Xuan Tongyuan returned to China in the summer of (1909) and was invited to teach in Hangzhou and Zhejiang Normal Universities. In the summer of the following year, he served as the inspector and natural history teacher of Shaoxing affiliated middle school. After work, I collected and sorted out ancient books and rural literature, and compiled "Miscellaneous Collection of Old Books in Huiji County" and "Gougu Novel". Attend a gathering of Vietnamese youth organizations and make a speech as the chairman of the meeting. After Wuchang Uprising, he led the teachers and students of Shaoxing Fu Middle School to take to the streets to publicize, led the masses to welcome the revolutionary army to Shaoxing, and actively participated in the actual struggle to recover Shaoxing with great political enthusiasm. After the recovery of Shaoxing, Wang Jinfa, commander-in-chief of Shaoxing Military and Political Branch, appointed him as the inspector of Shanhui Primary Normal School to support the revolutionary measures taken by Shaoxing Military and Political Branch. Soon, Wang Jinfa was corrupt, and Lu Xun deeply regretted it. He supported Sheyue youth to set up The More Daily, and supervised and criticized the wrong behavior of separating the government from the army. In the first year of the Republic of China (19 12), the Nanjing Provisional Government was established. A few days later, he was invited by Cai Yuanpei, chief education officer, to work in the Ministry of Education. In May of the same year, he was transferred to Beijing with the Ministry of Education as the head of the first section of the Social Education Department. In 7 years, the first vernacular novel Diary of a Madman was published in New Youth under the pseudonym of Lu Xun, which boldly exposed the feudal ethics of cannibalism. After that, he joined the editing work of New Youth and got to know Li Dazhao, Chen Duxiu and Hu Shi. In 1988, the May 4th Movement broke out and stood at the forefront of the movement, lashing out at feudal culture and feudal morality. Literary creation has achieved success. In addition to Kong Yiji, The True Story of Ah Q and other famous articles, a large number of essays were published to attack the opponents of the New Culture Movement. Starting from 1999, he made a special contribution to the cultural "encirclement and suppression" and anti-encirclement struggle 23 years later, and became a great man of China's cultural revolution. On June+10, 24, 5438, the Red Army of Workers and Peasants arrived in northern Shaanxi after the victory of the Long March. The news came that he and Mao Dunto sent a congratulatory message to the Central Committee via Paris: "The future of mankind and China depends on you." 25 years, seriously ill. At the end of April, I met with Feng Xuefeng, who came to Shanghai from northern Shaanxi at the behest of the Central Committee, to learn about the Central Committee's policy on the anti-Japanese national united front. In June, I dictated "Reply to Trotsky" to counter Trotsky's slander in the Party. In August, he dictated Answering Xu Maoyong and Talking about the Anti-Japanese United Front, indicating that he unconditionally supported and joined this front. /kloc-from 0/6 to 25 years, mainly in prose, he has compiled several monographic collections, such as Justice Collection, Three Leisure Collections, Two Hearts Collection, Pseudo-Free Book, Mobilization from South to North, Quasi-wind and Moon Talk, Lace Literature, and Seven Pavilion Prose. During this period, he also devoted himself to translating and introducing the foreign progressive literary work "Destruction", which made great contributions to spreading Marxist-Leninist literary thoughts and promoting cultural exchanges between China and foreign countries. He cares about the struggle on the education front and the growth of young students. He has been invited to give lectures in universities in Shanghai and Beijing for many times, warmly receiving visiting young people and answering questions for them. Enthusiastic advocate of fighting woodcut art, pioneer and founder of the new woodcut movement in China.
In 25 years of the Republic of China (1936), he died in Shanghai at the age of 56. His famous phrase "look down on a thousand fingers, bow down and be a willing ox" can be a portrayal of life. The body was buried in Hongqiao Wanguo Cemetery and moved to Hongkou Park on 1956. The tombstone was inscribed by Mao Zedong. Mao Zedong praised Lu Xun as "the planner of China's Cultural Revolution". He is not only a great writer, but also a great thinker and revolutionary. Lu Xun's bones are the hardest. He has no servility and obsequiousness, which is the most precious character of colonial and semi-colonial people. Lu Xun is the most correct, courageous, resolute, loyal and enthusiastic unprecedented national hero on the cultural front, representing the majority of the whole nation and charging the enemy. The direction of Lu Xun is the direction of the new culture of the Chinese nation. "I have translated a lot in my life. There are many versions of The Complete Works of Lu Xun. His works have been translated into more than 50 languages and spread at home and abroad.