Jia Yi was a famous writer in the early Western Han Dynasty. He is called "Jia Sheng" in the world. He became famous when he was very young. /kloc-when he was 0/8 years old, his reputation for writing articles was known throughout the county. By the time of Emperor Wendi, 20-year-old Jia Yi was called a doctor. (At that time, the doctor was not like his present degree. At that time, the doctor was an official position, and the Five Classics referred to poetry, calligraphy, ceremony, Yi, Spring and Autumn Period. Every classic has a doctor with a simple responsibility: 1. Teach disciples and educate students with Confucian classics; 2, as the emperor's aides and advisers. For example, Xu Shen, who wrote Shuo Wen Jie Zi, was a great scholar with five classics, so he used them as doctors. Later, Jia Yi became the youngest doctor because he was too dazzling, but when the emperor had a question, he rushed to answer it. The other doctors had to nod and say yes, Han.
However, a bookish man like him is bound to be squeezed out by secular forces. Later, he was ostracized by other famous ministers and named Mr. Wang of Changsha, so we also called him "Jia Changsha" and "Jia Taifu". Three years later, he was recalled to Chang 'an, but he only became the teacher of King Huai Liang (the youngest son of Wendi, who liked him very much) and did not return to the emperor. Later, King Huai of Liang fell off his horse and died. Jia Yi feels sorry for herself. He got depressed and died soon. He was only 33 when he died. Sima Qian later wrote Historical Records, which showed great sympathy and appreciation for Qu Yuan and Jia Yi, and co-wrote a biography for them, called Historical Records and Biography of Qu Jia.
Literati in the Tang Dynasty will certainly pay attention to Jia Yi, a typical scholar. Wang Bo, a poet in the early Tang Dynasty, called "Changsha Qujiayi" in Preface to Wang Tengting. Of course, "Qu" here does not refer to Qu Yuan, but to injustice and injustice. In the late Tang Dynasty, Li Shangyin also wrote a poem about Jia Yi. The title of the poem is Jia Sheng. The whole poem is as follows:
The propaganda room invited the sages to meet the ministers, and Jia was even more incoherent. Poor midnight is unprecedented, and Mo Wen people ask ghosts and gods.
It is recorded in the poem that "Emperor Wen asked Jia Sheng about ghosts and gods", which is indeed true in history. History records: "After four years old, Jia Sheng asked for an interview, and Emperor Wen asked him to sit in the propaganda room. There is a sense of ghosts and gods in the world, so ask the origin of ghosts and gods. Jia Sheng is like a Taoist priest. At midnight, Wendi Deng came to the front seat. After all, he said: "I haven't seen Jia Sheng for a long time, and I feel that I have gone too far. It is not as good as today ... The pronunciation and meaning of" Li "are basically equivalent to" Jubilee Festival ",and many people write this word as" Li ",which is wrong. In other words, when Emperor Wen summoned Jia Sheng, he had just held a sacrifice and was receiving the blessing of the gods. He sat in the propaganda room, referring to the main hall of the front hall of Weiyang Palace. In fact, this interview was quite formal, or Emperor Wen met Jia Yi when he was doing something important. He asked Jia Yi about ghosts and gods. Jia Yi told him a truth. The more he listened, the more fascinated he became. He moved his knee to the other side and listened.
This is a great event that feudal literati talked about. In Li Shangyin's pen, another truth was born.
"The propaganda room invited Xian to visit the courtiers, and Jia Geng was incoherent." This is a narrative technique, which basically needs no explanation. That is, Emperor Wen of the Han Dynasty asked the sage to summon the exiled courtiers, which was obviously a typical saint. Jia Yi's talent is indeed superior to others. Seeking virtue has reached the point where even courtiers have to confess. This is indeed a desire to seek virtue. The first sentence "Qi" is appreciated only literally. The second sentence "Cheng" is the wisdom inherited by Jia Sheng's extraordinary talent. These two sentences are written from a positive perspective, without any irony. At first glance, Xiao Li wrote a poem praising virtue, because Wendy is a very wise monarch and the pioneer of "the rule of Wenjing", but it is obviously not, because there are still two sentences.
"Poor midnight is unprecedented, and Mo Wen people ask ghosts and gods." Wendi, you have done a good job of inviting sages to visit the Tao, but the way you invite sages in the middle of the night is not about the world, but about ghosts and immortals. The third sentence has a sharp poetic turn. This "turn" starts with the word "poor" and is managed by the word "virtual". Pity is a pity, but Li Shangyin didn't use "pathetic" and "deplorable" because it was too subjective and conspicuous. However, Li Shangyin did not let Wendy go. He used the word "virtual" at the back, virtual "front seat", virtual. Obviously, the most direct association is hypocrisy, hypocrisy and posturing, but Li Shangyin skillfully uses the word "virtual", which can be said to be Wendy's false move forward, or Wendy only made a move forward, which is implicit and natural.
Of course, the most malicious thing is the last sentence. As a monarch, he asked for saints. After doing so many actions, it is already midnight, and it is also the "front seat". You should ask the way to govern the country and the people, but you ask a lot of questions about the origin of ghosts and gods. What sage is this? As a sage, Jia Sheng is so miserable!
Regarding his conviction poem, in Jin Yong's novel The Legend of the Condor Heroes, Huang Rong was injured. When Guo Jing was healing his back, he once read a poem against Zhu Ziliu and said, "Do beggars have mistresses? How many chickens are there next door to you? There is an emperor Zhou in fashion, what about it? " Zhu Ziliu was speechless when asked, and even "stayed in the local area for a long time, unable to speak, thinking:' Qi people and busy chickens are metaphors, which are not enough to delve into, but the last two sentences are hard to justify for fear that Confucius is buried in the ground. ""The book says that this is a poem written by Huang, an "East Evil". Of course, this poem was not written by Huang, but Feng Menglong's History of Laughter in Ancient and Modern Times (also called A Survey of Tan in Ancient and Modern Times). If we carefully analyze this poem, it is obvious that the literati took it out of context and misinterpreted the meaning of the sages, while Zhu Ziliu did not react between eagerness at that time. Such poems are suitable for novels, so we won't delve into them. Li Shangyin's poems are not so sharp and may be a bit rhetorical, but he is frank about current events in most cases, just looking at historical events from an extra perspective, reversing the case and so on. The beauty is that this perspective is unique, and the beauty is that this perspective has never been used by others.
Of course, these meanings are all "emotional". Li Shangyin didn't write such a word in his sentence. Although Emperor Wendi was a former monarch, he dared not comment. He could only find out, but he didn't make it clear. There was no conclusion in the discussion. The poet's intention is obvious in combination with the national conditions of the emperors in the late Tang Dynasty who worshipped Buddha and sought immortality (Han Yu was exiled from afar because he opposed writing) and Li Shangyin's frustrated life. The limit that a poet can achieve is to satirize and sigh at the same time, and then he really has no choice but to sigh all his life!