1, comments are bullshit
"The sword is dark and the drum is loud." Great changes have taken place in the times. Grandpa came from the battlefield filled with smoke, and he came from the bitter era of defending the country. Sun Tzu is living in a peaceful era, a realistic society that pursues economic and personal interests. Different times background and different times education have shaped two different moral concepts. So the contradiction between father and son arises, which is the biggest point of this article.
The author puts forward a very realistic and serious social problem for us here: how to communicate the conflict of moral concepts between grandparents and grandchildren? Although the author did not propose a solution to the problem, he did not mention an important intermediary between the two generations: the educational role of parents. But in my opinion, the influence of mainstream social thoughts and the role of family and school education in this process are beyond doubt. Although the author didn't explain clearly why, it is this article that exudes the artistic charm of containing but not revealing and not publishing, which is just a tacit response to "the article is timely". From this, we can also see the author's strong sense of social responsibility and deep concern about the present situation of this variant moral conflict.
The second point of this article is that its language is concise, popular and very colloquial. Its unique language charm with northeast local color makes people interesting to read. Southerners, in particular, will be reluctant to read silently when they see this kind of work, and will definitely read aloud and enjoy it. It is worth mentioning that the author likes ink like gold and left a deep impression on people. Two words, three words, four words; The short sentence is a paragraph of its own, from casual question and answer to strong confrontation. Although the author tries his best to treat it coldly, it also highlights the distinctive personality of the characters.
Bullshit reflects that modern people in our society are facing the danger of moral "generation gap" and moral variation. The advantage of this article is that it does not simply educate and explain this social problem. Nor is it a simple satire or cartoon. However, teaching in daily life makes people think: people live in a complicated society and their moral concepts are diverse. The crux of the problem lies in what mainstream and healthy social morality people use to resist and dispel negative and unhealthy moral thoughts.
2. Comment on My Son's Treat
This is a good novel, with some artistic exaggeration, but it does not lose its shortcomings. Eight-year-old children are so sophisticated that they play a set of secular games so skillfully that they can solve the major problem of "I" asking my grandfather to sue my grandmother for re-employment by inviting guests. His familiarity with the rules of interpersonal games really made people stunned and sighed for a long time. After reading it, people have to think deeply: is this the naive, lovely and ignorant child in our eyes?
This is the initial feeling of this novel, so who let us naive children get into this bad habit? Is it our society, our family and our education? Although the novel does not specify which party is responsible for this, it can't help but remind people that some practices, bad habits and behaviors of adults in today's real life have a huge subtle erosion and influence on children. The novel opens up the real side of real life for us, allowing people to see more practical problems through this phenomenon. This is the realistic value and artistic charm of this novel.
3. Comment on Fear between Father and Son
This is a good novel that reflects the truth in the plain. We can't forget that Zhu Ziqing's Back left us a touching, true, pure and simple fatherly love. Similarly, from another perspective, the seemingly random narration in this novel contains deep fatherly love that is not easy to be noticed. At the same time, it also shows the fact that father and son have psychological obstacles and emotional translocation in real life and after vicissitudes.
The author put his profound life experience and sentiment into the calm narrative, such as being beaten as a child, singing opera with his father and son, traveling around the county together to "see the temple" and "evaluate the temple paintings", escorting me to school 10 kilometers, and my father bending over to check cigarettes. The first four events show that my father edified me with his simple personality and simple educational concept, and entrusted him with his deep and great fatherly love, which is not easy to be found. The latter thing, times have changed, my son is promising, but my father is old; My father still retains the villagers' consistent bad habit of "bending down to check cigarette butts", which makes me very embarrassed as a city dweller and profoundly shows the contradictions and conflicts between the two generations under different lifestyles. In this novel, the author reveals a feeling and helplessness that the relationship between father and son is corroded by social utility in real life!
4. Comments on footsteps
There are three remarkable points in the footsteps.
Good choice of materials. Although it takes ordinary things, it is chic and novel; Although the mouth is small, it has profound meaning.
Delicate brushwork. Mother-child dialogue is just right, so far, tepid and rambling; The protagonist is eager to get the psychological and behavioral description appreciated by the municipal party Committee. It can be said that his strength is close to one thousand points, which makes people think deeply for a long time.
Three don't reveal the content. Not only the beginning and the end are meaningful, but also reflected in the author's seemingly pure and objective narrative. In fact, it shows that the deep love between mother and son can't resist the cruel reality of buttering up the boss. The advantage of this article is that the author has always described it calmly and objectively as a bystander, leaving the sharp practical problems to the readers for arbitration. This just shows the author's artistic skill. In fact, if you are a smart reader, you can easily find that in this seemingly pure objective description, the author has actually shown his hatred and contempt for the shameless character of the protagonist, and has deeply thought about the reality.
Although his mother occupied his whole heart when he was a child, his mother's footsteps were familiar; However, as an adult, leaders hold their own career destiny, so the footsteps of leaders become familiar, while the once familiar footsteps gradually become unfamiliar. The article is thought-provoking and meaningful. I believe that every reader, after reading the whole article, the urgent footsteps will reverberate in our ears and minds for a long time.
Comment on Yu Ji's collection of short stories "Headhunting"
Author: Liu Source: Date of submission: 20 12-02-24 Reading: 200 online submission
Recently, Yu Ji's collection of short stories "Headhunting" was published by Anhui Literature and Art Publishing House. This collection contains 19 short stories written by the writer in recent ten years, with a total of 550,000 words. The themes of these works can be divided into "history" and "reality": first, pawn shops, events of Jus and Takada, dynasty love, allies and so on. One kind is deadline, list, headhunting, grey confusion, old model and so on. As critics have pointed out, Yu Ji has two pairs of pen and ink, one for writing history and the other for writing reality. His works have profound folk feelings and firm humanistic stand, pay attention to the excavation of human nature, narrate calmly, hit the point, have exquisite ideas and vivid plots, and are rich in historical massiness and composure, and modern lightness and sharpness.
Most of the novels included in this episode were selected by authoritative domestic magazines such as Xinhua Digest, Novel Monthly, Selected novellas and Selected Novels, and some of them were put on the silver screen and adapted into TV dramas. Yu Ji is currently the chairman of Anhui Federation of Literary and Art Circles and the chairman of Writers Association. Not long ago, his million-word novel The Xin 'an Family was published, which received rave reviews and made it on the list of new books. His TV series The Xin 'an Family with the same name was also popular in a prime-time program of CCTV, and received wide attention.
I read Yu Ji's view of history in his collection of short stories "Headhunting". There is no essential difference between Yu Ji's "history" and "reality". "History" is the root of "reality" and becomes a fable of time filtering, while "reality" is not a resurrected "history", which reproduces the previous stories repeatedly. Because the coverage of "history" in Yu Ji's expression is infinitely magnified, all narratives in Yu Ji's novels are history, or "narrated reality", including the reality that exists in history in general and the history of reality that is being shaped when * * * is going on.
The short story Tomb can be regarded as a complete expression of Yu Ji's historical ambiguity. During the Cultural Revolution, in order to protect himself, Lu refused to recognize Yang Hanxiong who had saved him, so that Yang Hanxiong was shot as a counter-revolutionary. Later, Mrs. Yang Hanxiong came to invest in this city. When the city built a tomb for Yang Hanxiong, it was only possible to build a "Mr. Yang Hanxiong's Tomb" on Xiaomei Mountain where the deceased was buried, facing Dameishan Cemetery where the martyrs were placed. Lu Zi buried a period of history, an eternal secret, an ordinary person's conscience, and perhaps only he can deeply understand it. At this time, history, as a calm abstract concept, completely abandoned the trace moral elements that had been entangled in it and the emotional temperature that had struggled and suffered. The passage of time not only did not make the story of historical tragedy disappear, but made the mistakes of history more meaningful and intriguing.
The novella "Zhu Si and the Magistrate Takada Incident" created a period of ambiguous history with a very ambiguous postscript. In the way of "meta-narrative", Yu Ji ran a story about the entanglement between a reviled "hero" and ambiguous history under the background of war:1In the spring of 995, a man named Yu Ji came to Wuhu, entrusted by the publishing house, to collect information about the defending war of Songxian County in the Republic of China 19. The concubine later found two materials in the library, and was convinced that these two materials were extremely valuable for deciphering the Gaotian incident, because they "provided a new thinking angle from another side". As a result, the deaths of Takada and Juss became a mystery, and even death itself was legalized by ambiguous history and changed beyond recognition.
Pawnshops are even more unique. They not only have an ambiguous "ending", but also add an "ending ending" that carries the ambiguous history to the end: the fire completed a conspiracy, and also created layers of historical puzzles, and they had the desire to perform. Did the fire start from Yongyidang or Yuhedang? Did Zhu Hui die of suicide or homicide? Is this the revenge of the residents or Zhu Qi's conspiracy? Why did Zhu die unsatisfied? A series of questions seem to prevent the story from ending smoothly, and the narrator can only wrap his "ending" with "why"-"As for why, it naturally causes various speculations". At this point, we can only admit in dismay that it is always futile for people to try to identify history effectively, because vague history cannot be explained in different directions. The irreversibility of history determines that it cannot be traced back and verified, and it can only be the result of speculation based on various signs.
All kinds of historical ambiguity actually reveal the ambiguity of human nature in the deep structure, which is the second level of my thinking about Yuji's narrative prototype proposition. Yuji's novels are roughly divided into history and reality according to the theme, but there is only one theme that runs through Yuji's novels, and that is the torture of human soul. The deaths of Yang Hanxiong, Lan Shisi and Zhu Si are typical historical tragedies, but what is buried behind the cold history without feelings is much more vague and complicated. Why did Lu dare not tell the fact that Yang Hanxiong used Xixi's identity to cover the revolution and save his life? Why did my bewildered brother betray Blue Fourteen at the last minute? Why does Zhu Si, who is bent on defending national dignity, bear the stigma of history? People always say that history is a mirror that can see the present and the future, and the fuzziness of human psychology that dominates history reflected from it is the root of historical fuzziness. With this understanding, we can't help asking all the mistakes that happened in the past. Is it a historical error or a human error?
Yu Ji likes to look for the shadow of modern people in the stories of predecessors when writing novels, so his expression is not only historical and literary, but also philosophical and psychological. For example, many people have speculated on the story of the failure of the second revolution in Wuhu, but the reasons for the failure are nothing more than inadequate preparation, spies, and weak bourgeoisie, which dare not mobilize the masses. Yu Ji's "allies" make people shine. The huge ideological object of "revolution" was accidentally digested by the gastric juice of personal lust. The failure of the revolution is due to "valuing sex over friends", because a man has a passionate possessiveness for a woman with mixed feelings. It should be said that the theme of "valuing sex over friends" is repeatedly expressed in China's traditional novels, while Freudian psychology's intervention in history and analysis of human nature are hot topics in the literary world in the 1980s and 1990s. However, few people eat this crab to illustrate the success of the revolution, which has created a brand-new pseudo-revolutionary image and truly demonstrated Yuji's "innovation". It is a successful attempt of Yu Ji to combine the new ideas of western history and psychology with China's old ideas and present an ancient story in a unique way.
Gray Puzzle is a masterpiece with realistic theme, which accurately grasps the evolution of industrial workers' personality and consciousness from administrative accessories to market and democracy in the process of economic reform. This is a novel with the structure of "scattered perspective", and various incoherent local developments are superimposed into a miniature of national personality of "mild impotence". The cultural connotation of the novel is profound and profound, and the racial problem makes the stubborn disease of "mental impotence" transcend the class composition and the boundaries of the times. The works are exquisite and smooth, gentle and graceful, but they do not hide their sharp critical edge, dig deep into the roots of the soul, and point directly to the traditional crux, which is no less than the pioneer writers in arousing readers' thinking about social problems. Here, Yu Ji completed his heavy criticism and self-criticism with his gentle artistic style and kind and casual original ecological techniques.
Yu Ji's persistent exploration of complex human nature in her creation, and her persistent questioning of the soul depths such as personal fresh desire and spiritual crisis of the group are the objects of her efforts and active exploration. Whether it is Yu Ji's skillful scenery in the late Qing Dynasty or the realistic theme full of modern political elements and urban elements, his well-structured stories leave enough space for revealing, excavating, reflecting and questioning people's complex biology and sociality. This torture of soul and reflection on human nature show the profound and full ideological power of Yuji's novels.
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It depends on the landlord. I tried my best.