The knowledge of costumes and facial makeup in China's Peking Opera "Facial makeup" refers to the colorful makeup of actors' faces in China's traditional dramas. This kind of facial makeup is mainly used for beauty and ugliness. It has a certain format in form, color and type. A professional audience can tell whether the character is a hero or a bad guy, smart or stupid, and likes or hates Facebook. The charming facial makeup of Peking Opera occupies a special position in the numerous facial makeup of China's plays. Peking Opera facial makeup is famous for its symbolism and exaggeration. It uses exaggerated and distorted graphics to express the character characteristics of the role. Eyes, foreheads and cheeks are usually painted as wings of bats, butterflies or swallows, with exaggerated mouths and noses to create the required facial effects. Red is general: brave and chivalrous, mostly positive. Others: satire, which means false good people. Special case: the old man shows that the young red light is still there; Bad guys do good things. Black in general: upright and upright, not flattering dignitaries. Others: bad complexion, ugly. General Bai: sinister and treacherous; Willful. Others: Also, eunuch mask; It means that the old man is old. Purple is general: upright and upright, not flattering the powerful. Others: bad complexion, ugly. Brave and impetuous, golden: immortal and superior. Others: brave soldiers. Green overall: brave and reckless. Others: outlaws. Blue is powerful and insidious. The Peking Opera costume group has a wide range of applications. The pattern of Tuanlong is rigorous and regular, with strong decoration, and looks quiet and calm. In the layout, it is symmetrical, with ten dragon groups, set off by flowing clouds and eight auspicious flower arrangements. The style of female pythons is basically the same as that of male pythons, but it has its own uniqueness. First of all, its size is very short, and there is no pendulum behind it. Secondly, the embroidery patterns are mainly phoenix and peony, and the bird king and flower head symbolize the supreme noble woman. When wearing, the upper body is equipped with a cloud shoulder, a jade belt is hung, and the lower body is tied with a skirt. Male scarlet caterpillars are used for top scholars, official weddings and occasions of celebration and reunion. Big red group pattern, velvet embroidered ring gold. Female and male safflower bundles are used in pairs, and the colors and patterns are exactly the same. The lower part of the sewing machine is embroidered with a big pleated skirt. Also use red. Wen's flower pleats are used by literati. Embroidered branches (angular patterns) have simple and distinct patterns, informal, strong sense of balance, and outstanding clothing colors, which give people a sense of comeliness and freedom and set off the quiet and romantic character and temperament of the characters. The color is elegant and bright. When a person leans against a flag, it means that the person is fully armed and in a state of war. This is the so-called "hard reliance". The structure of the backrest is very complicated. Whole body embroidery 3 1, of which 3 pieces can be used for other purposes. People wearing pythons or arrows are surrounded by collars, symbolizing military commanders; Using only two legs is a symbol of the loss of helmet and armor of defeated soldiers, which is symbolic. The woman leans against her belly, embroidered with double phoenix peony. There are two or three streamers under the abdomen. Tiger head and tiger shoulder (shoulder nail board) lined with lotus leaf sleeves and embroidered phoenix peony. Use the cloud shoulder when using. Its clothing style is more decorative than men's couches, with more gorgeous colors and patterns, which perfectly sets off the heroic and feminine image temperament of female generals. How Peking Opera people draw Peking Opera people's paintings is as follows:

First of all, drawing characters begins with the head, and Peking Opera characters are no exception. Then draw the head details of Beijing opera characters, and draw hats and beards. Continue to paint the costumes of Beijing opera characters, and the costumes are relatively wide. Then draw a flag behind the Beijing opera characters, called leaning on the flag, to make the characters look imposing. Finally, you can paint the painted Peking Opera characters with beautiful colors.

Draw a rock-jumping penguin. It's a little complicated. Be patient. Draw facial contours and hat bands. Painting clothes and holding a round fan in his hand. This part of the painting is relatively small and can highlight the "Facebook" part. Draw patterns on clothes. Draw a skirt under the clothes. Thrush hair and eyes.

First draw the head, ears and beard of the character Jiang Gan. Then draw the eyebrows and eyes of the character Jiang Gan. Then draw the body and hands of the character Jiang Gan. Then draw the feet of the character Jiang Gan.

Peking Opera, also known as Pingju and Peking Opera, is one of the quintessence of China and the most influential opera in China, with Beijing as the center and spread all over the country. Since the 55th year of Qing Qianlong (1790), Sanqing, Sixi, Chuntai and Hechun first performed in the south.

Four Huizhou classes, mainly Anhui artists, entered Beijing one after another, cooperated with artists from Hubei, accepted some plays, tunes and performance methods of Kunqu Opera and Shaanxi Opera, and absorbed some local folk tunes. Through constant communication and integration, Peking Opera was finally formed.

Do the patterns on Beijing Opera costumes have special significance? Peking Opera is one of the most influential operas in China. It is mainly distributed in Beijing. So far, it has been involved in all parts of the country. Beijing opera is also an art, and the costumes needed for Beijing opera have certain characteristics. The different colors and patterns of Beijing Opera costumes represent different symbolic meanings and cultural connotations. In the most direct sense, Beijing opera costumes can let the audience judge the identity and positioning of the characters in this play, so the colors and patterns on Beijing opera costumes have specific collocation and significance. So today, we will introduce the different symbols represented by colors and patterns in Beijing opera costumes.

The first is color, which can distinguish all kinds of characters. If the character is strong and rigid, he will wear red clothes. Then if the character is more upright and upright, he will wear black clothes. If the dragon pattern with five claws appears in Beijing opera costumes, then it can be concluded that this person's role is the emperor, because the dragon pattern with five claws is the emperor's exclusive pattern. Then, in addition to the dragon pattern with five claws, if the claws of the dragon pattern are four claws, it means that it is willful, which also reflects the hierarchical system in ancient China. In addition, plants such as crane pine are symbols of literati. Tsing Yi, women's pleats, open pleats, arrow clothes, etc. They are all different types of clothes worn by people of different identities in Beijing Opera. It can be seen that the patterns on costumes in Beijing Opera are very particular and can be further subdivided. Whether it is the collocation of colors or the choice of clothing patterns, it has certain symbolic significance, and it also contains many excellent traditional cultures in China.

As an excellent traditional culture in China, Peking Opera is both a tradition and a culture. As for the attitude towards excellent traditional culture, we should inherit and inherit the excellent national quintessence, carry forward the cultural connotation and spirit contained in Beijing opera art, carry forward excellent traditional culture and establish cultural self-confidence.