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Why can China's calligraphy become art?
Chinese characters have the characteristics of visualization and meteorology. The inflectional or "single word form unchanged" characteristics of Chinese make Chinese characters gain the whole meaning life of the context. Brush has calligraphy effect: revealing the internal trend and opportunity of structure.

The aesthetic feeling of China's calligraphy is also intrinsically related to writing with brush. Hard pen writing, static is a little, moving is a line and a shape; Its point of view is that the line itself has no internal structure, but is just tracing and forming. Brushes are different. The pen tip is a bunch of flexible soft hairs, which are written on blotting paper with ink, so it is full of internal dynamic momentum and timely ability.

Calligraphy is the skill of writing beautiful or tasteful words. China's calligraphy has been regarded as one of the most important arts since ancient times, and the status of calligraphers or calligraphy works is by no means lower than that of painters, musicians and their works. "Calligraphy and painting are of the same origin" has long been recognized.

China's calligraphy can become an art, which embodies the unique aesthetic feeling of Chinese characters in China.

Extended data:

The basic shape of Chinese characters is square, but through the expansion and contraction of stippling and the torsion of axis, various moving shapes can also be formed, thus combining into beautiful calligraphy works. The form of the knot is mainly influenced by two factors: one is the need to express the interest of calligraphy; The second is the formal factors of calligraphy performance.

There are two main ways to construct the structural beauty of stippling. One is that all kinds of stippling colors are directly combined into various beautiful single characters and radicals according to a certain combination method. The second is to combine various radicals into various glyphs in a certain way. The radical combinations of Chinese characters are nothing more than left-right type, left-middle-right type, up-down type, upper-middle-lower type, enclosing type and semi-enclosing type.

These principles are mainly the principles of proportion, balance, rhythm, rhythm and simplicity. What I want to mention here is the principle of proportion, in which the golden ratio is a very important proportion and is very important for the structural beauty of stippling.

The artistry of ink color combination mainly refers to the order of its combination. Calligraphy, as an art, its various colors can no longer be chaotic, but should be very orderly. There are also some aesthetic principles that writers need to abide by. Such as emphasis, gradual change and balance.

The ink color combination of calligraphy structure mainly involves two aspects: one is the segmentation and combination of background colors. People often say that "black hours count white" is the content in this respect. The second is the stippling structure of ink color combination. From the overall effect of the work, we should not only pay attention to the plane structure of stippling pen and ink, but also pay attention to the layering of stippling pen and ink, so as to enhance the expression depth of calligraphy.

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