Classic prose, Hong Kong Tiandi Book Co., Ltd., 1995 edition.
Film Interpretation, China Film Publishing House, 1995.
A Course of Film Analysis, Shanghai Dictionary Publishing House, 2003.
Cultural Symphony: A Comparative Study of China Films (edited by China Film Publishing House, 2000).
Dancing with Movies (Essay), Shanghai Sanlian Publishing House, 2003.
Interpretation of Film (Revised Edition), China Film Publishing House, 2006.
Description and Presentation-Modern Media Writing, Fujian Strait Literature and Art Publishing House, 2003.
A Course of Film and Television Writing (II, 40,000 words), Higher Education Press, 2005.
Introduction to TV Director, Shanghai Sanlian Bookstore, 2009.
Editor in chief:
Cultural Symphony: A Comparative Study of China Films, China Film Publishing House, 2000.
A Course of Film and Television Writing (40,000 words in 2), Higher Education Press, 2005.
Selected Works of Fujian Literature and Art in Sixty Years (1949-2009), art review volume, Straits Literature and Art Publishing House, 2009.
Communication geography and media interaction--a comparative study of media culture across the taiwan straits. Shanghai Sanlian Bookstore, 2009.
Entries:
Introduction to Basic Writing, Fujian People's Publishing House, 1990.
Contemporary Progress of China's Writing, Hong Kong New Century Publishing House, 199 1 edition.
Writing Course for Normal University (30,000 words) Fujian Education Press 199 1 Edition.
Writing Dictionary (30,000 words) Chinese Dictionary Publishing House, 1992 edition.
Introduction to Film and Television Art (20,000 words) Higher Education Press, 1992.
Complete works of novel skills (40,000 words), Shanghai Literature and Art Publishing House, 1994.
History of Hong Kong Literature, Hong Kong Writers Publishing House, 1997.
The History of Hong Kong Literature People's Literature Publishing House 1999.
Writing Nature Publishing House 1999.
Appreciation of Film and Television Art (edited by 30,000 words), Peking University Publishing House, 2004. Notes on the Art of A Dream of Red Mansions, Literature Theory Research No.65438 +098 1.
Comments on Zhang Ailing's Short Stories, Literary CriticismNo. 15 (1982165438+10).
Comment on Wang Zengqi's novel art, Essays on New LiteratureNo. 1983.
Two combination's problem, Literature and Art Research,No. 1983.
The quality of a writing teacher, writing.
Notes on the Art of A Dream of Red Mansions (II), Journal of Fujian Normal University.
Pushkin is our teacher, Fujian literature.
Ode to Life, No.28 Series of Literary Criticism.
Literary information theory, contemporary literary exploration, No.6, 1986.
Zhang Chengzhi and his geographical literature, Literature Review,No. 1987,No. 1.
Literature reflects on itself, Fujian Literature, No.65438 +0987, No.65438 +0.
On typicality is individuality, Exploration of Contemporary Literature and Art,No. 1, 0987.
Writing as a behavioral science, communication 1987 1.
How to understand the nationalization of movies, Wenyi Bao, August 1987, June 1.
Freedom of Text and Deficiency of Literary Works, Contemporary Literary World, No.65438 +0988, No.65438 +0.
A veritable theory of literary creation, writing, No.65438 +0988, No.65438 +0.
Ahead and Lag, newspaper1March 26th, 988.
Jia Baoyu's rebellious character, Journal of Fujian Normal University.
The claustrophobic and turbulent mind, a review of contemporary writers, No.3, 1988.
Echo of Canyon-Echo of History, Contemporary Literature, No.5, 1987.
Advanced consciousness, advanced criticism, Wenyi Bao1988 65438+February 3 1.
Life Experience and Artistic Experience, Literature Review, No.65438 +0989, No.65438 +0.
Secularization tendency of literature, Literature Review No.3, 1989.
From the Depth of Cognition to the Depth of Experience, Literary and Art Newspaper, June 24th, 1989.
Structural Aesthetics, Fujian Forum, No.4, 1989.
The Mystery of Potential, Cultural Spring and Autumn Period, No.3, 1989.
Questioning the theoretical model of material meaning, writing,No. 1990,No. 1.
Macroscopic research on writing, China's writing,No. 1990.
Writing practice, writing, No.8, 1990.
On secular novels, Shanghai Literature, No.8, 199 1.
Shadow and Image, Fujian Fine Arts, 199 1, 4 issues.
Min Culture and Min School TV, Screen World, No.5, 199 1.
Surgical nonsense, writing, No.65438 +09965438 +0, No.65438 +065438 +0.
Let the old four be dumb, Fujian Fine Arts, No.9, 199 1.
Harmony and Unity of Art, Friends of the Film, No.65438 +099 1, No.65438 +02.
Turning the old into the new, Friends of the Movie,No. 1992,No. 1.
Learning mandarin and others, Fujian fine arts1992 no. 1.
Watching and enjoying movies, Chinese and foreign TV, No.7, 1992.
Film: From Reading to Appreciation, Fujian Fine Arts,No. 1993,No. 1.
The Concept of Space in Writing, Writing, No.4, 1993.
Enlightenment from TV dramas in Hong Kong and Taiwan, Screen World, No.3, 1993.
Just visiting through the vicissitudes of life, Art and Life, No.8, 1993.
On the desire for comedy, Fuzhou Evening News, No.8, 1993.
Noble mind, Friends of the Movie, No.9, 1993.
As a behavioral science, the contemporary development of China's writing.
Macroscopic study of writing, same as above.
About writing exercises, the same as above.
Thanks for straw hats, art and poems of life.
From Dream to Reality, Screen World, No.4, 1992.
Between advantages and limitations, police storm 1992 1 1.
Latent crisis in development, police storm1993 no. 1 1.
Interruption and continuation, literature and art research1993 no. 1 1.
Sword hanging in mid-air, Fujian art.
I see the mystery of the stone lion, Screen World, No.6, 1993.
The way to enter the film, Fujian Fine Arts, No.6, 1993.
Enjoy with your heart, Fuzhou Evening News1May 24, 994.
Improving the possibility of choice, Screen World, No.3, 1994.
On film thinking, Fujian Forum, No.4, 1994.
Possibility reduction and interpretation of movies, Fujian Fine Arts 1994.
Infinite scenery of dangerous peaks, screen world, No.5, 1994.
Tighten the strings of the plot, police storm,No. 1995,No. 1.
On film structure, Chinese and foreign TV, No.2, 1995.
When it is true, what is false is true.
Nonlinear and Unsteady State, Xiamen Literature,No. 1995.
Zhang Yimou Gong Li Film Art 1995.
Compound Experience and Diversified Orientation, Contemporary Film, No.5, 1995.
How to Be a Good Student, China Modern Literature Review (Hongkong) No.5, 1996.
On the process of literary creation, No.4, 1996.
West Wind Spreading to the East (Hosted), Film Art,No. 1996,No. 1.
Hong Kong Novels in 1950s, Hong Kong Writers' Newspaper 1 996165438+10/.
Answer a reporter's question, Fujian Fine Arts, No.2, 1997.
The triple overlapping pattern of Hong Kong's novel development, The Art of Fiction, No.2, 1997.
Hong Kong Novels in Transition, The Art of Fiction, No.2, 1997.
Hong Kong novels in transition, Hong Kong Writers' Daily.
Spring Festival Evening Miscellaneous Feeling, Screen World, No.2, 1997.
Hong Kong New Generation Novelists, Fujian Forum, No.3, 1997.
Film Art: Between Rise and Decline, Future Cultural Space, Straits Literature and Art Publishing House, 1997.
How to Be a Good Student, Review and Research on Overseas Chinese Literature in Taiwan Province and Hongkong, No.2 and No.3, 1997.
Cancer of political body, Yilin, No.5, 1997.
China art films under the commercial impact, Fujian Art, No.5, 1997.
Zhang Ailing's Creation and Hong Kong Literature, Novel Review No.5, 1997.
The Commerciality of Film and Commercial Film, Contemporary Film, No.2, 1998.
Documentary, Screen World, No.4, 1998.
Reading Red, Contemporary Film, No.5, 1998.
Hong Kong: Images of Cities, by Hong Kong Writers,No. 1998,No. 10.
The spiritual pulse of the city, novel review,No. 1999,No. 1.
Cultural Significance of China's Heroic Movies, Oriental Culture, No.2, 1999.
On Hong Kong Modernist Novels, Southeast AcademicNo. 1999,No. 1.
It's not easy to say I love you, Film Art, No.2, 1999.
Literary film, artistic wide angle, No.3, 1999.
China Politics and China Films, Journal of Fujian Normal University, No.4, 1999.
Re-understanding the non-dramatic tendency of movies, artistic wide angle, No.65438+0,2000.
Looking forward to transcendence, Fujian Fine Arts, No.2, 2000.
China Movies-When the Sunset Will Return, Century Dialogue, China Social Sciences Press, 2000.
China Movies-When the Sunset Will Return, Review, 2000 First Series.
Film: Object and Method, Southeast Academic, No.3, 2000.
Mass, Minority and Credibility, Gazing at News, Straits Literature and Art Publishing House, 2000.
New Theory of Literary Adaptation, Wide Angle of Art, No.4, 2000.
House: Spiritual Residence, Southeast Academy, No.4, 2000.
Love Mourning Poems, Literature Century, No.6, 2000.
Embarrassment and anxiety, Journal of Fujian Normal University, No.4, 2000.
The Influence of Literature on Movies, Fujian Forum, No.5, 2000.
From the literariness of the script to the literariness of the film, Film Art, No.6, 2000.
Great sadness and despair, contemporary movies, No.6, 2000.
Landscape of Women's Writing in Hong Kong, Hong Kong Literature,No. 12, 2000.
Mourning for Love, Novel Review 200 1 No.2..
Looking forward to surpassing, Journal of sanming university,No. 1, 20065438.
National Film: Facing the Globalization Context and Fujian Art, 1, 2002.
Information asymmetry and channel setting, Southeast Academic, 3 rd issue, 2002.
Globalization and Cultural Form of National Films, Film Art, 3 issues, 2002.
New generation directors and the future of national films, Wide Angle of Art, No.4, 2002.
International Symposium on Globalization and National Film Culture Strategy, Globalization and the Fate of China Film and Television, 2002.
The growth and awakening of a generation, TV, film and literature, No.5, 2002
Blog and Personal Media Era, Fujian Forum, 3 issues in 2003.
Children and identity construction in TV, Journal of Southeast University, No.3, 2003
Conflict and Harmony-Globalization and Asian Films, International Symposium on Globalization: Cultural Differences and Cultural Capital, Fudan University Press, 2003.
Fashion-A New Image Style, Film Art, No.6, 2003.
Integration of Time and Channel Resources, China Radio and Television News, No.4, 2004.
Globalization and Cultural Capital of National Films, Fujian Art, No.5, 2004.
Mass Media and the Construction of Public Identity, Modern Communication, No.5, 2004
Homeless people are everywhere, World Movie, No.6, 2004.
Cultural property rights and cultural security, supplement of Southeast Academic in 2004.
Soul of Fury, Fujian Art, No.2, 2005 (ranked second).
Cultural Heritage and Cultural Property Rights, Proceedings of the International Symposium, Harmony but Difference-A New Pattern of Film and Television from the Perspective of Globalization, Communication University of China Press, 2005.
Globalization and National Film Culture Industry, Fujian Forum, No.3, 2006.
New theory of membrane structure, Journal of Fujian Normal University, No.2, 2006.
Landscape film ―― Another naive period in the history of film, Film Art, No.5, 2006.
Film: From Art to Communication, Modern Communication, No.4, 2006. Political and Geographical Environment of Hong Kong Novels, Fujian Social Science Fund Project, 1999-2000.
Globalization and Cultural Strategy of Ethnic Films, Fujian Social Science Fund Project, 200 1-2002.
"Challenges and Countermeasures of Taiwan Propaganda", Special Topic of Taiwan Affairs Office, 2002-2003.
Research on the propaganda skills of news media to Taiwan in the era of globalization, Fujian Social Science Fund Project, 2003-2004.
China Film Communication History, a provincial key discipline, 2004-2005.
Film reading was approved as an excellent course in Fujian Province in 2007.
"Reform and Innovation of Radio and Television Editing and Directing Course" Project
"2006 {Film Reading} School-level Excellent Course" was established as an amateur engaged in literary and artistic creation, with more than 100 novels, essays and 10 film and television scripts.
In terms of scripts, there are three films, News from Axiu, The Avengers and Love in Macau, and three TV series, Minnan Story (16 episode), Bourne ultimatum (20 episodes) and Colorful Road (single drama), have been filmed and broadcast.