiar with life, but also has deeper symbolic and metaphysical significance. Of course, the author of "Summer Sense" didn't just focus on the summer scenery, but let his perspective gradually enter the muscles from the surface, aiming at the real master of our planet-people. In summer, life is alternating, and at the end of crops, Xiang Qiu finally "sprints" in summer. This vigorous operation, of course, has the eternal generation mechanism of nature, but it can not be ignored that since human beings participated in it, it has mostly become the objectification of our will as the spirit of all things and a manifestation of human essential strength. Man is the real painter of summer colors; It is also a person, which sets off the tense melody of summer. " Those farmers waving sickles in the fields are bent and sweaty, thinking about cutting quickly; When Mads came on the court, he thought about playing fast, playing fast. ""When the wheat harvest is finished, it's time to breathe a sigh of relief, and we need to water the autumn seedlings at top dressing. "This passage seems to be written by the author casually, which is quite different from the meticulous seal cutting in front. On the surface, it even gives people a clumsy and shallow feeling. The language form of line drawing is actually in line with the simple content. If a series of adjectives are piled on these ordinary workers, it may be a beautiful creation. Therefore, it is reasonable for the author not to use lead China here. So, how to strengthen the artistic influence of works? The beauty of Comrade Liang Heng lies in the details. " It is hard enough for them to get up early and go to bed late. They have to listen to the window paper when they wake up in the middle of the night, but the wind is very strong; Looking out of the window, the sky is overcast. "These details come down in one continuous line with the above narrative features of quick cutting, quick beating, quick topdressing and quick watering, which constitute the overall style of this paragraph. These details seem a bit trite at first glance, and repeated chewing is like making people feel its unique charm. " In Listening to Window Paper and Looking out of the Window, the outline of summer tense melody is the fast rhythm of summer, and it is also the psychological lens introduced by the author through indirect expression. It externalizes the melodious melody of "every nerve is tense", and lets us see their eyes eager for harvest, their anxiety about harvest and the emotional rhythm of people ringing with the rhythm of summer in the imaginary space. In several details, it is extremely relaxed and vivid, bright and natural, vivid and vivid, and it is not an exaggeration to describe it as "seemingly the most unusual". It can be said that if it is changed to another detail, the charm of the work will be greatly weakened. 5. His book "The Castle Peak is Never Old" was selected as the sixth grade of nine-year compulsory education in primary school by People's Education Publishing House, the first 16 class. His book "A Hundred Years of Beauty" was selected into the sixth grade of nine-year compulsory education 18 class published by People's Education Publishing House. His book "Summer Feeling" became the first volume of the seventh grade of nine-year compulsory education published by People's Education Publishing House, the first 17 lesson. His book "Summer" was selected into Lesson 17, Volume 1 of Nine-year Compulsory Education by Jiangsu Education Press, focusing on the "color" and "melody" of summer. When Mr. Wang wrote "Summer Sense", he described the natural scenery and people's life and work in summer with warm language. His "Hukou Waterfall" was selected into the seventh grade of nine-year compulsory education 15 class published by Shanghai Education Publishing House. Prose Evaluation Whether it is landscape prose or character prose, Liang Heng's works are full of wisdom, philosophical thinking and sentiment, and full of magnificent and profound thoughts. Full passion is contained in deep thinking, and the unique massiness avoids simple lyricism and confession, showing the charm of great prose. Most of Liang Heng's character essays are about outstanding figures and ghosts. Most of them are famous and well-known great men in the universe, and there are also literati who shocked the world and passed down from generation to generation. However, these figures, who span a thousand years and a hundred years, have come alive from the author's pen. In Liang Heng's prose, both sense and reason are emphasized, and the characters he wrote are all re-evaluated after thousands of years' summary, which is not the same. He reinterpreted a character from the deep level of human nature. In Liang Heng's character prose, most of the protagonists have a certain tragic color. From the aesthetic point of view, tragedy can be sublime. In his prose, Liang Heng can fly to the wild, think for thousands of years, think what he wants, and fall in love with it. Homework: (If necessary, ask students to write imitation sentences: The color of spring is cool and green, such as blue waves and tender bamboo. The color of autumn is fiery red, such as sunset glow and red leaves, which indicates the extreme of things. )
Editor's Note of Liang Heng's Yueyang Tower: Worrying about the country is political wealth.
Red Net Changsha 165438+ 10/3 (Reporter Tang Honghui) This morning, the second reading report meeting of the first "Sanxiang Reading Month" was held in the Hunan Provincial Library. Liang Heng, a famous scholar and news theorist, made a speech at the meeting. The cultural thoughts and political wealth left by Yueyang Tower are analyzed as the way to be an official. "Fan Zhongyan's contribution to political civilization is mainly reflected in the word" worry "."Liang Heng thinks. The story of Yueyang Tower came into being in the Song Dynasty, when the feudal society in China was mature. The author was born with worry, and used his life and an era to interpret the word "worry". Fan Zhongyan's thought of worrying about the country has three worries, namely, worrying about the people, worrying about the monarch and worrying about politics. This is the political wealth left to us, and this is a problem that every politician has to face. Liang Heng further elaborated that Fan Zhongyan's thought of being close to the people is embodied in three aspects: doing things for the people, pleading for the people and eliminating disadvantages for the people. Among them, doing practical things for the people, in the current words, is "benefiting the people"; Pleading for the people is "loving the people"; Eliminating disadvantages for the people is "power for the people". "There is a personality spirit behind a politician's political behavior." At the report meeting, Liang Heng interpreted Fan Zhongyan's personality thought from three aspects. He believes that Fan Zhongyan has the spirit of independence, the rational spirit of seeking truth from facts and acting according to the truth and the spirit of sacrifice of being an official and not being a traitor. This report is jointly sponsored by the office of the leading group of Sanxiang Reading Month, the working committee of provincial organs, Xinxiang Review magazine and Hunan Library.