From Tomorrow, The Storm, Hometown, The True Story of Ah Q, Social Drama in Screaming to Blessing and Divorce in Wandering, Lu Xun reveals the thoughts, personalities and fate of farmers in China from all angles and levels.

The single fourth sister-in-law in Tomorrow is waiting for "tomorrow" in the middle of thick darkness, and the result is to expect greater misfortune and pain. She has no tomorrow.

Starting from the tragic fate of Sister-in-law Shan, the novel protested against the feudal system. On the other hand, others who wrote about Lampiawu did not really want to help her, but wanted to seize the opportunity. No one really sympathizes with her, which reflects the indifference of human feelings and inspires people to think about the future of all the oppressed peasants in China.

The Storm shows the face of rural areas in China after the Revolution of 1911 through a "braid" storm with seven mouths of gold. In addition to removing a braid after the Revolution of 1911, the work also shows the closed, backward and gloomy atmosphere in other rural areas, thus revealing the incompleteness of the Revolution of 1911. Shows the significance of enlightenment.

"Hometown" was written by Lu Xun in 1922 with the theme of moving back to his hometown.

The novel describes the pain and numbness of farmers under the oppression of many children, famine, exorbitant taxes, soldiers, bandits, officials and gentry through the changes from appearance to spirit of childhood friends. The novel describes the change of people through the change of environment.

From the miraculous picture 30 years ago to the bleak scene 30 years later, the works show the trauma of farmers from spirit to body.

At the end of the novel, the author wrote, "There is no road in the world. If there are more people walking, it will become a road." The usage here is the same as the "garland" in medicine, which embodies the author's ideal. The author hopes to find a way to liberate farmers.

"Image Series of Runtu"-Since the image of Runtu appeared, there have been a number of peasant images in the history of literature, such as Old Bao Tong in Spring Silkworm, Er Zhuge in Marriage of Little Black Boys, Yang Bailao in White-haired Girl, etc. They are bound to the land, burdened with heavy family burdens, and the burden of life is unbearable. This constitutes an image series.

Social drama is the only novel in Lu Xun's novels that describes the good character of farmers, such as kindness, simplicity, boldness and sincerity.

The two rural novels in Wandering are mainly about the fate of rural women. One is "blessing" and the other is "divorce".

Divorce, written on 1925, is Lu Xun's last work with real life as its theme. The protagonist of the novel is Ai Gu. She is a rural woman different from Sister Xianglin and Sister Shan. First of all, she has a certain spirit of resistance.