The original site of the museum is the former site of the palace of Emperor Gaozong Qianlong of the Qing Dynasty during his southern tour in 1757. 1996 Xuzhou municipal people's government decided to break ground on the original site to expand the museum, which was completed and opened in may 1999.
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Xuzhou Museum is a modern local comprehensive museum, which undertakes the tasks of archaeological excavation, cultural relics collection, exhibition and publicity, scientific research and so on. The museum has a beautiful environment, rich cultural relics and advanced facilities. With the completion and opening of the new museum, Xuzhou Museum will welcome guests at home and abroad with a brand-new look, and will play a more important role in developing Xuzhou's economic and cultural undertakings in the new century. The quiet and lush environment in the museum is also a good place for tourists to relax. Xuzhou Museum consists of exhibition building, Qianlong Palace and Tushan Han Tomb. There are eight exhibition halls in the pavilion building, displaying Gu Peng's treasures-Xuzhou cultural relics, painted figurines, Deng Yongqing's painting and calligraphy collection, qing-style furniture, etc., and displaying nearly 1,000 fine cultural relics.
There are also exhibition halls, academic lecture halls, reception rooms for domestic and foreign guests, and tourist souvenir centers. The Qianlong Palace and Monument Garden display epitaphs of nearly 100 square meters, stone buildings from Han Dynasty to Tang Dynasty and Fa Tie stone carvings by famous calligraphers in Tang and Song Dynasties. This is an elegant and beautiful heritage garden. Precious cultural relics, such as silvery jade clothes and gold-plated animal-shaped inkstone, have been unearthed from the Han Tomb in Tu Shan. This is the tomb of Wang Pengcheng and his wife in Xuzhou during the Eastern Han Dynasty, and it is also the only tomb of princes in the Eastern Han Dynasty found in Xuzhou. Xuzhou Museum is a comprehensive museum, which undertakes the tasks of archaeological excavation, cultural relics collection, exhibition and publicity, scientific research and so on. The exhibition building of Xuzhou Museum is the main exhibition area, and the Treasure of Gu Peng is permanently displayed; "Even the figurines have been painted"; "qing-style furniture"; "Deng Yongqing donated paintings and calligraphy in the Ming and Qing Dynasties" and so on.
Among them, the "Treasure of Gupeng" is the basic display of Xuzhou Museum, which consists of five exhibition halls in three units: Xu Huaichu Xi, Han Dynasty cultural relics and Shiheyun, and displays all kinds of documents.
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Nearly a thousand things. This paper focuses on the new achievements of Xuzhou archaeological excavations in recent years, that is, the gold, silver, copper, iron and jade articles of many Chu kings (Pengcheng kings) and the bathrooms and toilets of Chu kings. There are many sets of belt gold buckles used by Chu kings and princes, and there are complete sets of silver-plated and gold-plated bathrobes of Chu kings.
The exhibition hall of "Tiangong Hanyu" includes: jade coffins, golden clothes, jade masks, jade pillows and other jade articles buried with him. Jade vase, jade Gao Zubei, jade ear cup and other complete sets of jade wine sets; Yu Pei in various shapes, such as S-shaped dragon, siamese dragon, Panlong and Feilong. Jade weapons such as Yuge and Yuyue; Fine jade carving animals such as copper wire jade leopard and jade bear; All kinds of jade sword ornaments; Various types of jade, such as jade, yellow, yuan and so on. This is the only permanent exhibition of unearthed Han jade in China. "Han Shi Yi Zhen" and "Poetry and Rhyme" consist of three units and five exhibition halls. Among them, "Xu Huai Chu Xi" shows more than 20 pieces of pottery, stone tools, jade, bone vessels and bronzes unearthed by Xu Huai from the Neolithic Age to the Qin Dynasty 120. Among them are the painted pottery unearthed from the famous Dadunzi site in Pizhou, the jade seal of Liangzhu culture reflecting the intersection of north and south cultures, the Dawenkou cultural pottery unearthed from the Huating site in Xinyi, and the bronze ware unearthed from the tomb of Jiunvdun in Daizhuang, Pizhou, which shows the production and life scenes of Xuzhou ancestors. Xuzhou, the hometown of Liu Bang, the ancestor of the Han Dynasty, had a special political and economic status in the Han Dynasty. Although the huge cave tombs and stone tombs dug by princes, princes and their royal relatives have been repeatedly excavated, a large number of precious cultural relics have been unearthed, revealing the rich connotation of Chinese culture. "Treasures of the Han Dynasty" includes three exhibition halls, which display bronze wares, gold and silver wares, jade wares, pottery wares and stone tools. In the first exhibition hall, there are 150 pieces of bronzes, gold and silver wares and other cultural treasures, such as gold buckles in the Western Han Dynasty, silver seals on turtle buckles, gold-plated animal-shaped inkstones, bronze bull lamps and bronze ding. "Tiangong Korea
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"Jade" is the second exhibition hall of "Han Dynasty Heritage", which shows more than 30 pieces of jade treasures unearthed in Xuzhou, such as gold, silver thread jade clothes, jade coffins, jade cards and Panlong Yu Pei. Hanyu is famous for its exquisite craftsmanship and exquisite quality. The jade-making industry of Chu State in Han Dynasty was very developed. The Han jade unearthed in Xuzhou represents the highest level of jade making in China in Han Dynasty. 1995 The jade coffin unearthed from the Chu Tomb of Shizishan in Xuzhou, which was rated as one of the top ten archaeological discoveries in China, was inlaid with more than 2,000 pieces of jade, while the jade coffin of Mancheng Han Tomb was only inlaid with more than 200 pieces of jade. The jade coffin in Lion Mountain is the most exquisite of the only two jade coffins in China, and the jade clothes unearthed with it are decorated with more than 4,000 pieces of white jade in Hetian, Xinjiang. Nearly 100 pieces of ancient pottery and stone tools were exhibited in the third exhibition hall of Han Dynasty. Primitive celadon, glazed pottery, lacquered pottery, large-scale practical pottery, and all kinds of stone building components show the rough and bold, magnificent and magnificent Chu-Han era. The restoration and display of Han tombs make the audience feel immersive. The third part of "Treasure of Gupeng-the Essence of Xuzhou Cultural Relics" is "Rhyme of Historical Rivers", which shows more than 40 pieces of porcelain, bronzes, gold and silver from Wei, Jin, Southern and Northern Dynasties to Qing Dynasty. It reflects that in the long history of 1900 years, Xuzhou experienced frequent wars and floods, and experienced a tortuous course of rejuvenation.
More than 265,438+00 pieces of pottery figurines from the Han Dynasty to the Song Dynasty were exhibited in the "Painted Sculptures Exhibition", including musical and dancing figurines from the Western Han Dynasty, painted figurines from the Wei and Jin Dynasties and painted female figurines from the Northern Dynasties. Pottery figurines are an important part of ancient plastic arts in China. The pottery figurines unearthed in Xuzhou are rich in content, diverse in forms and unique in regional characteristics. The painted Wei figurines unearthed from the tomb of the Northern Chu King in Dongshan, Western Han Dynasty are a masterpiece of painted figurines unearthed in China. Participated in the "National Exhibition of Unearthed Cultural Relics" hosted by National Cultural Heritage Administration and hosted by the Palace Museum, and was highly praised.
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The figurines of the Northern Dynasties are another masterpiece of the pottery figurines unearthed in Xuzhou, and their shapes and colors are the best among the pottery figurines unearthed in the same period. The Han figurines are simple and dignified, the Northern Dynasties are exquisite and dignified, and the Sui and Tang Dynasties are full and graceful, which embodies the artistic fashion and aesthetic concepts of people in different times and presents different styles of different nationalities, and occupies an important position in the history of sculpture. Many pottery figurines from Han Dynasty to Song Dynasty provided physical materials and psychological and visual enjoyment for studying the official system, costumes and sculpture art at that time. Deng Yongqing's collection of cultural relics in the calligraphy and painting exhibition and the qing-style furniture is a masterpiece with distinctive art and contemporary characteristics.
In addition, the art exhibition hall of the museum also holds exhibitions of new archaeological discoveries, special cultural relics and works of art from time to time.
Xuzhou Museum restored a jade garment of the Western Han Dynasty more than 2 100 years ago. This golden jade coat was found in 1995 Xuzhou Lion Mountain, the tomb of Liu Wuling, the king of Chu in the Western Han Dynasty. It is made of more than 4000 pieces of fine hetian jade. National Cultural Heritage Administration said that this gold and jade dress is the best one found in China at present.
In March, 20001year, the archaeologists of Xuzhou Museum began to restore this golden jade garment according to the historical data, research data and previous experience of restoring the jade garment of Han Dynasty. After 10 months of research and careful splicing, archaeologists initially completed the classification and positioning of some jade articles such as the head, top, bottom clothes, hands and feet of jade clothes. The length of the restored jade garment is determined to be1.75m. ..
After visiting Xuzhou Museum, I am proud that I am a native of Xuzhou, and I sincerely feel how great our ancestors are!