Performance characteristics of film and television art appreciation [Abstract] Film and television art appreciation is often experienced from these aspects: First, the perceptual experience accumulated with rational knowledge. Second, dynamic and non-single understanding. Third, the style and charm of film and television. These three points are of great significance for improving the audience's appreciation level and the development and prosperity of film and television art. [Keywords:] Film and television art appreciation is a comprehensive art combining audio and video. All his means of expression, such as character performance, influence modeling, camera movement, picture combination, sound and music, lighting and color, can bring direct sensory information to the audience and produce a "realistic illusion" about a social life or natural phenomenon. The appreciation of film and television art is often realized from these major aspects. 1. The perceptual experience accumulated with rational knowledge For the appreciator, only by being good at connecting his inner feelings with the characters or authors through the image shell of the appreciator can he successfully enter the aesthetic realm and then understand his ideological or social significance. Any real artistic appreciation begins with some kind of emotional experience aroused by the appreciator. For example, at the end of the Japanese movie "Love Between Life and Death", Xia Zi died unexpectedly, and the big palace with a sad expression came to the tennis court and leaned against the railing of the stands. Suddenly, "Poof! Poof! Poof ... "The voice of playing tennis appeared. Then, Xia Zi said," Hello, please walk slowly! " The sweet voice echoed in the empty stadium, and this kind of empty city plan combining sound and painting had a strong echo in the audience. The film critics also gave a high evaluation, even saying that it was the most wonderful stroke in the film, because people had sympathy and concern for the hero's sincere love. At this time, they further felt that "the earth endures, and the sky endures; One day both will end, and this endless sadness will last forever "in the heart of the grand palace and the infinite yearning for Xia Zi. Second, the creation of dynamic, non-single understanding art, from the perspective of appreciation, the communication between readers and authors, audience and stage or screen should not be regarded as something that will always be qualitative once it is produced, but is multi-level and has the characteristics of initiative and openness. For example, Chaplin's famous film The Great Dictator, Italian neo-realism masterpiece The Man Who Stole a Bicycle, and American films such as Apocalypse Now and Born on the 4th of July after the Vietnam War all have a vision and momentum that can become a custom or a spiritual history of the whole society, and can bring the audience a "face-to-face life" and. Another example is The Old Man and the Sea, which is adapted from Hemingway's novel of the same name. After reading it, why do you think it is not just a special experience of Santiago himself, but an image embodiment of the so-called "Hemingway spirit" of the whole person or the philosophical thinking of the true meaning of life pursued by the author? This is not only related to some ordinary life experiences that can be aroused in people's minds by the scene atmosphere and character characteristics in movie stories, but also related to some audiences' familiarity or hobbies with Hemingway's consistent style and the symbolic and ideographic functions of film and television images. Without these conditions, the feeling will be very different. It can be seen that although every film and television audience will eventually get some feelings and make some judgments on the nature and significance of the stories and characters they watch, it is not easy for everyone to truly penetrate the surface emotions of the stories, accurately grasp the deep meaning of the works, and obtain a higher level of aesthetic enjoyment. Third, the style and charm of film and television From the perspective of appreciation, the observation and evaluation of style is also the highest realm of the whole appreciation activity, which requires not only keen artistic perception, but also corresponding ideological insight and theoretical generalization. To understand style, we must first understand people; To understand people, we should also understand society and history. At the same time, the aesthetic evaluation of the object of appreciation is often a reflection of the connoisseur's own mind and accomplishment. Take the discussion of Xie Jin's films in previous years as an example: his films generally pay more attention to being close to the life of the times and reflect the fate of ordinary people. I especially like the legend of Tianyun Mountain, the shepherd, the wreath at the foot of the mountain and so on. In the choice and development of themes, we can examine reality and reflect on history with a clear sense of historical mission and social responsibility. By scanning some major social contradictions and focusing on the ideological hot spots concerned by the masses, we try to integrate people's love, hate, bitterness and happiness with the main laws of life. Style is not a static thing, it should undoubtedly keep pace with the development of life, times, artistic concepts and artistic practice. An discerning audience should be able to keenly discover and enthusiastically encourage every new effort and achievement of film and television artists. For example, Zhao Huanzhang's Trilogy of Farming Villages, Xi Yingmen, A Hundred Years Old Cow, Our Veterans, etc. have consistently maintained a strong flavor of local life and light humor and sadness in comedies. However, in the structural skills of conflicts caused by plots and contradictions, there are changes from one part to another; Xiyingmen closely revolves around the transformation of strong English and organizes contradictions, which is a traditional and standardized linear structure; Cow Hundred Years Old takes advantage of the ups and downs caused by various interpersonal contradictions, leaving a "tail" for the transformation of Tianfu at the end, which is obviously an open transformation from line to surface. Our Veteran is more calm and free, which makes the structure of the film more three-dimensional and enriches the interest and life capacity of the work. This change is not only the result of the director's deepening life and broadening his career, but also in line with the audience's aesthetic psychology of constantly developing their appreciation ability, so it is welcomed by the audience. Therefore, it is of great significance for the development and prosperity of film and television art and even the spiritual civilization construction of the whole society to improve the quality and appreciation level of film and television culture of the broad audience in the whole society. 1] Sun Yijun. Appreciation of film and television art: a new discipline to be established urgently [J]. Modern Communication, 2002, (03) [2] Zeng. On the relationship between artistic appreciation and artistic creation [J]. Jiangxi Social Sciences, 19 1, (02) [(02) [4] Liu, On Film and Television Art [J]. Journal of Guiyang University, 2002, (03) [5] Song. On the Commercialization of Film and Television Art [J]. Journal of Xiangtan Teachers College (Social Science Edition), 1996, (04) [6] 1994, (02) [7] Gu Jianhua. On the psychological process of art appreciation [J]. Journal of north china university of technology, 1989, (02) [8] Dai Jianping. On the concept system of film and television art [J]. 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