Zhao Mengfu should count, and later became the Yuan Dynasty.
Mi Fei (1051~107) is good at poetry calligraphy, seal script, official script, regular script, running script and cursive script, and is good at copying ancient calligraphy, which has reached the level of confusion. At first, Ou Yangxun and Liu Gongquan had tight fonts and heavy strokes. Later, it spread to Wang Xizhi and Wang Xianzhi, who developed their posture and vigorous brushwork, calling themselves "Chinese calligraphy".
Mi Fei has his unique experience in the distribution, structure and use of calligraphy. It is required to be "stable but not strange, neither old nor fat", that is, to achieve unity in change and integrate opposing factors such as package and hiding, fat and thin, sparse and dense, simple and complex. In composition, attention is paid to the overall charm, the perfection of details, ingenious conception, changing with the situation in the writing process, and ingenuity. Mi Fei's pen-using features are mainly that he is good at forming elegant and extraordinary momentum and calm and happy style in positive, backward, turning and frustration. The beginning of the word is often quite heavy, and the middle is slightly light. When the side of the pen encounters a turning point, it will go straight down. There are also many changes in holding the pen. The focus of the next stroke is sometimes on the pen, sometimes on the pen, and sometimes in the middle of a stroke, a long horizontal painting has twists and turns. Hooks are also very distinctive. In Mi Fei's calligraphy, there is always a leaning posture. He wants to be left first and then right, and he wants to praise first and then restrain, all in order to increase ups and downs and flying style.
Mi Fei makes good use of the "writing brush", which is dry and moist, full of brushwork, with a sharp momentum, almost unconstrained style, and because all his cursive scripts are original, he points out the color accurately. For example, in his later years, his representative works "Poems of Hong Xian" and "Poems of Duojinglou" and so on.
Mi Fei's calligraphy ink handed down from generation to generation includes Empress Dowager Cixi's Elegy, Shu Su Tie, Tiaoxi Iron Stone, Bai Zhong Yue Ming Tie, Hong Xian Shi Juan, Nine Cao Shu Tie, and Iron Stone on the Building with Many Classics, etc. Mi Fei's calligraphy, with running script as the highest achievement, is unrestrained and rigorous in statutes.
Su Shi (1037 ~1101) is good at painting and calligraphy besides writing poems and essays. He visited all the philosophers in Jin and Tang Dynasties in calligraphy, and became a school of his own. He is good at running script and regular script, and his brushwork is strong and natural. His handed down works include Huangzhou Cold Food Poetry Post, Chibi Fu, Appreciation Post of Folk Teachers' Papers, Dongting Spring Scenery, Zhongshan Song Laoer Fu Volume and so on. Dongpo's achievements in the history of books are very high: ranking first in Song Sijia; His Huangzhou Cold Food Post is known as the third running account in the world.
Huang Tingjian (1045 ~ 1 105), one of the four bachelor's students in Sumen, was the founder of Jiangxi Poetry School. He was as famous as Su Shi before his death and was called Su Huang by the world. Huang Ting is good at calligraphy, good at evil spells, taking advantage of border risks and gaining momentum, and has a unique style. Ink marks include Hua Yan Shu and Song Feng Ge Shi.
Cai Xiang (10 12 ~ 1067) is good at seal cutting, writing brush, regular script, official script, regular script and cursive script. He studied under Yan Zhenqing, and his structure is rigorous and his body is magnificent. Running script is charming, chic and simple. On books, pay attention to spirit, qi and rhyme, and advocate ancient methods. He inherited the calligraphy of the Tang Dynasty and created a new style of the Song Dynasty. There are Tea and Ink Records, Peony Flowers Records, Chief Du's Notes, Self-titled Poems, Self-titled Poems, Wan 'anqiao Stone Carvings, Days in Jin Tang, etc.
Cai Jing (1047 ~ 1 126) has good calligraphy. The first teachers, Cai Xiang and Xu Jihai, soon abandoned them and changed to Shen Chuanshi, but they rejected them, changed to Ou Yangxun and became the "two kings", learning from others and becoming a whole. His calligraphy style is charming, his words are vigorous, he is happy and calm, and he has a unique style. Yuan Taojiayi's Book History Society was quoted by critics at that time. "Its strict and informal, is nothing more than rules. Books are like swords, and they are discussed in the temple; Running script is like a noble son, full of enthusiasm and brilliance; The big characters are the best in the world, and there are few horses. " It can reflect Cai Jing's position in calligraphy art at that time. At that time, people often used the words "peerless" and "unparalleled" when talking about his calligraphy. Even Miffy once said that his calligraphy was not as good as Cai Jing's. It is said that once Cai Jing was chatting with Mi Fei, Cai Jing asked Mi Fei, "Whose handwriting is the best today?" Mi Fei replied: "After Liu Gongquan in the late Tang Dynasty, you and your brother Cai Bian have to be counted." Cai Jing asked, "What next?" Miffy said, "Of course it's me."
The existing books in Cai Jing include Poems of Caotang, Fu Jie's Post and Palace Ambassador's Post.
Evonne (1082 ~ 1 135) (Song Huizong) is not only good at painting, but also has high attainments in calligraphy. On the basis of learning from Xue Yao and Chu Suiliang, Evonne's calligraphy has created a unique "thin gold body", which is thin and smooth, with one side like bamboo, and complements his meticulous painting. Thin gold book refers to its gold, wealth and righteousness, and also boasts of its strength. Zhao Ji has many calligraphy works handed down from generation to generation. All kinds of calligraphy works, such as Kai, Xing and Cao, remain in later generations, with vigorous and elegant brushwork and distinctive personality. Among them, Square Calyx Poetry is a masterpiece of Bo Jin Shu with sharp brushwork and elegant style. However, Song Huizong's calligraphy also has the shortcomings of being gentle and frivolous, which may be caused by the times and his own artistic accomplishment. However, its unique artistic personality of thin gold body is imitated by later generations. ?