1. The editing and proofreading value of poems with set sentences is reflected in the imbalance of writing times. The compilation value of poetry has been analyzed in the previous article, but the value of poetry in different times is different. Poetry in Song and Yuan Dynasties has the highest value, followed by Ming and Qing Dynasties.
The parallel prose before the Song Dynasty, that is, Fu Xian 1 1 Liezi of Seven Classics, all came from the early Confucian classics. These classics are still well-preserved, with little difference in versions, and have no compilation and collation value. Parallelism poems developed in the Song Dynasty are different. Shi Yannian and Hu Guiren wrote poems of Tang and Five Dynasties. Their poems not only have compilation value, but also can collate some existing biographies. Let's take Shi Yannian's three poems with sets of sentences as an example. Such as "accidental entry":
Year after year passed, putting on wedding dresses for other girls. Laugh at the sky, go out and dance in the spring breeze alone.
Judging from the available data, the last sentence of this poem should be a lost sentence, which can be compiled into anonymous works in Tang and Five Dynasties. The other three sentences from Zheng Gu's Yan, Poor Girl and Li Bai's Children from Nanling to Beijing in the Tang Dynasty are all the same as the original poem. Another example is the "next episode" cloud:
I can't write for a lifetime, and I want to get ahead for no reason. The Lord spared no effort to summon thousands of miles. Why should Heng E cherish a spring? Although the phoenix is doomed, it also stands in the forest of jackals. It's no use crying blood. Who is Zhu on horseback?
In this poem, there are three unknown sentences in the Tang and Five Dynasties: Desire for the Lord, Constant moths, and another sentence of "Zhu Zhu" comes from Bai Juyi's Selling Women as Prostitutes, and all versions are called "Zhu Hong". "Zhu" and "Hong" are similar in meaning and have certain collating value. Another example is "Carving a Son":
Skye should know, who knocks at the door under the moon? It is cheap to get a pair of poor eyes.
This poem can be compiled into two sentences: "Under the Moon" and "Cheap". Among other sentences, the sentence of "Sikong" comes from Bai Juyi's Farewell to Crane and Pei, and the sentence of "Yi Nai" comes from the sentence of "Thanks for the loss of wine in Ganzhou".
Look at three poems by Hu Guiren. Such as "Set Sentences" 1:
1. Which day do you know first? Don't move for no reason. Who wants to be the master of Qinggui Baiyun period? Next to the bookshelf, the books are neat and the wine is poured. Civilization must be supported after all, so don't push the operation.
There are four anonymous poems in the Tang Dynasty that can be sorted out from this poem, such as Endless, Desire to Walk, Fanpiao and Civilization. Of the eight sentences, four are missing. Like the original poem, for example, the first sentence comes from Li Pin's Love in Chang 'an, the second sentence comes from Du Fu's Western Suburb and the second sentence comes from Shi Qiji's Fifteen Poems of Mo Wen and Zhu Gong. It's just that the sentence "Who and" is more complicated and can't find a direct source. However, in the Tang Dynasty, Chen Ziang's Good and Baiyun Period (feeling 26), Ruo and Baiyun Period (feeling 32), Wang Wei's Alone and Baiyun Period (a work in the mountains in early autumn) and Bai Juyi's Harmony and Baiyun Period (Baiyun Period
The second part of the sentence set is the same:
Baishaxi is surrounded by white clouds, but who put the glass? I admire the ambition of sages, and I laugh at the dust. Bishan thought endlessly all day long, and it was difficult to guess in the Qing Dynasty. The wind covers the sky with old pine doors, and the poor are expensive and talented.
There are as many as four missing sentences in this poem: "White Sand", "Dedicated to the World" and "Full of Wind". In addition, the sentence "but there is" comes from Xue Neng's "Meng Zhou Ren Zhongcheng's Letter", the original text "Who to drink with"; The sentence of "poverty" comes from Zheng Gu's "Send a gift to Yang Kui and Chu Shi", and the original text "It may be that the nobles are talented". The difference between "Dan You" and "Geng He", and the difference between "Xi" and "Possibility" lies in the difference between the version used in Ji Ju's poems and its existing version, so it has certain collating value.
According to the five earliest extant poems of Song Dynasty, we can not only sort out 14 poems written by anonymous poets in Tang Dynasty, but also collate the poems of the previous generation according to the differences of individual characters.
Compared with the parallel poems after the Southern Song Dynasty, the parallel poems in the Northern Song Dynasty have the highest collection value of Tang poems. Unfortunately, most of the poems in the Northern Song Dynasty did not indicate the original author's name, which brought great difficulties to today's compilation and collation. In the Southern Song Dynasty, more and more poets deliberately marked the author's name in the poems, which brought great convenience to use it for editing and proofreading today. However, due to a lot of work done by the Song people in the collation and preservation of Tang poems, the space for compiling lost Tang poems by using poetry collections is getting smaller and smaller. But at the same time, its value in compiling lost Song poems has also been greatly improved. From the investigation in the first section of this chapter, it can be seen that there are 100 poems in Hu Weiwei's Gong Ci collection, and the lost poems mainly come from the Song Dynasty, with as many as 78 sentences (excluding the three originally marked as "ancient words"), while only 9 sentences in the Tang Dynasty; Among Zhu Shi's 60 chrysanthemum poems, there are only 3 missing sentences in Tang poetry and 53 missing sentences in Song poetry. Guo Yuheng's Mei Xiangzi can only compile two lost sentences in the Tang Dynasty, but there are at least 150 lost sentences in the Song Dynasty.
From Yuan Dynasty to Ming and Qing Dynasties, parallel prose became more and more prosperous, but the overall compilation value became lower and lower. For example, it is ok to occasionally compile some missing sentences of Tang poetry from the poems of poets in Yuan and Ming Dynasties, but it is very difficult to compile missing sentences of Tang poetry from the poems of Qing Dynasty. This is mainly because most of the previous poetry collections used by poets who collected sentences at that time, including other collections and anthologies, have spread to today, so few lost sentences can be compiled. If the poems in these poems are different from those of the original author, either because of the different versions, or because the poets in these poems made mistakes, or they made mistakes in the process of circulation, so the collating value is relatively low. But there is an exception to this situation, that is, those poems that pay attention to the use of contemporary poetry are still very valuable in compilation and collation. This point is analyzed in detail below.
2. The editing value of poetry is related to the object it chooses, and the distribution of themes is obviously unbalanced. The collection value of parallel prose has a great relationship with the types of parallel prose. Among the works of poets in Song, Jin and Yuan Dynasties, the value of compiling Tang poems is worthy of recognition. However, due to the great efforts made by the Song people in the collation of Tang poetry, the collation of Tang poetry is close to perfection, so the poems of later generations have little value in compiling and collating. The value of Du Ji's and Ji Tao's poems in this respect is even lower. Since the Northern Song Dynasty, the Song people have spared no effort to search for and sort out Du Fu's poems, which can even be said to be quite complete, so the Collection of Du Fu's Poems made at that time has no collection value. When instructing students to write their graduation thesis, the author once asked Sun to carefully study 3 1 Du Fu's Poem to Sun written by Kong in the middle of Northern Song Dynasty. It turns out that none of the lost poems can be compiled, and all the 248 capitals can be found in the existing poems of Du Fu. These poems can be found in Du Fu 147 poems, but 43 of them are in different languages. For example, the phrase "the grass dragon stings" comes from "Seven Poems Made in Tonggu County, Gan Yuan" and "Vegetation", and Du Ji's book is "Mu Ye"; Secondly, the phrase "autumn wind dries clothes" comes from Two Stories on July 1, and the word "Sun" was written by Du Ji. The sentence "When did Gao Yi rule out the Golden Gate" comes from "Sending a Scholar into the Forest", and the word "Yi" was written by Du Ji. Fourth, the phrase "You have excellent talents, but you are not poor" comes from "Short Songs Send Poems to Hezhou Send Su Shijun", and the word "material" is written by Du Ji. Sixth, the phrase "I don't hate meeting you" comes from Two Farewells in Business, Being with You and Du Jishu's Old Age. Seventh, the sentence "Dressed in colorful clothes waiting for the court" comes from the word "curtain" and was written by Ducky. The sentence "dragging jade and waist gold as the main body" comes from "sending fellow countryman Shao to accompany Huangmen to pay homage to his uncle at the end of summer", and the word "Zhi" is a newspaper written by Du Ji; And so on. I don't deny that there may be some mistakes in Confucius' poems, but because these poems were written earlier, their reliability is not worse than that of some later Du Fu's poems. Therefore, the collating value of Confucius' poems is worthy of recognition. Similarly, there are poems by Tao, Li, Han and Lu. Poems of Tao and Li first appeared in the Southern Song Dynasty, and later poems of Han and Lu appeared. Because the poetry collections of Tao Yuanming, Li Bai, Han Yu and Su Shi have been well arranged before, editing and arranging these poems collected from sentences is of little value.
The imbalance of the value of poetry editing and proofreading is also obvious in the distribution of themes. Those poems with special themes, such as palace poems, plum blossom poems, chrysanthemum poems, auspicious poems, etc. , because of its wide range of sentences, has high compilation and collation value. Through the above analysis of Hu Weiwei's Gong Ci and Zhu Shi's Ci, we have specific data on the value of Ci and Ju Ci. There are a large number of plum blossom poems in history, and these poems have high compilation value because of their extensive use of contemporary poets' poems. Zhang Fuqing's "Li Bi's Plum Blossom Balance" collates, corrects and compiles the literature value of the whole Song Dynasty. Taking Li Bi's Plum Blossom Balance in the Southern Song Dynasty as an example, this paper carefully analyzes its collating and compiling value to contemporary poetry. Moreover, some poems with the theme of discipline and behavior also show high literary value. For example, Tang Huaquan's "Song Dynasty Poet Weng Yuanguang's Hook and Sink" is based on Shi Shaosong's "Travel Notes in Jiangsu and Zhejiang" in the Southern Song Dynasty, and 88 sentences (originally 89 sentences) of Weng Yuanguang's lost articles in the Southern Song Dynasty are sorted out.
It's not just landscape music. (Zhang Ting's thoughts on boating, Volume I)
Use less ancestral whips. (ditto "Waiting for the boat to sail west to send a dream")
The eagle stork was the first.
Knowing that beauty will last forever. (same as above, sentenced to a birthday)
Dragon, I spit rainbow. (ibid., para.
It's embarrassing to hit bamboo. (same as above, "book")
Nanshan is Beishan. (The second volume "Traveling to the North Mountain with Two Scholars", the first part)
I don't know Xia Shu. (ditto "A Journey to Recall Tianzhu")
The pot is hidden in the sun. (ditto, "topic is clean, pot is hidden")
A guest becomes famous and tired. (ditto "Farewell to Uncle Zhang Xishu's Fengcheng")
Realize that it is empty. (ditto "Three Pagodas of Xitang in Baoning")
The world is still strong. (same as above, "feeling")
Reserve a bed. (ditto, A Farewell)
The Western Han Fish Team was dissolved. (same as above, The Story of Sanye Pavilion)
Munro walked along the bird path. (ditto "To Qian Junrui and Hu Tianyin's Topic Cloud")
Moso's door is very long. (Writing for Li Defu, Volume III)
Tips are called eyes. (ditto to Huang Yuanji)
Unintentional fate. (same as above, Farewell)
Humble spirit is not flat. (ditto, "He Chong Ren Shang")
The old man is very healthy. (Same as above "Farewell the Old and Welcome the New")
Return at the age of 30. (ibid., "pregnant")
Mr. strange clothes are terrible. (same as above, A Gift for Zhang Bing)
The fish's face is dizzy and wrinkled. (ditto "West Lake Occasional Zeng Junjia")
Run around and be an old face. (same as above, "Heng Cui Shu Ting Huai")
The mountains are picturesque and the streams are flat. (same as above, middle section of Anji Road)
Mo Yu is peach and plum. (ditto, live in harmony with nature)
The guests have been bored for a long time.
It's no use wandering on the road. (Same as above "Wake up at night in the hostel, pursue the journey")
Ten miles of dust flows into the forest. (ditto "In the mountain road, Yingyin people swim in the mammary sinus")
It's shameful to break up friends, brother Kong Fang. (ditto, Spring Night Book)
Will shake the feather instrument to the sky. (ditto "The Capital of Zhang Mingfu is sent with a brush")
Chulangla can learn from me. (Same as above, Rain and Autumn on the Road)
Liu Lang lives in chic water.
Yan Zongshi. (Same as above, the xinqi Pool Pavilion named Liu).
The petals are fragrant and deep in the night. (same as above, night topic)
Playing with ink makes people laugh, crow. (same as above, "answer friends")
Wanwa heel blossom city. (Same as above, "Seven Doors Garden has a pond pavilion")
Snow and ice shine on people, Xu Ruzi. (same as above, same as Chen)
I want to see a new look.
Sometimes there will be long winds and smoke. (Same as above, "It would be great if you gave someone a gift")
Running water is ancient. (Xie Gongqiao, Volume 4)
It's too clear to swim here. (ditto "Climbing the Pavilion after Rain")
Pass by the secluded pavilion when serving tea. (Same as above, the second rhyme of Wu Boyong's Ten Plums among Bamboo, Part 5)
Snow brings spring to bamboo. (ibid., sixth)
If you don't work hard, you can make a plan. (same as above, Wu Shi (below))
Cold ash and dead wood are only worth talking about. (same as above, "Yi Yi")
Waiting for a little boy to come fishing. ("Tour the West Lake and North Mountain, Tianzhu Return Late" Part V)
Bar edge □ ringing spring. (same as above, the seventh time)
Xinglan wants to go down the mountain. (same as above, the eighth time)
I was alone in Bai Niao. (same as above, Part II of Three Strategies)
General alliance of good winds and good months. (ditto, Su Shaoxing)
The rain tent in Mao Mao was closed at first. (same as above, "Qian Qing Ship")
Think about the portrait of Hua Guang. (Fifty Poems by Yongmei, Volume 5 (4))
I doubt the roots of Kethleen. (ibid., sixth)
No one has the same interest. (ibid., chap. XIII)
Let this poem be recited nine times a day. (ibid.,No. 14)
Ting Anne accidentally entered the poet's mind. (ibid., page 17)
Get up at night, while the incense is burning. (ditto, 20th)
Look at the fence and discuss it by yourself. (ibid., chap. XXIV)
Spring breeze ten miles plum blossom road. (ibid., 30th meeting)
Good wind knows what people mean. (ibid., article 32)
Kethleen's spirit is mixed with ice and snow. (ibid., p. 40)
Peace is not afraid of mountain desolation or silence. (ibid., article 42)
Moonlight creek is full of shadows. (ibid., 45th)
I've always known this. (ibid., article 48)
The hedges in the orange pomelo orchard are almost yellow. (Volume 6, Revisiting Dojo)
The sound was collected by Lu Shilong. (same as above, see Zhang Mingfu (1))
Comments on my father's good governance. (ibid., para.
Hongbo pretends to be Han. (same as above, third)
There is nothing to boast about. (same as above, fourth)
Jing xing wants to see it first. (same as above, the fifth time)
A captain in the southeast is outside Jia Xian. (same as above, The Yellow Crane Shaofu Monarch, Volume 1)
Three-year-old Dai Qing. (ibid., para.
Qing Xiang Ming reflects ancient and modern times. (ditto, "Don't work for Tang Chen")
This article has been circulated all over the world. (Same as above, the birthday temple book of magistrate Huang (3))
Who can climb just this once? (ibid., sixth)
There is no need to drive the geese back at night. (same as "Journey to the West")
Chater is very popular in Kanzhi. (Same as above, the first part of "Laughing Ten Absolutely into Hao Xitang")
Rivers and lakes are not calm. (same as above, third)
My heart is hanging in the air. (same as above, the fifth time)
Haoran north, south, east, west. (ibid., sixth)
Saitama Road Jiuli Temple.
Who knows that poverty is unusual. (same as above, the seventh time)
The situation is that there is no medicine in the bag. (ibid., vol. 9)
Only mountains and rivers will not change. (same as above, Hao Xitang See and Reuse Rhyme No.7).
Don't say that you don't blame others. (ibid., vol. 9)
Seagulls and herons on the beach are dating. (ibid., 10th)
I can't donate my elbow book (ditto Shide Garden)
If we can sort out all the missing sentences in the farewell poems in Jiangsu and Zhejiang provinces, it will be a very meaningful work. Fortunately, Zhang Fuqing has made some achievements in this field and published several related research articles. However, if these poems with special themes are further combined with the collections of Tang Dynasty and ancient times, so as to intentionally exclude contemporary poems, their philological value will be greatly reduced.
3. The value of compiling lost poems is reflected in the imbalance between ancient poems and modern poems. Generally speaking, the collection of ancient poems is low and the collection of modern poems is high, but the specific situation is different. In China's poems with sets of sentences, the collection of ancient poems has always been relatively developed. The ancient poetry collections of Song people are basically Tang poetry collections. Because it is close to the Tang Dynasty, its compilation and collation value should not be underestimated. In the collection of ancient poems in Jin and Yuan Dynasties, the lost value of Tang poems was greatly reduced, but due to the addition of Song (or Jin) factors, it is still valuable for the lost poems in Song and Jin Dynasties.
In China, the poems of Jiju mainly focus on the collection of ancient poems. No matter Tang, Tao, Du, Li, Han, Su and Lu, they are all ancient poems in essence, but their compilation and collation value is relatively low, which is a very regrettable phenomenon. On the contrary, Ji Jin's poems, the most valuable compilation and arrangement, did not really develop from beginning to end. Therefore, the key point of editing and proofreading the set-sentence poems is not the collection of ancient poems, and of course it can't be the set-sentence poems that have never developed at all, but those "set-sentence poems" that don't flaunt the ancient and modern times. As far as this kind of works are concerned, the higher value is not the "ancient" sentences, but the poems of relatively recent poets. As mentioned above, Hu Wei's Gong Ci, Zhu Shi Ju's Sentence Poem, Li Bi's Plum Blossom Cross, Shi Shaosong's Sentence Poem of Jiangsu and Zhejiang, and Guo Yuheng's Yuan Mei's Xiangzi all belong to this situation. The same is true of the poems of Ming and Qing dynasties, and because the poems of these two generations are more developed, there will be more missing sentences in contemporary poems. In the future, after the compilation and publication of Selected Poems of Quan Ming and Selected Poems of Quan Qing, a large number of lost sentences of contemporary poems can be compiled by relying on two generations of selected poems.
Classic poems have important compilation and collation value, which should be paid enough attention by academic circles. However, not all poems have editing and proofreading value, and even if they do, their values are different, which is easy to understand.
Note: The documentary value of Li Mi's Plum Blossom Heng in sorting out, discriminating and compiling the whole Song poetry, Research on Ancient Books No.3, 20 10, pp. 74-79. # # # # # Tang Huaquan: Song Dynasty poet Weng Yuanguang's Hook and Sink, Ancient Books Research, 2008, Anhui University Press, 2008, pp. 200-203.