2. The love for the motherland is the second characteristic of Du Fu's poems.

Du Fu is a strong patriot, and his poems are permeated with patriotic sincerity. It can be said that his joys and sorrows echo the ups and downs of the fate of the motherland. When the country is in danger, he will also cry for the flowers and birds in the third spring, such as "Spring Watch". Once the chaos is decided and the news suddenly spreads, he will burst into tears with ecstasy. For example, the banks of the Yellow River were recovered by the imperial army.

Du Fu always cares about the fate of the country, and his ideological connotation changes with the changes of the current situation. During the An Shi Rebellion, he dreamed and longed for military figures like Duke Zhou and Zhuge Liang. Still reflected in old age? The old horse crouches, aiming at thousands of miles; The martyr is old and ambitious? A broad mind.

3. Irony is the third feature of Du Fu's poems.

Du Fu's satire is very extensive. As early as when he was trapped in Chang 'an, he criticized Tang Xuanzong's belligerence, which led to people's bloodshed and bankruptcy. In this respect, military vehicle shops are representative. In addition to the works directly related to politics and society at that time, some poems about things and scenery also permeated people's thoughts and feelings, and were full of the poet's patriotic passion.

Thirdly, the artistry of Du Fu's poems.

Du Fu's poetry is a model of highly unified content and form. From the perspective of creative methods, Du Fu's greatest achievement and characteristic is realism.

Du Fu has his unique and rich life experience, and his poems mainly focus on people's life and are closely combined with social reality. In order to truly and vividly reflect real life, he needs to adopt realistic expression techniques, which is the internal reason why his poems have this feature.

1, good at typical artistic generalization of real life.

In many of Du Fu's poems, we can realize that he is very good at selecting and summarizing typical figures and reflecting the general through individuals. For example,? Zhumen stinks of wine and meat, and the road has frozen bones? It is shocking because it is the poet's poetic pen, which summarizes the sharp contradictions in social reality and writes the irrefutable evidence of the ruling group.

2. Subjective and objective.

That is to melt one's subjective consciousness, thoughts and feelings into an objective and concrete description, rather than saying it directly. This is particularly prominent in Du Fu's narrative poems. For example, there is a saying in the Stone Trencher:

? Why do officials get angry and women cry? ? In addition to revealing the author's love and hate slightly, it reflects the author's true description of objective things. Let the subject and object meet and the scene blend into one.

3. Description of details.

Du Fu is good at capturing expressive details that can show the essence of things and the mental outlook of characters. For example, the most prominent description of his details is a passage about his wife and children in the Northern Expedition. This poem not only vividly depicts the innocence of his little daughter, but also sets off his own mixed feelings of sadness and joy.

4. Use of dialogue and personalization of characters' language.

In order to make the characters vivid, Du Fu absorbed the creative experience of Han Yuefu, and often personalized the characters' language by dialogue or monologue. For example, in "Wedding Farewell", the pain of getting married becomes where you are going, but when you think that you are still a bride who has just passed the door, you can't help but be reserved and shy, and you are extremely well prepared, which fully conforms to the specific identity and mental outlook of the characters. So when we read, there is always a feeling of seeing that person and hearing his voice.

5. Use common sayings.

This is a major feature of Du Fu's poems. Du Fu uses common sayings in lyric modern poems, but it is more abundant and important in narrative ancient poems. Because many of these narrative poems are about people's lives, the use of proverbs can increase the authenticity and intimacy of the poems. And help to highlight the personality of the characters and the personalization of the language. Like "The Newlyweds"? If you have a daughter, you will get a chicken and a dog. ,? When they run with you, they cry and pull the "forward throw" of your sleeve. Bows should be used as strength and arrows as length. Shoot the horse first, catch the thief first? . As a realistic poet, Du Fu's lyric poems also have their own style. When he portrays characters in narrative poems, he often dissects his tortuous and contradictory inner world. The two banks of the Yellow River were recaptured by the imperial army is the first quick poem of Du Fu's life. At first glance, it seems abstract, but it is still very specific.

He used it? Tears all over your clothes? Write down his happiness and sadness and seize it? A book of poetry? This little gesture showed his ecstasy. Although the last four sentences belong to fantasy, there are still rich images in fantasy. In narrative poems, Du Fu's feelings are useless, while in lyric poems, he often sends his feelings to the scene, melts the scene into emotion, and makes the scene blend.

Du Fu is a poet with great political aspirations, which determines that his realism is ideal realism, so in some of his narrative poems and lyric poems, there are often works combining realism with romanticism.

The styles of Du Fu's poems are various, but the most distinctive one is recognized by Du Fu and has always been recognized, right? Depressed? Depressed? . The rapid changes in the environment of the times, the poverty and hardship of personal life, the profound thoughts and feelings, and the calmness of expression are the main factors that form this style.

It's no accident that Du Fu can achieve such high artistic achievement, but he paid for it with his whole life's hard work. This is manifested in the following aspects: the first is to learn with an open mind. He learns from the ancients, the times, writers and folk songs, so he said? Not thin. People today love the ancients? ,? Being lenient has benefited many teachers. Is it your teacher? . With an open mind, Du Fu learned from others, learned from others, and brought forth new ideas to achieve what Yuan Zhen said? As ancient and modern as possible, and everyone is unique? . But he's ignorant, and he says? Don't cut your fake body, collect elegance? What about if you are sure? Clear words and beautiful sentences must be neighbors at the same time, which also reminds people not to slide into the mud pit of formalism.

The second is painstaking writing. Although Du Fu praised his poetry friend Li Bai? Thousands of clever poems. But you don't admit that you write poetry? Hard work? . For poetry? Amazing? His efforts have reached such a level: Language is not amazing! What is commendable is that Du Fu still insists on this painstaking writing attitude.

The third is serious discussion. There are many poets in the prosperous Tang Dynasty, but they seldom talk about poetry. Du Fu, on the other hand, is good at poetry and careful. He said to Li Bai? When is a bottle of wine, heavy and thin paper? And said to Yanwu? How about reciting poems? Wait a minute.

Fourthly, the position and influence of Du Fu's poems.

Du Fu's poems are part of China's most precious literary heritage. In the development of China's realistic poetry, Du Fu plays an important role in connecting the past with the future. As a great realistic poet, Du Fu's influence is enormous, far-reaching and multifaceted. This is particularly prominent in those Yuefu narrative poems that reflect reality. He didn't follow the old road of Yuefu ancient theme since Jian 'an, but in the spirit of Han Yuefu? Because of what? Spiritual self-innovation. It can be seen that the new Yuefu movement in the middle Tang Dynasty was directly enlightened by Du Fu. Whether to use ancient poetry or not is not only a simple matter of form, because in essence, it is tantamount to pointing out a creative path for future poets to lead to reality and people's lives, and this influence has been throughout the creation of poets in the late Qing Dynasty.