This is a work of lovesickness. This beautiful woman is holding a round fan to urge Yan to come back in summer. The autumn wind started overnight, and many people climbed high and looked far, feeling lost. Tiny chrysanthemum branches are warm and fragrant, and the moon in the courtyard is still lonely. The last one was decorated with the words Cui, Wan and Liang before being drawn, fanned and turned, in order to be elegant. Sleeves refer to people, fans describe the state of people, and leaves set off the environment. It can be seen that Xiaoshan Ci pursues wealth and elegance among flowers, and it also shows its delicate description of human feelings and things. Images such as west wind, tall buildings and homesickness are synonymous with the sense of separation in traditional poetry. Fine chrysanthemum can't be shaken, but the fragrance is light but full of courtyard. "Tender fragrance" means that the fragrance is light and few. "Moon mark": refers to the waning moon. The poet's subjective sadness is painted in the courtyard scenery of autumn night, such as west wind, waning moon, fine chrysanthemum and tender fragrance. The above picture outlines a light picture of an elegant lady Qiu Si. The next article is connected in the form of self-question. "What is the limit?" What can stop this lovesickness? "Limit": barrier. Looking forward to the distant autumn, the temples of those she wants to stay away from will turn white, right? Although the road to meditation is long, it is shorter than acacia. You might as well write a letter and meet your sweetheart and return to China. Now it's autumn, and it's time for the geese returning from the south to deliver letters. The sentence "Remembering Tianya" compares Tianya with the suffering of lovesickness, which is extremely novel and expresses the good wish of looking forward to meeting each other.