2. The order of music, published in the 4th issue of Art Wide Angle (Liaoning), 1988.
3. Conflict and choice, modern music style 1989 No.65438 +0-2.
4. Aesthetic saturation and artistic development, in Art Essays (Fujian) No.2, 1989.
5. The principle of incomparable beauty and aesthetic equivalence, in Art Essays No.3, 1990.
6. Out of the Transcendental Labyrinth-Philosophical Thinking of Modern Music, published in Art Wide AngleNo. 1990,No. 1.
7. Open the third eye-explore the laws of music culture, in Modern Music Style No.5 and No.6, 1990.
8. The Beauty of Modern Symphony, Modern Music Style, No.7, 1990.
9. "Breakthrough of Native View of Music Culture", contained in Yellow Seed,No. 199 1 issue.
10. Choose from self-temptation —— A preliminary study on the axiom of music aesthetics, published in the third issue of Wide Angle of Art, 199 1.
1 1. Dialogue (cooperation) of "Morning and Transition-End of the Century" and "Wide Angle of Art" are published together.
12. The Story of Many-sided Animals ── A Random Talk on Music Aesthetics, No.5 of Fujian Art, 199 1.
13. the new voice of the silk road in music and culture ── Siu-Hung Ng's symphonic poem "Erythrina City", published in the 5th issue of Music Lover, 199 1.
14. Stream of consciousness: Reflections on the relationship between Chinese and Western cultures, published in the 4th issue of Art Essays, 199 1.
15. Interview with the Third National Symphonic Music Creation Seminar, Modern Music Style, No.8, 199 1.
16. Pure structure of music, Huang Zhong, No.4, 1992.
17. Dialogue on Music Aesthetics, Fujian Art 1992, No.3. ..
18. Topological deformation and aesthetic constancy of music, published in Art Essay No.7, 1992.
19. A preliminary study on the sound perception psychology of harmony function, in Art Essay No.8, 1992.
20. The Truth of Mind —— Reflections on the Philosophical Foundation of Music Aesthetics, Modern Music Style,No. 1992,No. 10. ..
2 1. Summary of musicology methodology (199 1), published in Music Yearbook 92.
22. Summary of Music Creation inside and outside the Red Apricot Fragrant Dyed Wall in Fujian Province, same as above.
23. "1992 China music aesthetic landscape", contained in "China Music Yearbook 93 volumes".
24. The banyan tree has deep roots and luxuriant leaves-a record of Fujian composer Guo Zurong's music lovers,No. 1993,No. 1.
25. The Call of New Music: CANGAROO Care, Fujian Art, 1993, 1.
26. Taste and sincerity, "White Paper" and the atmosphere of Amsterdam, in Musical Academic Information (Beijing)No. 1993.
27. The Boundary between Comparable and Uncomparable —— Discussion on the Basis of Comparative Music Research, published in Comparative Music ResearchNo. 1993,No. 1.
28. "The Rationality of Music", paper of the 4th National Music Aesthetics Conference, published in On Art, No.9, 1993.
29. The Aftersound of Taimushan Conference contains modern music styles,No. 1993,No. 1 1.
30. Dialogue: national music and its association (cooperation), modern music style, 1993, 12, 13, 14.
31."1993 Summary of Comparative Studies on Music in Chinese mainland", published in Music Yearbook 94.
32. The Four Deadlocks of China's Musical Thought in the 20th Century ── Reflection and Solution of Musical Philosophy, Aesthetics and Culturology, participated in1February, 994 "China Musical Aesthetics Seminar", included in the proceedings of the conference. Also published in Comparative Music Research No.4 1994 and No.3 1995.
33. National and Personal Lyrics ── Guo Zurong's Random Thoughts on Songs and Concerts, Fujian Art, No.3, 1994.
34. Agreement, Naming and Definition-Music Aesthetics and Its Object, Fujian Fine Arts,No. 1994,No. 1.
35. The holographic landscape of the music world-the related whole of musicology, published in Art EssaysNo. 1994,No. 1.
36. Music Comparison: Universal Method or Special Topic, Comparative Music Research No.4 1995.
37. Introduction to the 8th Annual Meeting of Chinese Traditional Music Society, People's Music, No.4, 1995.
38. The Cultural Relationship between Man and Music-The Concept of Music Cultural Field, published in Art Essay 1995. 19.
39. "A bunch of music criticism poems" includes "modern music style" 1995 No. 19.
40. The Art of Learning-Learning Experience of Sanxian Art Theory, People's Music 1995. 12.
4 1. Composition: Language and True Self —— Summary of the Second Beijing-Shanghai-Fujian Music Creation Seminar, published in the 5th issue of Musical Academic Information, 1995.
42. China's concept of music development: a comparison between Hong Kong perspective and mainland perspective. Comparative Music Research 1996 No.65438 +0, total No.65438 +065438 +0.
43. Comparison between China and Japan: Dealing with the relationship between East and West in music. Journal of Fujian Normal University (Philosophy and Social Sciences Edition) No.3, 1996.
44. Post-modernism art. Humanistic narrative of music, Beijing, 1997.
45. Simple definition of postmodern music. Humanistic narrative of music, Beijing, 1997.
46. Postmodern music: burning and ashes. Shanghai artists, Shanghai, No.5 and No.6, 1997.
47. "Drifting bottle information" and cultural outlet-another reflection on "New Wave Music". China Music Yearbook 96 volumes.
48. Postmodernism and contemporary music culture in China. China Music 1997 Issue 2.
49. A summary of the reading meeting on comparative methods of Chinese and Western music. China Musicology 1997 No.3.
Bartok: The combination of folk music and modern music. Bao 1997.5. 1.
5 1. Xiaosong Qu: "Five tones make people deaf and five colors make people blind". China Music Yearbook 96 volumes.
52. Chen Qigang: Breaking away from modern music tradition. China Music Yearbook 96 volumes.
53. Romance and hardship in contemporary music legends-an interview with Cai Jikun and Fujian Conservatory of Music. People's Music 1997 No. 10.
54. Several Focuses of the Discussion on "Sino-Western Relations" —— Review and Reflection on the Development Road of China Music in the 20th Century. Music Weekly1998 65438+February 1 1 3rd edition.
55. Remember the seminar on modern music creation? People's Music 1998 No. 12.
56. Creation or plagiarism-On the similarity between Hero and Aunt Wang. People's Music 1997 No.4.
57. Reflection at the end of the century: On the nationality of music. National Art 1998No. 1 (No.50 in total), Nanning, Guangxi.
58. juxtaposition and comparison: music and art towards postmodernism. Paper of the First Seminar of Comparative Center of China Academy of Fine Arts 1996.
59. On-the-spot report of Liu Jingzhi's new music history publishing seminar. China Musicology 1999 No.3.
60. "Breaking through the thinking mode of Sino-Western relations —— Thoughts on reading Wang Yaohua's Introduction to World Folk Music". People's Music, No.6 in 2000.
6 1. "The research results of the integration of history and logic-Rereading Runyang's Theoretical Research on Music History". Music research,No. 1, 2000.
62. "Reflections on the aesthetic basis of' new music'". People's Music, No.7, 2000; Liu Jingzhi, editor-in-chief, Collected Works of China's New Music History/Expression, Expression Ability and Aesthetic Basis, Center for Asian Studies of Hong Kong University, Center for Literature and Translation Studies of Lingnan University and Hong Kong Folk Music Society, June 5438+February 2000.
63. Is there postmodern music in China? China Al-Hayat, 4 July 2002.
64. What is postmodernism of music? Symphony,No. 1, 2003. March 25, 2003. 15000
65. Mozart, A Ring of Endless Light, Salzburg. China Reading Newspaper, February 2003, 19, 18 edition of International Culture.
66. Music and horse manure in Vienna. China Reading News March 2003 19? Japan, 18 edition of International Culture.
67. Music and art towards post-modernism. The third symphony in 2003. 20000
68. How to get into music/A review of the first national seminar on music appreciation teaching. Music Studies, No.4, 2003, 8 1-84. 8400 words
69. Talk about Wen Deqing's indoor opera "Gambling for Life". Literature Review, No.2, 2004. 7000
70. Where to stand and talk about music. Literary Review, No.3, 2004. 8000
7 1. Memory of Stone/Musical Impression of Siu-Hung Ng Dance Drama "Huian Woman". People's Music, No.7, 2004. 4500
72. Postmodernism in China's music creation. China Composers Music Festival Symposium 2003, edited by Luo Chen, 96- 1 14 pages. 19000
73. "Nationality" or "Internationality" and "Individuality"/Comment on a topic of "Hong Kong Chinese Composition Conference". Fujian Art, 1, 2004. 5600
74. Understanding the synthesis of art .. Department of Basic Education and Department of Normal Education of the Ministry of Education: Training Manual for New Curriculum Teachers in Ordinary Senior High Schools, Art Curriculum Standard Training, Topic 2, Higher Education Press, May 2004, pp. 24-46.
75. Music education reform with aesthetics as the core. Journal of the central conservatory of music, No.4, 2004. 17500,
76. Music education reform with aesthetics as the core. From Practice to Decision/Reform and Development of School Music Education in China, edited by Wang Anguo, Guangzhou: Huacheng Press, 2005, p. 126- 144. Won the second prize of the 4th Literary Criticism Award of Beijing Federation of Literary and Art Circles. Beijing Federation of Literary and Art Circles June 2005 5438+065438+ 10.
77. From bosom friend, bosom friend to happiness. Fujian Art, No.2, 2005. 4500
78. The concept of music development in the context of post-colonial criticism. Symphony 1, 2005.
79. Symphony interpretation and symphony interpretation. Fujian Fine Arts, No.3, 2005. Page 48-49
80. Music aesthetics (words). Introduction to musicology, Higher Education Press, July 2005, pp. 59-74. 20530
8 1. Criticism on the post-colonial phenomenon of China's music across the century. Fujian Art, No.6, 2005,165438+1October 20th, pp. 7-9. Hong Kong Modern Education Research Association and Social Science Research, the core journal of the World Chinese Media Association, were hired in February 2006.
82. Look at the concept of "music" in anthropology from the postmodern perspective. Music Art,No. 1 2006.
83. Impression of traditional folk music in the yellow land of northern Shaanxi. Fujian Art, No.2, 2006, March 20th, pp.52-54.
84. Criticism on the post-colonial phenomenon of China's music across the century. Social Studies (Hong Kong), No.2, 2006, pp.80-81. Won the "excellent paper" from the editorial department.
85. What is the "aesthetic" of "music"? Journal of Xinghai Conservatory of Music, No.3, 2006
A study of China's music aesthetics in the 20th century. Huang Zhong, No.3, 2006.
87. Trends in the post-Westernization era. The fourth symphony in 2006.