The beautiful scenery in the art garden is dizzying, which makes the "tourists" wandering on the door of literature and art eager to see. When you crouch under the neon lights, turn over the writing paper dripping with powder and tears, and think of the poem of Yang Liuman's graceful dance. Or, holding a hair cone on a white paper, I am learning to fly a kite in the air, my eyebrows are in the open air, and the calligraphy like zero rain is scattered on the ground. Exquisite pen and ink are permeated with the breath of the times, colorful and distinct.
Poetry and calligraphy come down in one continuous line, just like the general relationship between "soul" and "body". Poetry is the soul of calligraphy and the essence of language. Calligraphy has no style without poetry as a carrier. Because calligraphy is based on words, from ancient Chinese characters to ancient Chinese characters, to today's words, writing poems and lettering all reflect the twin reunion of China's calligraphy and poetry. But "book" is an activity of writing expression made with tools that can present hand shapes. Poetry is the bloom of the mind, the natural overflow of the mind, and perhaps the most needed soil. If a poet, even if curling dries up like a boat, will squeeze out two lines of tears in his eyes. Because the back of the poet's life is the source of his perception of life, the flowing heart will eventually wet the palm-sized world and let the earliest flower and fruit trees transplant to other places. Poetry has rigorous meter, broad artistic conception, concise and accurate, and broad imagination. This is probably one of the reasons why people have always admitted that "poetry fails to express its will"!
One night, I dreamed that I was riding a horse, screaming in the sky, looking back at the vast and colorful world in the sky, trying to show my talents to the people in the sky. Look at the misty and affectionate Ganoderma lucidum, which has sealed the doors of the sacred Tiangong, Penglai and Langyi, and you can appreciate the harmonious and charming scenery of heaven. In the bright moon thousands of miles away, the toad is still shaded by sweet-scented osmanthus trees, and Chang 'e is graceful and dancing in the moon palace. The moon reflects the beauty of Yaochi like a still shadow. As Shan Juan raised her silk sleeves, a wisp of fairy wind and dew came to the nose, and at the same time invited all the immortals in the sky to drink and sing poems. But at this time, I am not a fairy but better than a fairy. The breeze blowing at night makes me feel particularly cool and comfortable. Five-colored clouds rolled up on the horizon, and one of my magnolia pens was dyed into a colored nib given to Jiang Yan by Guo Pu. At this time, the rustling wind outside the window woke me up! A few tears are dripping from the pillow. I don't know whether they are excited tears in the sky or lonely tears in the room. ...
Touching the rice paper on the table and falling down, the invisible inspiration makes people forget to wear clothes and shoes. The starlight squeezed in the crack of the window is floating bit by bit. How can a carefree pen show mottled blue ink?
Calligraphy is mainly the art of writing with a brush. As for the interpretation, we have to think deeply. I have studied calligraphy for more than ten years, and I'm afraid I can't tell you why! Calligraphy is a "witness to the existence of Tao". It is not necessary to make progress every day, but to make progress from time to time by "learning". The essential characteristics of calligraphy are expressing emotions, expressing one's own environment, controlling brushes to present a unique mind and showing readers the unique taste of pen and ink. Mo Dao's ink has accumulated knowledge, sentiment and accomplishment. To write calligraphy well and learn poetry well is not a great realm, but the concise language and profound artistic conception of poetry are of great benefit to some books. (article reading network: www.sanwen.net)
Isn't there a saying that calligraphy and painting are of the same origin? I think at least "poetry and books are United." Things in literature are expressed in different ways, but the spirit of shaping is basically the same. For example, if you write a poem incisively and vividly, but copy it in a very ordinary book, no matter how good the physical environment is, the beauty of emotion, lines and music will not be available. If a very simple poem is built on rice paper like calligraphy, and it is framed and hung, the viewer will be amazed. A wonderful poem and an elegant pen are two things in the two places, and they are still full of meaning, emotion and paper, which makes people reluctant to go back.
At the time of receiving the manuscript, a scene of Bing Di's poetry collection "Han Piaoxiang" came to mind. Poetry, calligraphy and painting are shared in different places, just like meditation and enlightenment, the art of lifelong enlightenment, and the feelings of a thousand years! I am just a drop of water in the ocean of literature and art, suffering from no boat, drifting, drifting and drifting on the endless seabed.
Probably a "net edge" tie! Unconsciously entered a netizen's space, named "dream pontoon bridge", which is particularly novel and chic. I can't help but deeply think of the beautiful colorful river and gorgeous starry sky on the pontoon bridge in my dream. I think of essays such as Ou Bei Shi Hua, Liu Yi Shi Hua, Yuhu Shi Hua and Canglang Shi Hua. ...
Recently, I saw a passage in Zhu Guangqian's "On Poetry" devoted to "harmony and concealment", which is very humorous; Hiding is a mystery. This word was first mentioned in Liu Si's Wen Xin Diao Long. When it comes to metrical poems, we often have to mention the poems of Du Shaoling and Du Shaoling, which are characterized by cadence.
Du Shaoling is an open-minded person who transcends loneliness and hardship. There is a bitterness in his bones, which is a pain in the eyes of ordinary people and an insurmountable "stumbling block". Occasionally, he will pad the feet of the victims, looking at both ends, with an abyss in front and a muddy mountain road behind him. It is a traveler and pursuer's calm reflection on life. Confucius has the idea that "Tao can't be done", but in his eyes it is a kind of "learn from a painful experience". There are other poets like Tao Yuanming, whose poems are desolate and natural, but there is a touch of sadness between the lines. Both Tao and Du Fu are detached from tragedy. Liu Ling and Jin Shengtan have this meaning of "harmony". They are often a little cynical, but this cynicism is a kind of carefree in comedy, which often gives people a relaxed pleasure and humor. Ji Kang and Li Bai have their own unrestrained temperament between sadness and joy.
"Heart" and "heart painting" have a bridge to dreams for a person who loves poetry and calligraphy. In the eyes of the ancients, there may be artistic differences and well-informed. But for a person who is addicted to writing and loves calligraphy, not only writing skills, but also extra-word skills are very important.
As for "grassroots consciousness", it is undoubtedly a rebirth of tenacious vitality. In that cracked cliff, pine and cypress are still struggling to resist vulgarity. Not everyone is born with a tall image, but a firm and heroic character is honed in the acquired environment. Sometimes bright flowers bloom and fade, and yellow weeds on bare land also have time to grow, which depends on how the brewing site is built! Although orchids and wild chrysanthemums are circulating in the folk countryside, no one can know them, but the fragrant smell can also fascinate many people.
This psychic flower has its own beauty. Grass covered with "roots" has no fragrance and is not as tall as a tree. After a long time, it is also a small tree, without water and sunshine. After a long time, it is also a single tree. Standing there, someone will enjoy the cool.
I remember one year in the first month, I passed by a door and posted a pair of Spring Festival couplets on the door, which looked pleasing to the eye. Walking and thinking on the way home. Walking at the bottom of the valley and stepping on the rugged and secluded path, the sound is clearly played with the sound of mountains. The flowing water by the river, the cold spring on the shore and the sleeping stone all look thin. At this time, I remembered Lu You's poem "Without water, there is no doubt, while with dark willows, there is a village bright".
At home, snowflakes are beating on the wooden window lattice of the farmhouse. The night is already deep. Lying on the kang, I opened Zhou Bochun's poems, and a few wisps of clear ink came to my nose. The two lines describing snow are refreshing: "It rains like pears day and night, and the catkin wind falls silently." The police advised me not to put down my books and relive my dreams. The charm of this book seems to be inseparable from my eyesight. I only heard the rustling of pages in the room, but I couldn't sleep. Am I the poet Ye Wei? He has an amazing poem, "There is no fire in the leaf-burning stove, and there are residual lights under the reading window." In some versions, the word "Ye" is misspelled as "Yao", which I think is not in line with the artistic conception of the poem. Although "Yao" is pronounced as "Ye" in some dialects, it is not appropriate to use it here. Even if "Ye" and "Medicine" are based on "Ping", there are also the entry words "Ten Drugs" and "Sixteen Leaves". I think the former sentence is mainly written as "cold silence" and the latter sentence is written as "plain silence".
Teacher He Xuesen from the College of Literature of Capital Normal University is proficient in poetry and calligraphy culture. When he prefaced my poem "Mountain Shadows", he used a sentence from Zhao Guanyuan's "Man Jiang Hong" in the Southern Song Dynasty as the preface name: "The mountains reach the chest, and the piles are empty and green". The poem I want to write is "The Mountain is Coming". "The Mountain is Coming" is a dialect in Huining area, which means "On the depression, in the mountains". The word "lai" from Shanlai is quite an auxiliary word in dialect, in order to play a whole step. The word "Lai", like "Lai" and "Xi", plays an auxiliary role. In order to lengthen syllables, it is more natural and euphemistic to read. Dialects are sometimes very clever and affectionate! Su Dongpo wrote in the article "Send to Guangzhou" that "three cups are soft and full, and one pillow is black and sweet". Soft and full means drinking wine, while black and sweet means sleeping. This dialect is very clever, as if it had the feeling of riddles. After reading it, people feel "black and sweet"!
Having said that, the creation of poetry needs by going up one flight of stairs. Jia Dao, a poet in the Tang Dynasty, wrote in the poem "No Man" that "I walk alone at the bottom of the pool and count the trees", and noted that "two sentences are worth three years, and I cry at once. If you don't appreciate your confidant, you will return to your hometown. " This shows his preciseness and diligence in poetry creation. This spirit of tempering poetry is worth learning from later generations.
I chatted with some friends of Luxun College of Literature the other day. I suddenly mentioned some abstract concepts about poetry, and their answers were different.
That's right. There may be an impression of poetry in readers and writers, or in people's minds, but the collection of many impressions is the so-called generalized concept of poetry. It may be difficult to give a precise definition of poetry.
As far as personal feelings are concerned, poetry is a language naturally squeezed out from the cracks of life, but sometimes it is more touching, more real and more sincere than tears in the eyes.
There is no clear dividing line between old poetry (ancient poetry) and new poetry, which is divided at the level of classical Chinese and vernacular Chinese, but it is only relative.
The word "old" in old-style poems does not mean "outdated". Probably someone saw the old-style poems and said, at what age are you still reading the old-style poems? The key is that inheritance and innovation are closely related. Without inheritance, where can we innovate, change and develop? In fact, the light of old-style poetry is not a matter of meter, and a successful poem is composed of countless factors. I always think that China's Chinese characters are mysterious, sacred and magical. Poetry is a process from the natural objects, nutrients and products of "utensils" to "Tao", and its beauty is hard to tell you.
Scholars in China always find their place in a kind of spiritual freedom and detachment. The "four-fingered tune" in phonology is of great help to meter, although phonology is a knowledge of "the tongue of the mouth and ears", and its value is immeasurable, which is of great significance to our study of classical poetry today. New poetry is the wisdom of western languages, which moves from vernacular Chinese to the world, draws lessons from western literature and poetry, runs through the cultural exchanges between China and the West, and smoothly understands the world.
New poetry has its unique language image, image, air mass, rhythm, rhetoric, structure, rhythm and melody. There are no punctuation marks in poetry until now, but the existence and expression of this external form and internal emotional law is even more difficult to play. This is not to say that freedom is unfettered, but to seek "disobeying and not committing crimes, being harmonious and different" in infinite space, so as to achieve the realm and flowing effect of "doing whatever you want without overstepping the rules".
For poetry, some people still like romance; Or some people like reality. In fact, whether it is reality or romance, the good is always good, and the "sieve" of history always retains its essence. In the past few years, publishing articles in magazines and newspapers has almost cut me off (because I am not used to it). I think all good things are also very confident and powerful. When you face a poem; Or a calligraphy and painting; Or a work of art, she will talk to you in person. Only through criticism can we make progress. When we open today's magazine, everyone calls themselves poets and writers ... I wonder what they will be in five thousand years.
I am fully aware that writing has a sense of responsibility and mission. I saw the word "lower body writing" in relevant materials two years ago, which is very advanced. I have to say that I think the person who can put forward this word is the most discerning, otherwise rogue literature will form a genre.
We should always understand that learning is endless, and both writers and readers should know that words are sacred. We are just a "speck" in front of words, but we finally come to a place with different pursuits and beliefs. But in Qian Qian, only a million dust particles can make everything.