The stars were bright last night, but there was a cool breeze at midnight. Our banquet is on the side of Hualou Temple and the east of the county. Without Cai Feng's wings, it is impossible to be Qi Fei in fly with me; The heart is like a soul, and the feelings are the same. Send a hook for spring wine every once in a while, where we roll dice in groups under the crimson lamp. Alas, it's time to call the roll in the morning when you hear the drums of the fifth watch; Riding to Lantai is like the wind in the wind.

Li Shangyin's "untitled poems" are mostly vague and vague, and their expressions are implicit and euphemistic, so they are vague and uncertain, and there are different opinions about Li Shangyin's "untitled poems". For example, this poem "Untitled Poetry" is considered by some as a political poem, while others as a love poem.

Take the third song as an example. The word "last night" appears twice in the first sentence of the poem, which shows that the poet is reminiscing about the past today. The word "last night" has a large emotional content, which shows that the poet's memory is unforgettable. "Stars" and "Wind", "Painting Buildings" and "Guitang" imply the happy times and life scenes experienced by the poet.

The second link is the experience and understanding of love. Cai Fengfei and I are symbols of a happy love life; The center of rhinoceros horn has a texture running through both ends, so it is also called Tong Xi. The poet uses this as a metaphor to show the emotional connection between the two sides and the connection between the two hearts. Although they are on the same side, their hearts are closely linked. The profound connotation contained in these two poems endows them with more philosophical significance and life connotation.

The sending hook and shooting cover written in the third part are all games at ancient banquets, similar to guessing boxing. Two sentences describe the scene of warm and cheerful, warm wine and red light in extremely gorgeous language.

However, just as the poet was immersed in the memories of last night's beautiful scenery, drums came in the distance and the poet was going to court again. "Being an official" means dealing with official business, which contains a helpless and boring mentality. "Peng" is a very small and light grass, which floats around with the wind. Therefore, in ancient poetry, it is often used as a metaphor for wandering life, and Li Shangyin also reveals his living situation here through this image.

Li Shangyin was the most outstanding poet in the late Tang Dynasty, and was also called Little Du Li with Du Mu. His tragic fate and life experience are also reflected in his poems. His poems are obscure, beautiful and sad, with profound artistic conception, which is another new peak in the history of Tang poetry after Li Bai and Du Fu.

Untitled poem is Li Shangyin's original lyric poem style. In Li Shangyin's poetry collection, in addition to more than a dozen poems marked untitled, there are some poems whose titles are the first word or the second word in the sentence. Those with titles but actually untitled are generally classified as untitled poems. These poems are exquisitely conceived, affectionate and euphemistic, and have a harmonious rhythm, which has aroused the deep concern of many people and has always been the research content of researchers. But most of them are beautiful and unpredictable, confusing and difficult to grasp. "Wen Xin Diao Long Yin Xiu" says: "The hermit also emphasizes the purpose outside the text; Xiuya is unique in the article. Hidden as a work, the show is ingenious. " Implicit means that there is a moral in the article, and show means that the language is unique and handsome. These characteristics are very obvious in Li Shangyin's untitled poems.