Keywords: nationality; Vocal music; Actor; quality
The performing art of national vocal music is a comprehensive training subject which combines various artistic elements. It is necessary to organically combine all kinds of elements conducive to artistic expression within the framework of opera and singing performance art, to integrate the singing style of opera with the exaggerated modeling in drama, to connect the conflict in drama with the form in song drama, and to connect the dance in opera with the performance in drama. From appearance to singing, from figure to performance, from voice to lines; Artistic adaptation and creation of stage vitality and singing skills; Let traditional drama and national music, performance in drama and singing in music perfectly blend and reappear in artistic innovation. National vocal music art is a practical subject, but it is incompetent to be a national vocal music actor who can only sing without theoretical support. Theory is the summary of practice, and the professional quality of national vocal music actors is the professional theoretical knowledge accumulated in the process of vocal music practice, forming a professional singing quality with its own personality.
The professional qualities that national vocal music actors should possess are:
(1) The vocal mechanism of singing.
Singing is the product of the movement of human reproductive organs. Although people's vocal principles and physiological structures are different, there are differences between high school bass and boys and girls' voices, and everyone has unique voice characteristics due to different pronunciation and language habits. Not only that, but also, everyone's psychological factors are different when singing. Therefore, finding your own unique, scientific and correct vocal body is the key. When practicing, we should embody the principle of singing in every pronunciation; It is a general principle that the voice is smooth, the breath is flowing, the timbre is beautiful and natural, and the volume is not "injured" (vocal cord injury).
National vocal music actors must undergo comprehensive, systematic and scientific training in order to master singing skills. The key is to make the effect of * * * sound coherent and loud, control the breath freely, understand the sound accurately, and learn the lyrics scientifically and comprehensively. Knowing the background of each song's creation and making a comprehensive analysis of the works can make a more accurate judgment on the rhythm and intonation in the second creation, and can not only have its own style in singing, but also blend the essence of the original well, so that the songs can glow with new charm.
In recent years, the national vocal music community not only paid enough attention to vocal music science, but also paid enough attention to the overall integration of vocal music art and vocal music science. Based on the correct vocalization of human body, a reasonable vocal training plan is made. Only in this way can the art of national vocal music be more valuable and scientific. Only the organic combination of vocal music art and voice science can stimulate the greatest initiative of human musical instruments. Only when we have enough knowledge and understanding of the vocal organs of the human body can we accurately and reasonably grasp and play the vocalization and breathing in the lyrics; On the contrary, if we don't know enough about the organic combination of vocal music art and noise science, then when we sing, the treatment of vocalization can only stay on the surface, and the expression of the essential level of vocalization lacks its scientificity and performance.
The human body is a natural, complex, plastic and unique "active" musical instrument. Its complexity is reflected in the physiological mechanism of vocalization, the reasonable conversion of cavity, the movement state of function, the control of nervous system and so on. For a long time, people's judgment and analysis of the complex behavior of singing generally stays at the auditory level, but the accuracy of hearing is limited by teachers' own physiological conditions and teaching experience. In the field of vocal music, effective analysis and measurement of vocal music phenomena with the help of acoustic theory can transform vague, general and abstract concepts into concrete, intuitive and accurate judgments, and make sensibility rise to rationality, which has important practical significance for national vocal music singing.
(3) Vocal aesthetics.
Music aesthetics is the basis of vocal aesthetics, and vocal phenomenon is the basis. Learning the aesthetic characteristics of vocal music art is the essence of music aesthetics. The art of vocal music includes the beauty of language in literature, the beauty of action in dance and the beauty of singing in singing, which constitute the basic framework of vocal music aesthetics and have their unique aesthetics and creativity. As the essence and core of vocal aesthetics, vocal art reveals the pursuit of beautiful melody in singing. The essence of the beauty of singing art is embodied in its unique artistic taste, which is the sublimation of art with unique aesthetic taste in the form of music. This aesthetic taste is the perfect combination of music content and form, and it is the consciousness and means to sublimate beauty. Aesthetic taste is determined by aesthetic consciousness, which includes various forms such as aesthetic perception and feeling, aesthetic taste and concept, aesthetic ability and aesthetic concept. The aesthetic consciousness of singing art mainly includes artistic creation and aesthetic psychology, as well as the perception of beautiful voice. The deviation of everyone's cultural quality, life background and personal interests finally forms the complexity and diversity of aesthetic orientation, which also depends on the comprehensive factors of society and history, so that aesthetics has both personal characteristics and the needs of the times for beauty. Because of individual aesthetic differences, it also leads to differences in aesthetic tastes, but this does not affect the objective aesthetic standards of aesthetic tastes themselves. In the process of artistic creation, the aesthetic consciousness of the public is influenced by many factors such as geography, culture and ideology. This aesthetic consciousness will form a stable state and a popular aesthetic taste in a relative period. In the process of performing national vocal music, the actors not only reflect the differences in aesthetic taste, but also reflect the overall aesthetic taste of the times. The determination of aesthetic taste, to a great extent, determines the vocal strategy of national vocal music actors in singing, and can also clearly show the ability of actors to understand the concept of vocalization. The concept of sound refers to the essential standard of sound, which is a concrete object and needs to be perceived through the form of sound. Understanding the concept of sound fundamentally determines people's aesthetic hearing. On the other hand, people's aesthetic hearing also plays an important role in the characteristics of sound concepts, and the determination and mastery of sound production methods are effective means and methods to achieve certain sound effects.
(4) Audio language.
Language is a tool for human beings to express their feelings and thoughts. Vocal language is an organic combination of sound and music. The voice is immersed in the music, and the music is integrated into the voice, so as to achieve the fusion state of the words in the voice and the sounds in the words. Vocal music language, as the sound form of music language, shapes the artistic image in the linear cavity of one word and one sound. The aesthetic requirements of China's national vocal music language are "according to the words", "clear and pure words", "leading words" and "full of sound and emotion". Vocal language is presented in the form of lyrics in vocal music works, and the expression of emotion in the whole vocal music works is centered on lyrics. If the singer has no systematic literacy in the pronunciation, articulation, articulation, intonation, tone, language posture, style, expression and overall performance of lyric language, it will not only beautify the vocal music language itself, but also fail to reach the artistic realm of lyric expression.
Therefore, the theoretical level of national vocal music actors plays a vital role in improving the quality of vocal music singing, and vocal music actors must strengthen theoretical study. To master the comprehensive vocal music theory, we should not only read and understand a large number of vocal music works at home and abroad, but also treat theoretical study with a critical eye, rather than distinguish between good and bad.