Author Xu Jingya: Member of the First Youth Poetry Society, 65438-0949, from Changchun City, Jilin Province. 1982 graduated from the Chinese Department of Jilin University. 1985, moved to Shenzhen. He is the author of poetry criticism, The Rising Poetry Group, The Death of Canon, The Light of the Hidden Man, and a collection of essays, History is unforgivable. He presided over the Exhibition of Modern Poetry in China and edited Panorama of Modern Poetry in China. 1983 the trend of contemporary literature published Xu Jingya's academic paper "The Rising Poetry Group" written in the university two years ago. As soon as this poetics was published, it exploded like a bomb in the poetic world, and then it triggered a great criticism of this poetics and even the misty poetry movement. Xu Jingya's Poem of Rising, Xie Mian's Facing the New Rise and Sun Shaozhen's New Aesthetic Principles are collectively called "three rises" by critics.

As a member of the first youth poetry club, Xu Jingya emerged with the rise of the new poetry school and became one of the most incisive poets and poetry critics at that time. 1986, with the re-emergence of the second generation of poets, Xu Jingya once again bombed the poetry world with his poetic theory "the death of Gui Biao". Gui Biao's death attracted more fierce attacks, so the publication of Contemporary Literary Thoughts, which published this poetic theory, was suspended. Wang, one of the founders of the Youth Poetry Society, wrote in his reminiscence article: "A responsible person made a long speech at the forum of writers, critics and literary editors. Finally, when talking about training successors, he said: We are not training successors, but grave diggers. He said that the young man who wrote Death of the Banner was our grave digger. This grave digger is Xu Jingya. "

In the summer of 1986, Xu Jingya initiated and organized a large-scale exhibition of modern poetry in China, which was his last appearance on the poetry stage. Soon, with the decline of the second poetry movement, Xu Jingya, like many contemporary poets, was far away from poetry and disappeared from people's sight.

Nowadays, the once criticized "three urgency" is a milestone in the misty poetry movement, which has been written into the textbooks of Chinese Department of universities and widely read as a key chapter in the history of contemporary literature. Xu Jingya, once the overlord of poetry, sometimes went to the sea to do business, sometimes indulged in mountains and rivers, and sometimes indulged in Go and table tennis, and faded out of poetry for more than ten years. Interestingly, his wife Wang Xiaoni, also a member of the first Youth Poetry Club, has been insisting on poetry creation for more than 20 years. When Shu Ting, who debuted together, had already become a semi-hermit in Gulangyu, Wang Xiaoni still maintained exuberant creativity. Xu Jingya thinks that he and Wang Xiaoni are just two sides of the golden shield of poetry.