His father died when he was ten years old. The "first teachers" of many writers and politicians in China are widowed mothers, and Mao Dun was raised by her mother. After finishing the preparatory course at Peking University, he was unable to continue his studies, worked in Shanghai Commercial Press, reformed the old-fashioned novel monthly, and became the chief critic of the Literature Research Association. At this time. Participated in the Shanghai * * * production team, organized the China * * * production party, went to Guangzhou to attend the second Kuomintang Congress, and served as the Minister of Propaganda Department of the Kuomintang Central Committee. The Acting Minister of Propaganda Department is Mao Zedong. After the cooperation between the two countries broke down, he went into exile in Shanghai and Japan from Wuhan, and began to write his first trilogy Eclipse (disillusionment, vacillation and pursuit) and Rainbow, so he picked up a novelist's pen. This experience of upper-level political struggle has created his summary of the times and the whole social vision of literature, and the theme of his early works is also taken from this. He wrote the novel Midnight, the short story Lin Jiabao and the rural trilogy (spring silkworm, autumn harvest and winter remnant) during the period of the Left League. During the Anti-Japanese War, he traveled to Hong Kong, Xinjiang, Yan 'an, Chongqing, Guilin and other places, and published novels such as Corrosion, Frosty Leaves as Red as February Flowers, Exercise and Before and After Tomb-Sweeping Day. The literary and art circles celebrated his fiftieth birthday, and his reputation grew bigger and bigger. After the founding of People's Republic of China (PRC), he served as vice chairman of the Federation of Literary and Art Circles, minister of culture, chairman of writers' association and vice chairman of China People's Political Consultative Conference. It is difficult for him to create it at once. During the "Cultural Revolution", I was criticized and excluded. After a little stability, I secretly wrote the sequel to Frost Leaves as Red as February Flowers and the memoir The Road I Walked. Mao Dun died on March 27th, 198 1.
Mao Dun, Langya, Zhu Xuan, Fang Bi, Zhi Jing, Pu Prison, Xingtian and Xingfeng are all his common pen names. Mao Dun and Bu Lao are the most commonly used pen names.
The origin of "Mao dun"
1927 After the failure of the Great Revolution, Wang Jingwei in Wuhan and Chiang Kai-shek in Nanjing had a notorious confluence of Ninghan and slaughtered revolutionaries, and the domestic situation took a turn for the worse, which was very sinister. Shen Yanbing had to leave Wuhan for revolutionary activities, and finally came to Shanghai and lived in Jingyun. As it happens, Lu Xun and Ye Shengtao also lived here at this time. Shen Yanbing couldn't go out and didn't have a job, so there was something wrong with her life, so she began to write novels. But many newspapers don't publish his articles, so when he writes articles, his heart is very contradictory, so his pen name on the manuscript is "contradiction". Later, he showed Ye Shengtao his novel manuscript. Ye Shengtao was very happy after reading it and decided to publish it in Novel Monthly. But Ye Shengtao thinks "contradiction" is a philosophical term, unlike a person's name and "spear" doesn't look like a surname, so he took the initiative to add a grass prefix before the word "spear" and changed it to "Mao Dun". Shen Yanbing is also very satisfied with this change and has always used it as his pen name.
The novels written by Mao Dun at that time were the famous trilogy Eclipse: Disillusionment, Shake and Pursuit.
1896 was born in wuzhen, Tongxiang county, Zhejiang province on July 4th. His father Yongxi Shen was a scholar in the late Qing Dynasty. He is proficient in Chinese medicine. He is an open-minded reformer and attaches great importance to new learning. In addition to natural sciences such as sound, light, chemistry, electricity and mathematics, he also likes to spread social science works with progressive ideas. My mother, Chen Aizhu, is a liberal arts, visionary and strong-willed woman. Mao Dun 10 lost his father. As a child, he accepted the knowledge of literature, history and geography taught by his mother. Mao Dun said, "My first teacher is my mother".
Mao Dun's enlightenment education began earlier. I studied at home and in a private school before elementary school. At the age of 8, he entered Wuzhen Lizhi Primary School and later transferred to Zhicai Senior Primary School, becoming the first student of the school. Here, he not only read textbooks on Chinese, self-cultivation and arithmetic, but also became interested in painting. At that time, in the eyes of ordinary conservatives, children were forbidden to read novels and other "casual books", but Mao Dun got the permission of informed parents. The Journey to the West's Romance of the Three Kingdoms, The Water Margin, Strange Tales from a Lonely Studio and The Scholars are all his favorite books at this time. From Mao Dun's essays in primary school, we can see that at that time, he showed the thought of worrying about the country and the people, strengthening the body and eliminating evil.
Mao Dun spent his middle school days in three middle schools in Zhejiang. 1909 was admitted to Huzhou No.3 Middle School in Zhejiang Province, 19 1 transferred to Jiaxing Middle School in autumn. Soon, the Revolution of 1911 broke out, and Mao Dun warmly welcomed the revolution and became a voluntary propagandist of the revolution. At school, Mao Dun and several classmates attacked an unpopular academic supervisor and were expelled from the school. So I transferred to Hangzhou Anding Middle School and graduated there. In middle school life, although some teachers left a deep impression and positive guidance on Mao Dun, the whole learning atmosphere is outdated. "If you don't read books below the Qin and Han Dynasties, parallel prose is the authentic article, and poetry should learn the seven sons of Jian 'an; ..... tolerance to Tsinghua shukuang ("my middle school and later"). All this once gave Mao Dun the accomplishment of classical literature, but in his memory, it was more ordinary, gray and suffocating. He spends almost all his spare time reading novels. Classical novels inspired his literary thinking, and at the same time, they also showed their marks on his creative style.
19 13, Mao dun was admitted to the first class of Peking university preparatory school. After graduating from preparatory school, I started to work to make a living because of my family's financial difficulties. 1965438+In August 2006, I went to work in the Compilation Institute of Shanghai Commercial Press. I began to revise English correspondence papers of the English Department, and then cooperated with others to translate books. In this way, the original text of "basic necessities of life" was translated. Soon, he went to the Chinese Department to write Fables of China, and also participated in the editing of Student Magazine. 1at the beginning of 920, when the May 4th literary revolution was in full swing, Mao Dun began to be responsible for the editing of the new trend column of Fiction Monthly. At this time, he successively wrote the Declaration on the New Trend of Fiction, Equal Discussion on Old and New Literature, and What is the responsibility of a writer now? "and so on, revealing Mao Dun's early literary view. In June of the same year 165438+ 10, Mao Dun took over and completely innovated Novel Monthly; At the end of February, 65438+ contacted Zheng Zhenduo, Ye and Zhou Zuoren. , and initiated the establishment of the Literature Research Association in June, 192 1. At that time, Mao Dun was mainly engaged in the discussion of literary theory, literary criticism and translation of foreign literature. According to incomplete statistics, in the year of 192 1, Mao Dun published about 130 translations. He devoted himself to the literary revolution with abundant energy. Two years later, due to the dissatisfaction of the old school of the Commercial Press with the innovation of Novel Monthly, Mao Dun resigned as the editor-in-chief of the magazine and transferred to the Chinese Department.
At the same time, Mao Dun took an active part in social revolutionary activities. 192 1 At the beginning of the year, Mao Dun joined the Shanghai * * * production team. In July of the same year, China * * * Production Party was founded, and he became one of the earliest party member of China * * * Production Party. After 1922, under the cover of the editor of Novel Monthly, he became a liaison in the Central Committee of the Communist Party of China. During this period, he also taught in the party-run civilian girls' school and Shanghai University to train cadres for the revolutionary cause. 1925 When the May 30th Movement broke out, Mao Dun devoted himself directly to the mass revolutionary movement. In June, and Zheng Zhenduo founded the Axiom Daily, which was forced to close soon. In August, as a staff representative, I participated in the strike struggle of the Commercial Press. After the Kuomintang held the Xishan Conference, Mao Dun and Hui established the Kuomintang Shanghai Party Department in Shanghai at the behest of the Central Committee. 1At the end of 925, Mao Dun and Yun were elected as representatives of the Shanghai Party Department of the left-wing Kuomintang and went to Guangzhou to attend the Second National Congress of the Kuomintang. After the meeting, I stayed in Guangzhou as a secretary in the Propaganda Department of the Kuomintang Central Committee and a contemporary minister in Mao Zedong. 1In March, 926, Mao Dun returned to Shanghai after the "Zhongshan Ship Incident".
1926 10 In June, the Northern Expeditionary Army occupied Wuhan and established the National Government. When Mao Dun arrived in Wuhan, he first worked as an instructor at Wuhan Branch of the Central Military and Political School. /kloc-in the spring of 0/927, he became the editor-in-chief of the Republic of China Daily in Hankou. From April to July, he wrote more than 30 editorials and comments for the magazine. In July, Wang Jingwei organized a * * * meeting and openly rebelled. Mao Dun left Wuhan to prepare for the Nanchang Uprising. After arriving in Jiujiang, he returned to Shanghai via Guling because the road was blocked. At this time, he was wanted by the Kuomintang reactionaries. Since then, he started writing and other literary activities under the pseudonym of Mao Dun.
1September, 927, published Disillusionment;1June, 928, successively completed the creation of Shake and Chasing, namely the trilogy of Eclipse. In July of the same year, he left Shanghai for Japan, first living in Tokyo and then moving to Kyoto. During his stay in Japan, he wrote the novel Rainbow (unfinished) and some short stories and prose poems. And other works such as Miscellaneous Myths, General Theory of Western Literature, Nordic Myth ABC, and China Myth Research ABC; From Guling to Tokyo, I read papers by Ni Huanzhi and others.
1930 In April, Mao Dun returned to Shanghai from Japan. Soon, he joined the Chinese Left-wing Writers' Union and once served as the executive secretary of the "Left-wing Union". Since then, Mao Dun and Lu Xun have been together, engaged in revolutionary literary and artistic activities and social struggles. 193 1 year, in order to protest against the bloody massacre policy of the Kuomintang reactionaries, Lu Xun and Mao Dun published the Declaration on Slaughtering a Large Number of Revolutionary Writers for the Kuomintang. 1February, 932, published "Shanghai Literary and Art Circles Tell the World" and "The Japanese Army Attacks Shanghai to Kill". In May, the news of the murder of Japanese revolutionary writer Kobayashi Takiji came, and eight writers, including Lu Xun and Mao Dun, initiated "fundraising for Kobayashi's survivors who died suddenly"; In July, he called the Nanjing government to ask for the rescue of the imprisoned Niulan couple from the International Federation of Trade Unions.
1September, 934, Mao Dun helped Lu Xun to establish Translation magazine, which opened up a new way to improve literary translation. 1936 In February, after learning that the Red Army had successfully arrived in northern Shaanxi, Lu Xun and Mao Dun sent a congratulatory message to the Central Committee: "The future of mankind and China depends on you." In the same year, in June 5438+10, Mao Dun and many literary and art workers published the Declaration on Freedom of Speech in Literary and Art Circles and Freedom of Speech for Unity, calling for the establishment of an anti-Japanese national united front in the literary and art circles.
From 1927 to 1937, Mao Dun's creation was mature and fruitful. During this period, I finished the novella Road, Three Sides and the novel Midnight. Midnight is a novel that describes the social features of China on a large scale. Its publication shows the achievements of left-wing literature and is a milestone in the historical development of new literature since the May 4th Movement. Qu Qiubai commented, "This is China's first successful realistic novel" (Midnight and the Year of Chinese Goods). At the same time, he also completed the creation of excellent short stories such as Lin Jiapu, Spring Silkworm, Autumn Harvest and Dong Can. Translated the Diploma by Dan Qin Ke and the War by tikhonov; In addition, a large number of essays, literary essays and monographs on writers' studies have been published in such journals as Shen Bao Free Talk, Taibai and Literature.
1937 at the beginning of the Anti-Japanese War, he joined the work of Wang Jiu Daily and edited Scream (later renamed Beacon). After the fall of Shanghai, Mao Dun moved to Changsha, Wuhan, Hong Kong and Guangzhou. 1938 In March, the All-China Anti-Enemy Association of Literary and Art Circles was established in Hankou, and Mao Dun was elected as a director. In April, Literary Position, edited by him, was founded in Guangzhou. At the same time, Lin Yan, a supplement edited by Li Bao, was reissued in Hong Kong. The novel The Story of the First Stage (formerly known as Where Are You Running? "), is completed at this time. In February 65438, at the invitation of Du Zhongyuan, he went to Dihua (now Urumqi) in Xinjiang via Haiphong and Kunming.
1939 arrived in Xinjiang in March. Teaching in Xinjiang University. In April, Xinjiang Cultural Association was established, and Mao Dun was elected chairman. In A.D. 1940, Sheng Cai, the ruler of Xinjiang, became more and more reactionary. Mao Dun was forced to leave Xinjiang at the end of April, passing through Lanzhou and Xi 'an, and arrived in Yan 'an at the end of May. During his stay in Yan 'an, he gave lectures at Lu Xun College of Literature and Art and the Shaanxi-Gansu-Ningxia Border Region Cultural Association. He has published many articles in magazines such as China Culture and Popular Literature. From June+10 in 5438, he arrived in Chongqing from Yan 'an and served as the Standing Committee of the Cultural Work Committee chaired by Guo Moruo. At this time, the creation of excellent prose "Landscape Talk" and "Praise of Poplar" was completed one after another. 194 1 After the "Southern Anhui Incident", the political countercurrent in the Kuomintang-controlled areas became increasingly serious, and a large number of progressive cultural figures such as Mao Dun left Chongqing for Hong Kong. In May, the magazine "Popular Life" hosted by Zou Taofen was founded, with Mao Dun as the editorial board member; And serialized the novel "Corrosion" in this magazine, which is another masterpiece of Mao Dun. Editor-in-chief of "Bi Tan" in September, 7 issues. In February 65438, the Pacific War broke out, and soon the Japanese army occupied Hong Kong. With the help of Dongjiang guerrillas led by China Production Party, Mao Dun and others left Hong Kong for Guilin. During my nine months in Guilin, I wrote such long works as Frost Leaves as Red as February Flowers and The Remains of Robbery. 1942 End the trip to Chongqing. Since August 1943, the long "Going to the Post" has been published one after another (unfinished); 1945 The creation of the first drama "Before and After Qingming Festival" was completed, and it was staged in Chongqing in September. In June this year, the progressive literary and art circles held a celebration to commemorate the 25th anniversary of Mao Dun's creative activities, and launched an essay for Mao Dun's literary prize.
After the victory of the Anti-Japanese War, Mao Dun left Chongqing on March 1946, passing through Guangzhou and Hong Kong, and arrived in Shanghai in May. Editor-in-chief of Literary Federation magazine; Participate in activities calling for peace and fighting for democracy. During his stay in Hong Kong, he delivered speeches such as "taking a peaceful and democratic route" and "recognizing the national conditions clearly". In June, he and the progressives in Shanghai's cultural circles called for peace and published a letter to President Jiang, Marshall and all political parties. In July, after Li Gongpu and Wen Yiduo were killed by Kuomintang agents, Mao Dun and others called on the International Association for the Protection of Human Rights to expose the crimes of the Kuomintang. On June+10, 5438, Shen Junru and Mao Dun published articles such as "We ask the government to effectively guarantee freedom of speech". In the same year, the translated collections of Soviet novels, The People Are Immortal, The Son of the Communist Youth League and The Short Stories of the Soviet Patriotic War were published. At the end of the same year, Mao Dun and his wife left Shanghai for a visit to the Soviet Union at the invitation of the Soviet Foreign Cultural Association. Diary of Yousu was published in June 1947. In April, he returned to Shanghai from the Soviet Union. During this visit, I wrote two books, Interview with the Soviet Union and Miscellaneous Talks about the Soviet Union. At this time, the Kuomintang reactionaries launched a civil war and practiced fascist rule more cruelly. Mao Dun was forced to go to Hong Kong again at the end of 1947.
1948 in may, Mao dun and others published a letter to colleagues in domestic culture. In June of the same year, Mao Dun and patriots from all walks of life in Hong Kong jointly responded to the "May 1" call of the Central Committee, calling on compatriots at home and abroad to unite and promote the early convening of a new political consultative conference. In July, he participated in the editing of Novel Monthly, and in September, he was appointed as the editor-in-chief of Wen Wei Po Literature Weekly, which was reissued in Hong Kong. The novel Exercise was serialized in this magazine. Besides writing some short stories, I also finished the Miscellaneous Stories of Escaping from Danger. At the end of the same year, at the invitation of China's * * * production party, Mao Dun and his wife left Hong Kong, passed through Dalian and Shenyang, and arrived in Beiping after the peaceful liberation of/kloc-0 in February, 949 to participate in the preparations for the China People's Political Consultative Conference. In July, Mao Dun attended the Congress of Literary and Art Workers in China, and made a report on "Literature and Art in Kuomintang-controlled Areas Struggling under the Repression of Reactionaries" at the meeting. At the meeting, he was elected as the vice chairman of the China Federation of Literary and Art Circles and the chairman of the Chinese Writers Association (later renamed the Chinese Writers Association).
After the founding of People's Republic of China (PRC), Mao Dun served as the Minister of Culture of the Central People's Government, the editor-in-chief of People's Literature magazine, and was elected as a deputy to the previous National People's Congress, a member of the Standing Committee of Chinese People's Political Consultative Conference, and a vice-chairman of the fourth and fifth National Committees. In the severe test of the "Cultural Revolution", Mao Dun always stood on the side of the Party and the revolutionary people. After smashing Jiang Qing's counter-revolutionary group, he was elected honorary chairman of the All-China Federation of Literary and Art Circles and chairman of the Chinese Writers' Association at the Fourth Congress of Literary and Art Workers in China. After the founding of the People's Republic of China, Mao Dun's works include Advocacy Collection, Advocacy Sequel, Reading My Accidental Collection at Night, About History and Historical Drama, and Mao Dun's Poems (including the part before the founding of the People's Republic of China). In his later years, he was ill and still devoted to writing his memoirs.
Mao Dun's works have been published by People's Literature Publishing House and other publishing houses, including: Collection of Mao Dun's Works 10 Volume Collection, Miscellaneous Notes on Escaping from Danger, On Mao Dun's Creation, Essays on Mao Dun's Literature and Art, Essays on Mao Dun's Literary Criticism, Selected Works of Mao Dun's Translation, Miscellaneous Notes on World Literary Masterpieces, Mythology and Memoirs. The 40-volume Complete Works of Mao Dun published by People's Literature Publishing House since 1983 contains all his literary works.
1981On March 27th, Mao Dun died in Beijing. Before he died, he earnestly proposed to the party: "If Meng Zhui thinks China is glorious and produces a party member, it will be the greatest honor in my life." According to Mao Dun's request and his life's performance, the Central Committee of the Communist Party of China decided to resume his qualification as party member of China * * * Producer Party, with a party age of 192 1 year. He used his savings to set up a literary prize (later named "Mao Dun Literature Award") to reward outstanding novel creation.
Midnight was published in June 1933, which shocked the literary world in China. Qu Qiubai called this year "Midnight Year", which shows its great influence. This novel takes the sharp contradiction between the national capitalist Wu Sunfu and the comprador Zhao as the main line, and describes the broad picture of China society in the early 1930s from all directions and angles: workers' strikes, peasant riots, revolutionary movements suppressed and destroyed by reactionary authorities, the activities of imperialist brokers, the merger of national small and medium-sized industries, the thrilling struggle in the public debt market, the actions of various landlords and various contradictions within capitalist families ...
When the first edition of Midnight was published in 1933, it caused a strong response. Qu Qiubai once wrote and commented: "This is China's first successful realistic novel." "In the future literary history of 1933, there is no doubt that the publication of Midnight will be recorded." The historical development of Midnight and Year of Chinese Goods confirmed Qu Qiubai's prediction. For more than half a century, Midnight not only has a wide readership in China, but also has been translated into more than ten languages, such as English, German, Russian and Japanese, which has a wide influence in the world. Ichiro Xintian, a famous Japanese literary researcher, chose midnight when recommending the top ten masterpieces of world literature in the 20th century. He thinks this is a masterpiece comparable to Proust and Garcia Marquez.
Mao Dun's novels are famous for his panoramic observation of social life. The stage background of Midnight is Shanghai in the early 1930s. Instead of intercepting an alley or a street corner, the writer shows all aspects of this modern city from the perspective of overlooking: the luxurious living room of capitalists, bizarre nightclubs, intricate struggles in factories, screaming fires in the securities market, the rhetoric of poets and professors, and the tragic love of ladies and gentlemen, all of which are combined into the plot of Midnight. At the same time, through some details, the writer touched on the rural scene and the ongoing war in the Central Plains, further expanding the life capacity of his works, thus realizing his intention: "to describe the social phenomenon in China on a large scale" and "to fully show the turbulent China in 1930." Of course, Mao Dun's "large-scale" and "comprehensive" descriptions are not random pieces of life. His elaborate structure and careful layout, through the history of the protagonist Wu Sunfu's career rise and fall and the history of his personality development, touched other multiple clues, making the whole article not only present colorful scenes, but also advance in depth along a meaningful direction. Finally, Wu Sunfu's tragedy symbolically implies the writer's rational understanding of the social nature of China: "China did not embark on the road of capitalist development, and China was more colonized under the oppression of imperialism." Mao Dun writes novels almost with the attitude of writing history. The plot of Midnight is embedded in the real historical time and space from May to July of 1930. Some scenes described in the novel, such as bond trading and the war between Jiang Feng and Yan, are well-documented and true historical facts. Midnight introduces this kind of non-fictional discourse into the novel and blends it with fictional discourse, which should be said to be a bold and creative stylistic experiment. The epic of Midnight undoubtedly benefits from the ingenious adjustment and combination of poetry and history.
The overall layout of Midnight is epic, but the detailed description is extremely euphemistic and meticulous, analyzing the characters' psychology until its subtle and trembling ripples. As early as the 1930s, Mr. Wu Mi pointed out this feature and praised it greatly, saying that Midnight was "beautifully written, full of beauty, and the brushwork was uncontrollable". It is extremely commendable that its subtleties can be restored and changed. Mao Dun thinks that Wu Mi's comments really appreciate "the author's ingenuity".
Eclipse describes the life experiences and ideological trends of some petty-bourgeois intellectuals before and after the Great Revolution. Lin's Shop focuses on the rise and fall of the small shop run by Lin Boss, describes the relationship between Lin Boss and the whole society from many aspects, and explains the important idea that the bankruptcy of Lin Boss's small shop is the future of the whole industry and commerce. "Spring Silkworm" clearly tells people that the real way out for farmers is to look beyond the bumper harvest through the fact that the life of silkworm in old Bao Tong is more difficult. Like Midnight, Lin Jiapu and Spring Silkworm are also very representative social analysis novels. It has been selected as a Chinese textbook for middle schools for a long time and is a model essay for teenagers to learn. "The Lin Shop" and "Midnight" have also been made into movies, which have aroused strong repercussions in the vast urban and rural areas of China.
In recent years, the academic circles recognized Mao Dun as the pioneer of China's social analysis novels. This genre originated from French-Russian realistic novels in the19th century and was combined with China's classical world novels. We can see it clearly from the sequel to Frost Leaves as Red as February Flowers. This draft, written in the 1970s without final revision, is obviously full of Balzac and Tolstoy-style narratives, fine environment and descriptions of characters and costumes, revealing the pen interest of the old narrative system. Mao Dun represented a whole generation of novels. Until the rise of modernist avant-garde novels in the 1980s, a new generation of more personalized narratives swept the world. It is not surprising that Mao Dun played the role of this "emerging" writer for most of this century. It is impossible to bypass Mao Dun, and it is also impossible to try to raise a great writer to an insurmountable height. In addition, the literary inheritance of each generation is "accumulation". If the next generation only bombs the previous generation and adopts the revolutionary, revolutionary and revolutionary "A Q" method, you will finally find that Xiong Xiazi has only cut one ear of corn, and we will always pay the expensive "tuition" for ABC to acquire modern knowledge. In fact, the works and comments of postmodernism have not swept away everything of modernism! Modern party realism is not what people think. Today, when we read some young writers' new works, we will feel their "fable" structure. At the same time, we will feel that the basic elements of novels such as stories, environments and characters are still alive, and they will only be deformed and will not disappear completely. This is the significance of Mao Dun's novels.
Mao Dun's former residence is located in Yuanensi Hutong, west of Jiaodaokou South Street, Dongcheng District. Mao Dun lived here from February of 1974 to March of 198 1 year. After Mao Dun's death, his former residence was turned into an exhibition hall. Covering an area of 800 square meters and a building area of more than 500 square meters, it is a small quadrangle with two entrances. Introduction: There is a bust of Mao Dun statue in white marble, 83 cm high, placed on a black marble base. There is room 15 in the front yard. The west wing used to be a reception room and a library, and the layout remained unchanged. The interior furnishings are old things that Mao Dun used before his death. There are objects and pictures of Mao Dun from youth to death in the showroom, including manuscripts, first editions of works, letters, handwriting and primary school composition (Mao Dun's earliest ink). There are 6 main rooms in the backyard, and there are urns engraved in black paint by Mrs. Mao Dun and Ms. Kong Dezhan. Mao Dun (1896.7 ――1981.3), formerly known as Shen Dehong, was born in Wuzhen, Tongxiang, Zhejiang. 19 16 began to engage in literary activities. 1958 The Complete Works of Mao Dun was published by People's Literature Publishing House 10. Before his death, he was the vice chairman of the Fifth National Committee of China People's Political Consultative Conference, the honorary chairman of the Chinese Federation of Literary and Art Circles and the chairman of the Chinese Writers Association. Mao Dun donated 250,000 yuan as a bonus before his death, which was used to set up the Mao Dun Literature Prize.
People from all walks of life commemorate Mao Dun
In what way should today's writers commemorate Mr. Mao Dun?
Mr. Mao Dun's life is a life of tireless writing, painstaking efforts and dedication to literature. We cherish the memory of Mr. Mao Dun's lofty spirit and sum up his creative achievements, which is to draw nutrition and strength from the revolutionary predecessors and work hard for the development and prosperity of socialist literature.
We cherish the memory of Mao Dun and inspire today's literary creation with his spirit. For today's literary creation team, there are many inspirations: today, we still have to unswervingly follow the literary road. Although all aspects of the situation have changed, some writers have shifted their attention from literary creation to other fields, but they still insist on promoting better works through literary creation.
Classic masterpiece
Novel:
Midnight, eclipse trilogy (including disillusionment, vacillation and pursuit), erosion, rainbow, exercise, frosty leaves are as red as February flowers, frosty leaves are as red as February flowers sequel, and the relationship is multi-angle.
Short stories:
Reward, creation, rural trilogy (including spring silkworm, autumn harvest and remnant winter), story of big nose, Lin Jiapu, color blindness, poetry and prose, stone tablet, story of hand and story of hand.
Prose:
Praise for poplars, talk about scenery, whistle selling tofu and rayon, impression of the National Games, a glimpse in the car, talking about the moon, occasional stories in the fog and mountains and rivers on the earth.
On May 3, 20201day, NASA astronauts Bob Bacon and Doug Hurley approached the International Space Station in the manned dragon spacecraft of Space Exploration Technology Compan