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Tang dynasty costume thesis
In fact, during the Wei and Jin Dynasties, due to the popularity of academic metaphysics, the literati class and most literati advocated illusory metaphysics. Thus affecting the aesthetics at that time. Therefore, it is manifested in the clothes with wide sleeves and long lapels. Walking in the wind, the clothes flutter with the wind, just like the blue sky and white clouds. Men are still like this, let alone women. Its clothing is more elegant, especially when dancing, combined with the movements of characters, if the breeze blows the lotus, the willows sway with the wind and the white clouds are intoxicating. However, this is already the product of unrealistic luxury.

As for the Tang dynasty, it is mainly divided into two stages. In the early stage, his aesthetic thought was normal and healthy, and his clothes were practical, so he mostly wore short skirts. The emperor is frugal, and the wind naturally does. Even the dancers' costumes are relatively simple, mostly short skirts with chests in the Sui Dynasty; However, after the middle Tang Dynasty, extravagance prevailed, about after Su Zong replaced Zong. His aesthetics began to be deformed and became abnormal. How spacious the clothes are, I can hardly see them. Speaking of ancient Chinese costumes, I like the melody of the Western Han Dynasty. This is the real beauty.