First of all, look at her original identity-child bride
She has a husband ten years younger than her. As a teenager, she worked as a cow and horse in her mother-in-law's house, and gave her youth in endless labor. The feudal husband seized the spring of her life.
Look at her first loss, also in spring.
If you have been a child bride, no matter how hard and tired your life is, your little husband will grow up one day, and he will always give Xianglinsao some support when he becomes an adult. Unfortunately, Xianglinsao, who lost her youth and freedom in her husband's family, lost her husband in the spring. In rural China at that time, the loss of a woman's husband meant obeying her mother-in-law's reprimand and abiding by the creed of "being loyal to life". Therefore, in this spring, Sister Xianglin lost not only her husband who was ten years younger than her, but also her rights as an ordinary woman. If Xianglinsao, who has a little husband, is the daughter-in-law and servant of her mother-in-law's family, then Xianglinsao, who lost her husband in spring, becomes a slave of her mother-in-law's family who has no personal freedom and no pay-buying and selling with anyone. In order to avoid the embarrassing abuse of her mother-in-law, Xianglinsao, who fled to Lujia and worked as a short-term worker in winter, was tied up by her mother-in-law during the Spring Festival. In order to extract the final value of Xianglinsao, the mother-in-law used the money sold to Hejiaao as a matchmaker for her brother-in-law and asked another Xianglinsao to come to her husband's house.
Third, look at another blow to Xianglinsao's life. In spring, I lost my husband and son again.
After marrying He Jiaao, Sister Xianglin did not escape the fate of being sold, but with a strong and hardworking husband and a chubby son, her life was much easier. However, "something unexpected happens in the sky", and poor Xianglinsao was thrown into the abyss of misfortune again in spring. Her husband was strong and died of typhoid fever. In the feudal society of "hunger is small, shame is great" and "three cardinal principles and five permanents", a woman who marries several women and remarries will be accused of infidelity innocently, and even more innocently, people full of feudal superstitions will be accused of "ominous". Without her husband, Sister Xianglin can still have the right to be a mother, but her misfortune continues in the spring. The wolf took away her son, all her hopes and vitality, even the wolf with feudal clan rights took away Xianglinsao's painstaking home-her uncle kicked her out of the house.
Finally, watch Sister Xianglin fall to her death during the New Year's greetings.
Sister Xianglin, who lost her youth because of her widowhood, was driven out of the house by Master Lu with the help of the feudal regime after giving all the blood and sweat of her youth to the Lu family. Poisoned by the feudal theocracy, Sister Xianglin, who lives on the street, is terrified, and ghosts and gods will haunt her at the thought of the Spring Festival. Spring is a season full of hope, and the people of Luzhen are looking forward to happiness with blessings and prayers. However, Xianglinsao, helpless and desperate, died with the fear of being dismembered in the constant firecrackers, ending her tragic fate.
Based on the above analysis, we can easily see that Xianglinsao's tragedy happened again and again in spring. The author's ingenious conception has two real intentions: first, to let readers grasp Xianglinsao's tragedy more deeply; Second, let readers understand that under the rule of feudal four powers, there was no "spring" for working women in the old rural areas of China, such as Sister Xianglin. The four feudal powers were like an invisible net, which wiped out all the springs in the lives of women like Xianglinsao until they devoured their souls.
(Published in China Teaching Weekly on June 7, 2000 +65438)
Reflections on the image of Xianglinsao
X2ag5 Free Graduation Thesis lw 895 18
X2ag5 Free Graduation Thesis lw 895 18
X2ag5 Free Graduation Thesis lw 895 18
Abstract: The tragedy of Xianglinsao revealed by Lu Xun is not based on "accident"; Sister Xianglin's pain is mental pain, and she is relatively sober. It is lasting and profound. X2ag5 free graduation thesis lw.895......& gt& gt
In which novel did Lu Xun write Sister Xianglin? Thank you, and God bless you. Sister Xianglin is a character in Lu Xun's novel Blessing. Blessing is a short story written by Lu Xun that reflects the tragic fate of working women in old China. (This film was originally published on March 25th 1924, Volume 21, No.6, Shanghai Oriental Magazine .. at the end of each year, the custom of "blessing" the old Jiangnan area. This masterpiece has successfully shaped the typical image of Xianglinsao. Through Xianglinsao's tragedy, it profoundly reveals the destruction and persecution of working women by the landlord class and feudal ethics, thus revealing the social roots of the tragic fate of working women in old China. The protagonist Xianglinsao's character left a deep impression on readers. Xianglinsao is a typical hardworking, kind, simple and tenacious working woman in rural areas of old China. She suffered a lot of misfortunes and was desperate. Finally, she died tragically in the "blessing" of the landlord class "every year, every family, this year" This is in sharp contrast to the feudal landlord class's killing chickens and geese, setting off firecrackers and begging for the blessing of the gods, which makes the tragedy of the story more profound.
What do you think of the essence behind "seeing" and "being seen" in Lu Xun's works? Speed, "seeing" and "being seen" are all recurring scenes in Lu Xun's novels, and they are also a vivid description of the relationship between characters in his novels. The direct description of onlookers appears in novels such as Medicine, The True Story of Ah Q and Showing the Public. In Blessing, Kong Yiji and other novels, "watching" and "being watched" are more manifested in the deep relationship between characters, and a certain person becomes the object of the audience for special reasons, such as his tragic experience and special personality. In life, China people not only play for themselves, but also take what others do as a play. Watching and performing, namely "watching others" and "being watched by others", has become a long-term lifestyle of China people. This way of life reflects the unconscious national inferiority of the spectators.
Unconscious theory is the core of Freud's psychoanalysis. According to this view, Freud thought that human spirit can be divided into three levels: consciousness, pre-consciousness and subconscious, which is called "unconsciousness". Unconsciousness includes individual's primitive impulse and various instincts, as well as the desire related to instinct after birth. They are in the deepest and lowest place, but they will not be destroyed, but they are unconsciously moving to meet them. Some people describe it as: In Freud's view, the human subconscious is like a "big warehouse", which contains past experiences composed of primitive impulses, various instincts and repressed desires.
Compared with the unconscious, the conscious part is small and unimportant, and only represents the appearance of personality; The unconscious part is big and important, which hides various forces and is the internal force behind human behavior. Because unconsciousness is a special spiritual field, it has its own desires and impulses, expressions and unique mechanisms, which are deeper and more complicated than conscious psychological processes. Freud is an "absolute determinist". He believes that all human behaviors and any psychological phenomena are inseparable from the causal chain, which is ultimately determined by the real motives and purposes of people buried deep in the unconscious. These motives and purposes can explain human behaviors and psychology.
Did Lu Xun's works accept Freud's theory when they were created? When talking about the creation of Buzhoushan in Preface to a New Story, Lu Xun said: "Buzhoushan is the first article to test the myth of' Nu Wa refining stones to make up the sky'. First of all, it is very serious, although only Freud's theory is used to explain the origin of creation-people and literature. " (1) But this is already 1922. Freud's direct or indirect influence on Lu Xun can be traced back to. According to historical records, in the process of writing The True Story of Ah Q, Lu Xun absorbed the impulse theory that "art is obtained by thinking from above and getting into the impulse hidden below". Throughout the Complete Works of Lu Xun, Freud's name has been mentioned more than ten times. Lu Xun's translation of Masaaki Shirakawa's Tower of Silence in 192 1 shows that Lu Xun is familiar with Freud's thought.
The artistic group images of "seeing" and "being seen" are the reflection of Lu Xun's personal experience on real life and national habits. This awareness should come from the famous "slide incident" in Sendai in the early years. The strong collision between national anxiety and personal responsibility made him resolutely abandon medicine and follow literature to explore the soul of national inferiority. These meaningless public materials were the object of criticism by Mr. Lu Xun and became eternal topics in his novels with different themes in different creative periods.
Let's look at the sentence in "Showing the Public" first: "For a moment, it's all spectators. After the bald old man was added, there were not many vacancies, but he was immediately filled by a shirtless fat man. " "Bald man standing opposite the white vest, bent down and studied the words on the vest. Finally, he read: "Om, Du, Om, Eight, and ..." The fat man saw that the white vest was studying the shiny bald man, and he followed suit. He saw a shiny head with a gray hair near his ear, which was not necessarily novel. ""A pupil rushed up and went straight into the crowd with a small white cloth cap on his head in one hand. But on the third or fourth floor, he met unshakable greatness. He looked up and saw a broad bare back on the waist of blue trousers, and sweat was still flowing down his back. "(2) on a hot day, a dozen idle people are looking at the prisoner, three layers inside and three layers outside. Bald people can't see the trouble, but they just read the words on the white vest, but ... >>
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