I. Organizational structure
Director: Zang Jingru
Executive Deputy Director: Liu
Deputy Director: Ying Shaokuan and Director of the Office
Members: Yang, Hai, Yang Danxia
Jiang Feng Yu Lihong Zhuo Si
Second, introduce experts.
Zang Jingru, pen name Muru, male, Han nationality, born in 1939, originally from Baoding City, Hebei Province. Former President of China Painting and Calligraphy Research Association. At present, he is the vice chairman of the International Federation of Painters and Calligraphers, the secretary general of the Chinese Painting and Calligraphy Collectors Association, the legal person president of the Jinghua Painters Association, the academic member of the Central Painting and Calligraphy Institute, the member of the Art Committee of the China Public Relations Society, the director of the Painting and Calligraphy Appraisal Committee of the Jinghua Painters Association, the executive director of the Beijing Chinese Culture Promotion Association and the secretary general of the Beijing Art Aesthetics Research Association. The artistic resume is included in dictionaries such as China Dictionary of Contemporary Artists.
Zang Jingru loved the art of painting and calligraphy since she was a child, and for decades, she developed her own style of painting and calligraphy, which was recognized by experts. From 1950s to 1970s, he mainly studied calligraphy and painting. Since 1970, he has mainly focused on painting and learning calligraphy. He is proficient in the real seal script of Cao Li, and his official script is tall and graceful, which was reported by CCTV. What's more, Zang Jingru's original ink calligraphy is a bold innovation in calligraphy. In writing, it requires high skills and is difficult. Up to now, no second person at home and abroad can write like this. Ink calligraphy has been appreciated by national leaders and experts, and there are many collectors.
Zang Jingru's paintings are mainly landscapes, bamboos and shrimps. He also likes learning, insects and flowers. The shrimp he painted is fresh and elegant, which is wonderful.
Zang Jingru's works have participated in more than 50 exhibitions at home and abroad and 4 solo exhibitions. For example, in 1995 10, in order to commemorate the 50th anniversary of War of Resistance against Japanese Aggression's victory, papers and paintings were collected nationwide, and the winning works were exhibited in the China History Museum. His eight-foot landscape painting won the gold medal in the national competition. His works have been collected by art galleries or collectors in more than 50 countries and regions, including Britain, France, the United States, Japan, Italy and Korea.
Zang Jingru has high attainments in painting and calligraphy appreciation, and has taught painting and calligraphy appreciation knowledge to scholars all over the country for many times. He is a rare talent who can write and draw, and he is also an expert.
Liu, male, born in 1938, Han nationality. 1959 worked in the museum of Chinese revolution, 1975 worked in the cataloging section of the preservation department of the Chinese Museum of History, 1989 founded Museum magazine in the Chinese Museum Society, 1984 transferred to National Cultural Heritage Administration as the deputy director of the diaspora cultural relics department, 1986 as the secretary general of the National Cultural Relics Appraisal Committee. Main research and appreciation scope: porcelain, jade, bronze miscellaneous.
Ying Shaokuan, male, Han nationality. Famous domestic collectors and connoisseurs. At present, he is the vice president of China Calligraphy and Painting Collectors Association, the executive vice president and secretary general of Jinghua Calligraphy and Painting Association, the consultant of China reporter survey network, and the artistic director of the special issue of Bao.
Yang, male, was born in 1932, and his native place is Huaiyuan, Anhui. Researcher of the Palace Museum, member of the National Cultural Relics Appraisal Committee, member of the National Cultural Heritage Administration Cultural Relics Appraisal Qualification Examination Committee, and tutor of master students majoring in calligraphy and painting appraisal of the Central Academy of Fine Arts.
The main bibliographies involved in the compilation are: Grand Ceremony of Cultural Relics in the Palace Museum, Treasure Records in the Palace Museum, Encyclopedia of China-Art Volume, Encyclopedia of China-Cultural Relics Volume, China Calligraphy and Painting Appreciation Dictionary, Dong Qichang, National Treasure and National Treasure Collection. The papers include The Role of Personal Style in Calligraphy and Painting Appraisal, Three Calligraphers in Wuzhong, The Great Calligraphers of Ming and Qing Dynasties Talk about Calligraphy and Painting Falsification in Ming Dynasty, Appraisal of Ancient Calligraphy and Painting, A Restricted View of Su Shi's Calligraphy, Collection of Cloud Boutiques, Mei Qing's Life and His Painting Art, etc.
Other related experiences In the aspect of calligraphy and painting appraisal, as a big disciple of Mr. Xu Bangda, Lao Yang has gained rich practical experience by visiting various places, and summed up a set of authoritative appraisal rules from a lot of work. During the period of 1988- 1993, more than 5,000 paintings and calligraphy works of different historical periods were appraised for the Palace Museum, Beijing Cultural Relics Headquarters, Ministry of Public Security, Shaanxi Provincial Cultural Relics Bureau and other cultural relics units, and many works with precious artistic value were found. In 1980s, Zhenwu's Turquoise Axis was found in folk collections, which enriched the painting collection of the Palace Museum.
Fan Guoqiang, male, expert in calligraphy and painting, lecturer in training department of China Cultural Relics Society, and expert in Beijing Wenbao Cultural Relics Appraisal Center.
Hai, male, curator of the National Museum. China's art investment and collection-publishing of gold and bronze Buddha statues.
Yang Danxia, female, born in 1965, graduated from the graduate class of History Department of Beijing Normal University and Art Department of Peking University. Now he works in the Painting and Calligraphy Department of the Palace Museum and has been engaged in painting and calligraphy research and appraisal for more than 20 years. Her monographs and papers have been developed and published successively: Identification of the Authenticity of China's Paintings and Calligraphy, Zhang Daqian, Not Dark, Identification of the Authenticity of Modern Famous Paintings and Calligraphy, and Painting by Emperor Qianlong.
Jiang, male, born in April 2005, 1938, Han nationality, Shanghainese. Miscellaneous expert, researcher of National Museum, researcher of China History Museum, member of Cultural Relics Appraisal Committee, and expert of Beijing Wenbao Cultural Relics Appraisal Center.
1963 graduated from the History Department of Fudan University in Shanghai (five-year program). Since 1963, he has been working in the Chinese History Museum (now the National Museum of China), engaged in the cataloging, identification and research of inscriptions and calligraphy books, and studied other cultural relics and history. The number of words in the catalogue of cultural relics in the collection reached 9 million words.
1996 was awarded the title of national expert with outstanding contributions.
Due to long-term commitment to the identification and research of historical relics, * * * has written more than 40 monographs.
His main works include: History of Calligraphy in China, On the Art of China's Inscriptions, Four Masters in the Early Tang Dynasty, Calligraphy in the Republic of China, A Grand View of the Forest of Steles in China, Calligraphy Art in Cai Xiang, Calligraphy Art in Li Yong, Identification and Collection of Inscriptions, Identification and Collection of Calligraphy, and Collection of Chinese History Museum. Classic of Han stele, Preface of Visiting, Copying and Writing Lanting by Celebrities in Past Dynasties, Hundred Inscriptions in Sui Dynasty, Illustration of Ancient Ceramic Treasures in China, Illustration of Ancient Gold and Silver Treasures in China, Appreciation of Famous Paintings in Past Dynasties in China. In addition, over the years, * * * has published more than 50 papers150,000 words in newspapers and periodicals at home and abroad.
Feng, male,/kloc-0 was born in Beijing in February, 1996. Currently, he is an associate researcher in Beijing Palace Museum, deputy secretary-general and executive director of China Ancient Ceramics Research Association.
He has published nearly 30 research articles, papers and translations on ancient ceramics. Mainly include porcelain, Jingdezhen folk kiln blue and white porcelain spread, heraldic porcelain, pearlescent celadon, Fujian Shaowu Qingyun kiln survey, Shunzhi white glazed celadon, multicolored porcelain, Ding kiln, Clark porcelain, Dutch East India Company, famous kiln porcelain in Song Dynasty and imitations: for example, China porcelain unearthed in Indonesian Tushan, China blue and white plate seat in Damascus and so on.
Li Hong, male, manager of Beijing Cultural Relics Company.
Yu Zhuosi, female, professional researcher of China Cultural Relics Information Consulting Center.
Third, contact information
Address: Room 603, Block C, Yonghe Building, No.28 Andingmen East Street, Dongcheng District, Beijing T>
Postal code: 100007
Tel: 0 10-82600707
E-mail: jinghuashuhua @ 163.com
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