The film "Green Red" is directed by Wang Xiaoshuai. It tells the story of a relocated family, which took place in the countryside in the early 1960s. This film gives people the impression of simplicity, truthfulness, naturalness, honest life, tranquility and relaxation.

The director is ingenious in the "door", and the first conflict in the film takes place in the picture with the door frame as the background; Lao Wu is helping the accordion teacher to practice his son's piano, which is one of many measures that Lao Hao intends to return to his hometown in Shanghai. Lao Wu found out from the corner of his eye that his daughter was going to sneak out to date "Little Grass Root". He stopped her at once. In the shot, the father and the daughter are embedded in a door frame. One wants to go out and the other resolutely prevents her from going out. The first serious negotiation between the two is a symbolic door at the beginning of the film. When the door is opened, we know what happened in this ordinary door. For Qinghong, not being allowed to go out is just a sweet date, but for his father, things are much more serious. The doorframe seems to be the dividing line of his daughter's fate. If we let her go out, not only will everything be ruined for her daughter, but their dream of returning to Shanghai will also be shattered.

After Xiaozhen eloped with Jun Lv, Lao Wu worried that Qinghong would follow in her footsteps. Therefore, the care for green red is more severe. As a result, the door frame was replaced by a window frame, and the green red silhouette sitting in the iron railing window lattice was more like a prisoner in a prison, losing all his freedom. From the standpoint of his father, he also has a lot of helplessness, which can be said to be a last resort.

On the other hand, the Lao Wu family has a series of shots about Xiaozhen: the director gave Xiaozhen almost all the bright colors in the film. Xiaozhen's house should be similar to Qinghong's. However, due to the lighting treatment, Xiaozhen's room looks spacious and bright. When Jun Lv was riding a bicycle carrying Xiao Zhen, the lights shook and the camera shook, which seemed to imply that Xiao Zhen had fallen.

In the dim morning, the most frightening scene of a "door frame" appeared in the film. The door frame is empty and there is nothing. A solitary lamp shone on Lao Wu, and he just stood there. This is the day he has been looking forward to, but when this day comes, there is no joy, only pain.

The director used a lot of panoramic shooting and follow-up shooting. There is not much pen and ink on shooting methods and picture processing skills. Panoramic shooting is convenient to describe the film intuitively, and sometimes it also plays a comparative role. The broadcast gymnastics shooting at the beginning of the film, the street and the father's reprimand at home are all panoramic views. Tracking photography enables the audience's eyes to keep up with the development of events, enhances the sense of reality and renders the atmosphere. After his father followed Qing Hong, he followed the filming for a long time, which gradually made the audience into a state and began to be nervous. Closer to the audience.

Generally speaking, this is a relatively successful film "Green Red", which expresses the attention of the sixth generation directors to marginalized people, their work, life and love, and their concern and criticism of reality. To some extent, it also represents Wang Xiaoshuai's British style and adds new elements to China's films.