Characteristics of Su Shi's Ci Style Su Ci occupies a special position in the history of Ci, which opens up a new world for the creation of Ci. Su Shi, with his unrestrained talent, penetrated into all aspects of social life, such as reminiscing about the past, writing scenery and chanting things, family friendship, pastoral scenery and Zen. It broke through the stereotype of "gorgeous" words, raised the social function of words to the same height as poetry, and fully expressed the life and spiritual outlook of literati. Su Shi deliberately broke through the boundary of "poetic rhyme" and collected a large number of bold works with free brushwork, creating a new generation of ci style. He wrote poetry in the language of poetry, which formed the characteristic of "taking poetry as a word" in Su Ci. At the same time, he completely changed the status of Ci in music and made Ci develop into an independent lyric style. Boldness is the main style of Su Ci. In boldness, there is sometimes a sense of broadmindedness. Masterpieces such as "Jiangchengzi? Hunting in Michigan, Suburb? Chibi nostalgia. Express the beautiful feelings of pursuing ideals and loving life. For example, "Water Tune"? Travel with children. The style of love stories and poems about objects is graceful and restrained. Such as "Jiangchengzi?" "Impinging? The second rhyme Yang. No literati is more humane than Su Dongpo. He lives not only in poems and songs, but also in the lives of ordinary people. There is no doubt that he is a Chun Xue, but he can also find a bosom friend among the lower-class Balinese. These things called Dongpo are found in ancient Chinese and folk legends. Why? Su Dongpo is too clever. He is a philosopher and a wise man in life, but his high-rhyme talent is only an expectation of our nation immersed in culture for many years. A word that China people like to use when commenting on a literati is talent. The word "talent" embodies the yearning of China people, the romance of China people and the admiration of China people.

China native Su Like Dongpo, his talent, moral character and achievements are enough to make us like him. Therefore, we will pin all our hopes on this person, which is why there are Dongpo Meat, Dongpo Fish and Dongpo Cake ... Not only that, we also invented Su Xiaomei, a talented woman who stumped Qin Shaoyou on her wedding night and relished it. As a matter of fact, "Su Xiaomei" does not exist in history. We say that the talent of "Su Xiaomei" is only to set off the talent of Su Dongpo.

Among the ancient literati in China, Su Dongpo was definitely ranked first in later generations. Tao Yuanming is too clear-cut, and his mood is beyond ordinary people's understanding; Li Bai is too elegant to make people feel unattainable; Du Fu is so heavy that people dare not stand side by side with him, for fear that their life path will be tainted with luck; Ouyang Xiu is too expensive. Even Su Shunqing, Mei, Wang Anshi and Su Dongpo were his later students. How many people dare to be among them?

So we Su Like Dongpo. He is visible, tangible and tangible. And his talent is no less than anyone else's, which makes us feel taken for granted and willing when we like it. Confucianism practiced his "Su Xue", Taoism exaggerated his "alchemy", and Buddhism praised his friendship with Fo Yin. If you like poetry, you can chant "Compared with West Lake, light makeup and heavy makeup are always appropriate". If you like the lyrics, sing "I wish people a long life and a beautiful scenery." The bold and unrestrained school said that he was "synonymous" and personable.

The characteristics of Xin Qiji's ci style The most remarkable artistic achievement of Xin Qiji's ci is to enrich, consolidate and develop the bold and unconstrained ci style initiated by Su Shi. Xin Qiji wrote many heroic words, and bold words made bold become a big country and a formal school, and Xin Qiji's creation became the representative of this school. As Liu Kezhuang and Wang Shizhen commented, "CCBA has a loud cymbal, a low cymbal, crossed the Liuhe River and swept through the ages, which has never been seen since the beginning of the world." ("Xin Jiaxuan Collection Preface") "Graceful and restrained with Yi 'an as the Sect, bold and unrestrained with only young and safe as the first. "("Flowers and Plants Picked ")

In order to create a bold style of ci, Xin Qiji used a series of corresponding artistic means.

He is good at creating a lively artistic image. The characters in his works are often generous, tragic and heroic. He wrote that his great ambition is "colorful sleeves to make up the northwest in the future." ("Man Jiang Hong") He wrote that his vigorous skill is: "The flying of a horse is like thunder." (Broken Array) He wrote that his madness is "Looking back on Yunfei, I don't hate the ancients for not seeing me, and I hate the ancients for not seeing my crazy ears." (He Xinlang) He wrote that others and the ancients mostly "swallowed Wan Li like a tiger." (Song of Eternal Sorrow) Most of the scenes in his works are spectacular flying scenes. Just like a mountain, he wrote: "The mountain wants to the east, and the mountain wants to the east" ("Qinyuanchun"), "The green hills want to talk to people, and there are countless horses" ("Bodhisattva Man"), and the static mountain situation is written as a rushing dynamic, which is extremely unrestrained. He is good at using romantic imagination and symbolism to strengthen bold colors. For example, "Shuidiao Tou" said: "I aim at the wide, and I dream of the past. Sitting on the moon, the world has been pitching for a thousand years. " His romantic and unrestrained style almost matches the poet Li Bai. Another example is "Tai Chang Yin", which says, "It's easy to take advantage of the wind to see the mountains and rivers in Wan Li. When you go to Guangxi, humanities are more light. " The thoughts and feelings expressed in the three sentences of "Traveling with the Wind" are exactly the same as Qu Yuan's "sudden visit to her husband's hometown", and Qin Gui is not the only one who has a profound meaning. (Zhou Ji's Selected Poems of Four Schools)

He is good at using jumping and frustration to enhance the span of time and space and the ups and downs of feelings, especially at casting the most dignified feelings at the beginning and end. For example, the words "more can be eliminated" at the beginning of "Fishing" (see the following quotation) have been turned over thousands of times, which is really powerful. "(Bai Yuzhai Thorn) and at the end, the feeling of resentment is turned into a gloomy scene of" the sun is setting, and the willow trees are blooming in another village ",which makes the artistic conception of the whole word more profound. Another example is "Breaking the Array, Giving Chen Tongfu Strong Words", which lists several strong words such as "Watching the Sword while Drunk", but the last sentence "Poor White Happens" contains infinite feelings, which makes people unbearable to read.

The bold style of Xin Ci is often expressed through various forms. It is "correct and changeable, changeable and adaptable, can be changed without losing the original tone, and can obtain a variety of tones without losing the original tone". (Hu Yinglin's Poems) This bold "tone sandhi" (in the words of critics, critics often take graceful and restrained tone sandhi as the authentic tone sandhi) can often better express the inner temperament and natural style of Xin Ci.