The development of China's painting thought has gone through a long process, and Mr. Li Zehou has systematically explored it, calling it the course of beauty: the dragon and phoenix dance of primitive ancient art, the fierce beauty of bronze art, the complementary of Confucianism and Taoism in the rational spirit of pre-Qin, the romantic momentum of Chu and Han and the consciousness of Wei and Jin Dynasties in Gu Zhuo, the melodic beauty of the illusory ode of Buddhism in the prosperous Tang Dynasty, the mountains and rivers in Song and Yuan Dynasties without my artistic conception, and the romantic sadness of Ming and Qing Dynasties dominated by pen and ink. Since the May 4th Movement, western painting thoughts have strongly impacted and influenced the development of China's painting, especially the introduction of modeling technology and ability, color techniques and science, and the in-depth study of composition concept, which enriched and developed China's painting technology and made his thoughts have a new development. Before and after the Eighth Five-Year Plan, this trend of drawing on and absorbing relevant western technologies and concepts reached a high level. In this special historical period of overcorrection, China's traditional painting spirit and concept have been greatly impacted. However, as time goes by, more and more painters and collectors find that the national is the world's, and China's paintings have great vitality and artistic appeal. Thus, in the middle and late 1990s, returning to tradition and being close to context became another landscape. Many students, even famous artists, overemphasize the systematicness and invariance of tradition, which makes some people lie in the traditional painting style and sleep late, mistakenly thinking that they can become famous painters by copying three or two ancient paintings and engaging in some traditional pen and ink forms, completely ignoring the cultivation of traditional knowledge and the study and inheritance of traditional spirit. There are also many smart people who have grafted some new elements in the traditional form to form a new look, so a school was established. In fact, tradition is always a living tradition, it is not rigid, and tradition has strong vitality. Only with this traditional spirit, combined with one's own artistic accomplishment and lyric ability, can one naturally form one's own unique pen and ink expression form and unique artistic expression characteristics, so that people can appreciate the most noumenon thing of art-strong creative consciousness and ability in the cultural background, thus giving people beautiful enjoyment and making the works have artistic value and collection value.
The originality of art is the concentrated expression of artistic value.
The formation of artistic value is a systematic process, but no matter how complicated it is, it is nothing more than five factors: the cultural background and connotation of painting works, the artistic level of painting works, the unique expressive ability of pen and ink character and form of painting works, the unique historical value of painting works, the social effect of painting works and the intensity of market promotion. In the Chinese painting market in recent years, people are talking more about tradition, more often it is a repetition, sometimes it is the repetition of the ancients, and sometimes it is their own repetition. There are fewer works with true feelings, and the strict exploration with cultural significance is even rarer. This may be a disaster brought by the large-scale product market to the art market; The greater the market share of homogenized products, the higher the profit. Painters get material wealth that they can't even imagine without hard work, which makes them forget the characteristics of art-originality from the heart!
Once the painting works enter the repetitive process, they enter the fence of handicraft. Originality is not a random innovation, but a cultural exploration or formal innovation based on China's traditional pen and ink or traditional painting spirit. It has a continuous cohesion in the history of China painting, and it is a serious and cultivated creative behavior. The exploration and creation of original works are full of risks for a painter, with low success rate and even lower probability of being recognized by the market. Therefore, it is a brave game played by artists with artistic dedication. They don't like those who die of learning tradition-they don't have any artistic risks, they have been repeating styles for thousands of years, and the market demand is great. They don't need too much effort or too much risk, so they can survive with the help of the public's simple understanding of tradition. This is the socio-economic root of China's lack of originality and style.
The originality of art is the core of academic orientation.
What is popular in the Chinese painting market is "celebrity calligraphy and painting", which is fundamental and foundation; "Painting" is attached. So, painting can be bad, but you must be a celebrity. There are probably several ways for a person to become famous: First, in the current state where the official standard is dominant in China, grabbing a higher social status is the most effective way to become famous. In that way, you can quickly make yourself famous under the guise of national authority and strength. Generally speaking, the principle is that the greater the official position, the greater the reputation. Second, there is no official transport, and it is famous by officials. Make frequent appearances through various relationships with political circles and look for opportunities to make yourself famous. Third, make use of various media to create a star effect and become famous quickly. Fourth, through all kinds of irrational grotesque behaviors, attract people's attention, attract people's eyes, achieve the purpose of fame and so on. These are all effective means to become a celebrity, and smart people will certainly not try.
However, the immaturity of the gift market is one thing, and art is often another. Undoubtedly, whether a painter can stand or occupy a place in the history of art depends on his unique academic orientation. Academic orientation is not the business of a few people or institutions, but the result of the integration of historical processes. Of course, there will also be social reasons, factors of learning from teachers, differences in academic background and so on. But what ultimately works is its academic originality. In other words, the core factor of academic orientation is the originality of art. Only when the academic orientation is clear can we talk about the construction of market orientation and price system. The problem of academic orientation will become a very important operating rule in the Chinese painting market for a long time to come.
Those painters who ignore academic orientation and do not work hard on academic exploration will suffer a big loss on this fundamental issue. Of course, academic orientation is not a simple rhetoric, it is the symbol and benchmark of originality. Originality depends not only on diligence, but also on the synthesis of various factors, including talent and understanding.
Original collection is a noble academic spirit.
The positioning of collection has gone through many processes, from "celebrity calligraphy and painting" to mainstream painters, and then to ear collection, which contributed to the abnormal development of Chinese painting market at one stage. In today's increasingly mature Chinese painting market, more collectors join the ranks of research and collection. They pay more attention to the originality of their works while paying attention to academic orientation, which is a valuable academic spirit gradually established by collectors. The establishment of this academic spirit has brought new hope for the healthy and orderly development of the Chinese painting market.
If there is a new market in the development of Chinese painting market in the next few years, I believe this market will not be the result of blindly following the trend, but a rational market with academic significance based on the originality of critical works. Those original works will enter the collectors' field of vision with a brand-new attitude, while works with other styles and more replicas will slip into the ranks of non-artistic works in the public arts and crafts collection.
The next round of Chinese painting market is a process of rapid fission of Chinese painting market. Academic-oriented and original works will be sought after and the price will hit a new high; And those works that lack creative style or copy will fall down and fall into the ranks of "living".
Introduction of Forbidden City Architecture
The Forbidden City, also known as the Forbidden City, is the imperial palace in Ming and Qing Dynasties, and it is the largest and most well-preserved ancient architectural complex in China. The Forbidden City, an unparalleled masterpiece of ancient architecture, covers an area of more than 720,000 square meters and has more than 9,000 palaces, all of which are made of wooden structures, yellow glazed tiles and blue-white stone foundations, decorated with brilliant colored paintings. These palaces are arranged along a north-south central axis and spread to both sides. North and south are symmetrical. This central axis runs through the Forbidden City, Yongdingmen in the south, Drum Tower and Bell Tower in the north, and runs through the whole city. It is magnificent, carefully planned and extremely spectacular. Architects believe that the design and architecture of the Forbidden City is indeed an unparalleled masterpiece, and its plane layout, three-dimensional effect, grandeur and harmonious form can be said to be rare in the world. It marks the long cultural tradition of our motherland and shows the outstanding achievements of craftsmen in architecture more than 500 years ago.
Three striking halls
The most attractive buildings in the park are three halls: Hall of Supreme Harmony, Hall of Zhonghe and Hall of Baohe. They are all built on an 8-meter-high white marble platform, which looks like the Fairy Que in Gong Qiong from a distance. The first hall, the Hall of Supreme Harmony, is the most magnificent building, commonly known as the "Golden King Hall", where the emperor held a grand ceremony. The hall is 28 meters high, 63 meters from east to west and 35 meters from north to south. There are 92 large columns, with a diameter of 1 m, of which 6 are painted dragon columns painted in pink gold around the throne. The throne is located on a 2-meter-high platform in the temple, with exquisite cranes, stoves and tripods in front and finely carved screens behind. The whole hall is resplendent and magnificent. Zhonghe Hall is the place where the emperor rested and practiced etiquette before going to the Hall of Supreme Harmony for a ceremony. Baohe Hall is the place where the emperor fetes foreign princes and ministers every New Year's Eve.
A vibrant palace
The second half of the Forbidden City is called the Imperial Palace, with Gan Qing Palace, Jiaotai Palace and Kunning Palace as the center, and the East and West wings are the Sixth Palace and the Sixth Palace, which is the place where the emperor usually works and the queen lives and lives. The second half is the same as the first half in architectural style. The image of the first half of the building is serious, solemn, grand and majestic to symbolize the supremacy of the emperor. The second half of the palace is full of vitality, and most of the buildings are self-contained courtyards, including gardens, study rooms, pavilions and rocks. To the north of the Palace of Kunning is the Royal Garden. There are towering pines and cypresses, precious flowers and trees, strange rocks and pavilions in the imperial garden. Wanchun Pavilion and Qian Qiu Pavilion are the most magnificent ancient pavilions preserved at present.
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It's hard. Maybe you should go to the library to look for books related to this, special newspapers and magazines. It's also hard to find online. Sorry, I can't help you. T T I don't know much about it either. Why not ask someone at the top for help?