Mainly refers to the labor chant sung by people in the process of labor production. Its rhythm, rhythm and labor rhythm are closely coordinated, which mainly serves for productive labor and also has certain entertainment functions. Zhejiang has complex topography and varied production contents, so there are many kinds of labor songs, including fishing songs on the coast and islands, car water songs in the northern plain of Zhejiang, quarrying songs in the mountainous areas of southern Zhejiang, back fiber songs in water networks, osprey songs in rivers and lakes, and handling songs in commercial ports and docks. Among them, the most distinctive ones are Zhoushan fishing songs and Haiyan begonia songs in Haiyan County on the north bank of Hangzhou Bay.

Zhoushan fisherman

Zhoushan Fishing Ground in Zhejiang Province is one of the main fishing grounds in China. In the past, the fishing industry was not mechanized, and all the working procedures on fishing boats were manually operated, so the collective labor was extremely heavy. In all the processes, we should call the number to unify our actions and adjust our mood. For a long time, a large number of fishing songs have been formed. According to the working procedure, it can be divided into: anchor horn (big and small), shed horn (small and small), rocking horn (single-order, double-rocking), water horn, net-lifting horn and cabin-picking horn. This music is rough and straightforward. Zhoushan fishing songs have formed a series of tunes with distinctive personality and local characteristics in style, which is one of the important folk songs in Zhejiang. Due to the development of mechanized fishing industry and the change of labor mode, fishermen's songs have lost their foundation of existence. Therefore, it gradually disappeared and almost disappeared.

Haiyan Haitang Haozi

For thousands of years, the working people in Haiyan have formed many different types of labor songs in social labor practice because of their different working methods. The seawall construction involves many processes, such as digging and filling foundation, quarrying and transporting stones, prizing and piling stones, sealing stones, and so on, resulting in "long column chant", "short column chant", "turning over stones", "prizing stones", "Longmen pile chant", "tamping stones" and "flying stones". Similarly, when farmers work in the fields, they also sing the "car and water trumpets", and almost all of them are accompanied by labor trumpets when carrying firewood, logging, pulling fiber, herding cattle, fishing and carrying.

Haiyan's labor songs are mostly concise and lively, with high-pitched and passionate tunes, steady and powerful rhythms and changeable melodies. Generally, the "leading sentence" is longer and the "combined sentence" is slightly shorter. After the lead sentence is sung, sing it together, which is closely coordinated with the labor rhythm. This kind of labor chant often embodies the tense labor action and heavy physical load, which endows the singing of labor chant with the characteristics of shouting and shouting. For example, the slogan of Longmen Pile reads: "(Lead) the pile head is steady and steady, (Receive) gnome male-". /kloc-Don't collapse when a typhoon of magnitude 0/8 blows. Hey hey hey. (Collar) Let's work harder. Hey, hey, hey, hey. (Leading) for the benefit of future generations, (combining) hey hey! " Piling is operated by eight people at the same time, leading the crowd. The lyrics have distinct themes, beautiful tunes and strong singing. Crowbar: "Yo ho ho! Come on-come on, hey ... "The tune is warm and smooth. Turning the stone horn: "Allah wants-come to Gezi! Hey, come here, Allah is the devil, Allah is coming ... "Chorus, the rhythm is easier than picking stones. Fei ban: "... Fei ban shouted and shouted." Give a shout and everyone will pick it up. " Strong sense of rhythm and fast speed. Another example is the short bar: "Go uphill ahead and keep your feet steady. Go downhill ahead, be careful. Came to the ground, the pace is accelerated, embarrassed ... "Magnificent, strong sense of rhythm. Another example is the car water horn: "Stand on the water frame and support the cross, say it." The members stepped onto the stage on bicycles. Hello. Getting up is like spring thunder. Say something. The ditch water is surging, hi. Car water trumpets sing loudly, and you can say anything. Strong determination to overcome nature, hehe. "The farmers are singing and treading on water carts, and the atmosphere is active. Such a labor song with strong artistic appeal always reminds people of the passionate, rough and high-pitched "hey, hey, yo" sound in the past.

It is worth mentioning that Haiyan writers and artists collected and processed the folk art of the Han nationality as early as 1972, and the new lyrics followed the pulse of the times, and the artistic form was novel and touching. 1973 Haiyan literary and art workers compiled and created a music and dance "Reclaiming Land from the Sea" (produced by Haitang Zi) sung by male voices, and participated in the cultural performances in Zhejiang and Jiaxing, and won the grand prize. Since then, it has been made into a movie. 1998 once again wrote and performed "One Heart" (No.1 Tanggong) and participated in the first cultural performance in Mingzhu Township, Donghai, Jiaxing City. The scene is cordial and touching, and has been widely praised by all walks of life. Light lotus: mainly refers to folk festival performances of songs and dances. At the folk Spring Festival Lantern Festival in Zhejiang, there are many kinds of lanterns, which compete with each other. Some people sing and dance while playing lanterns, while others only play instrumental music without singing. Tea lanterns, lanterns and lanterns are mostly accompanied by songs. There is no unified tune in Zhejiang, and most of them have their own local tunes. Among them, the tea light tune "Tea Picking Lamp" and a light tune "La Mei Hua Kai" are widely circulated, and Ningbo's "light tune" has the most local characteristics.

"Lotus" is named because the second half of this tune has a stylized lining with lotus falling. In the Song Dynasty, Puji, a monk, said, "Lotus Flower Fall is the name of a song sung by beggars for a long time." Lotus is popular in Zhejiang province, and there are two forms of performance: "big lotus" and "small lotus". Its theme can also be divided into two categories: one is traditional, and its vocabulary and content are relatively fixed. Another kind of theme is improvisation, mostly humorous and vivid words. "Jiashan Tian Ge" is one of the main varieties of Zhejiang folk songs. It consists of seven different tunes, namely, drip, yangko, ditou, yangsao, hello, urgent and flat. These seven tunes can be sung individually or in combination in the form of "Tian Ge Class". The tune is rich in the characteristics of Jiangnan water town. Lyrics often use "five-tone slang, homophonic pun". The so-called "Wu Ge" in this kind of lyrics has a direct inheritance relationship with Wu Di Min's song edited by Feng Menglong in Ming Dynasty, and also has an obvious blood relationship with the "Wu Sheng Song" in Yuefu Poetry of Southern Dynasties (edited by Guo Maoqian in Song Dynasty). Therefore, Jiashan Tian Ge is also an important part of Jiangnan "Wu Ge". Jiashan Tian Ge has always been valued and passed down. In 1950s, Tian Ge sang Huangpu Taihu Lake. After winning the prize in the province, he recorded a record, which was often played by CCTV. In 1960s, Tian Ge's female solo "Send Grain" swept the country until 1990s. At the same time, two local Tian singers were awarded the title of "Zhejiang Folk Artists". In 2004, Five Girls, a musical adapted from Jiashan Tian Ge, won the "Wenhua Award" in the 7th China Arts Festival.