Author: Jack London

Translator: Li Ang/He Yuanyuan

Publication year: 20 1 1- 1

Page number: 2 16

Pricing: 20 yuan

Binding: paperback

Series: Selected Works of World Short Story Masters

ISBN: 9787309077582 Golden Valley

Male, 1974 was born in Yangzhou, Jiangsu.

1996 graduated from the School of Design of Nanjing University of the Arts.

200 1 Graduated from the School of Design, Nanjing University of the Arts with a master's degree in design art.

20 13 graduated from the Academy of Fine Arts of Nanjing Normal University with a doctorate in fine arts.

Since 200 1, he is currently teaching in the Academy of Fine Arts of Nanjing Normal University, engaged in ceramic art creation and teaching. In 2005, the ceramic work Rubik's Cube won the first college students' art exhibition in Jiangsu Province and the excellent instruction award.

In 2005, the ceramic work Midsummer was selected as "Visual Stunning-Shanghai Youth Art Exhibition".

In 2008, the ceramic work Fragrance was selected as "Non-craftsman-China Contemporary Handicraft Exhibition" in Nanjing, China.

20 1 1 National Art Research 20 1 1 The fifth issue published five ceramic works, including the ceramic art Spring in the Woods.

20 12' s work "Wandering" won the bronze prize of Boshan Cup China Ceramic Glaze Art Grand Prix.

Recently, he is creating a series of works of Neiguan, and has published more than 0 professional academic papers 10 in core journals. There is a unique study on the symbolic significance of ceramic materials.

Thesis:

1 the origin of the concept of glaze decoration of folk ceramics in Song and Jin Dynasties (Lantai Tianxia 20 12 No.6) Beixin

2 "A Glimpse of" Qi "—— Schema Symbol and Aesthetic Appreciation of Jun Porcelain Glaze Spots in Folk Kilns in Song Dynasty" (China Ceramics 20 12 No.6) North Core CSCD.

3. Aesthetic Standards in the Naming of Traditional Ceramic Glazes (China Ceramics 20 12 No.4) North Core CSCD.

4 Picturesque Germination in Decorative Patterns of Warring States War (Appreciation of Masterpieces 20 12/4) North Core

5 "Creation of China Traditional Ceramic Culture from the Perspective of Pedigree" (Lantai World 20 12 No.3) North Core.

6 "The shape of French fries? The Normality of Design —— Understanding of Design Value (Journal of Suzhou Vocational College of Arts and Crafts, No.26, March 2009)

7 "Re-understanding of Skills Teaching in Ceramic Art Education" (Proceedings of the First National Ceramic Art Education Annual Conference, 2005)

8 Viewing the cultural experience of quality perception from the phenomenon of ceramic art (Decoration 2004/ 10).

On contingency elements in ceramic art creation (Art and Design-Journal of Nanjing Art Institute 200 1/2)

Scientific research projects:

Nanjing Normal University Young Talents Research and Training Project (School Level) China Traditional Ceramic Culture Pedigree ResearchNo.: 1009039.

Publishing level, collection and its citation times

1 "Cultural Experience of Quality Perception from the Phenomenon of Ceramic Art" (Decoration 2004/ 10) is the second-level authority, including 0, and its reference is 1.

2 "A Glimpse of" Qi "—— Pattern Symbols and Aesthetics of Glaze Spots of Jun Porcelain in Song Dynasty" (China Ceramics 20 12 No.6) China Core, cscd included 0, and it quoted 0.

3. The Chinese core and cscd, which are aesthetic standards in Nomenclature of Traditional Ceramic Glaze (No.4 of China Ceramics 20 12), are included in 0 and cited by 0.

4 The concept origin of glaze decoration of folk ceramics in Song and Jin Dynasties (Lantai World 20 12 No.6) contains 0 in Chinese core, and it quotes 0.

5 "Creation of China Traditional Ceramic Culture from the Perspective of Genealogy" (Lantai World 20 12 No.3) contains 0 in the Chinese core, which quotes 0.

6 "Picturesque Germination in Decorative Patterns of Warring States War" (masterpiece Appreciation 20 12/4) contains 0 in the Chinese core, and it quotes 0.

7 "The shape of French fries? The Normal State of Design-Understanding of Design Value (Journal of Suzhou Vocational College of Arts and Crafts, No.26, 2009/3) is included at the provincial level, with 0 as its reference.