China is a vast country with beautiful mountains and rivers, covering an area of 9.6 million square kilometers, spanning several different climatic zones. In this vast land, mountains are winding, rivers are running, the coast is winding, lakes are rob, plants are lush, forests are rich, and natural scenery is beautiful and colorful, which is second to none in the world. China is also an ancient civilization with a long history. It has continued the splendid classical culture created for more than 5,000 years and made great contributions to human civilization and progress. Zhong Ling's beauty and profound historical and cultural accumulation gave birth to such a long-standing, extensive and profound garden system as China Classical Garden. It shows the elite of China culture and the "aura" of the Chinese nation. It is unique in the world with its rich and colorful content and high artistic level, and is recognized as the origin of landscape architecture by academic circles.

The characteristics of traditional architecture in China provide superior conditions for this. For a single building with wooden frame structure, the inner wall and outer wall are dispensable, and the space can be virtual and real, and can be separated and penetrated. The buildings in the park make full use of this flexibility and randomness, creating various vivid appearance images and realizing the diversity closely embedded with mountains, water and flowers in the natural environment. China's landscape architecture is not only second to none in the world in terms of rich images, but also divides traditional architecture into parts, and the variability from individual combination to architectural group is brought to the extreme. Contrary to the neat, symmetrical and unified pattern of palaces, temples, government offices and mansions, it is completely free and random, and it is scattered by mountains and rivers, which further strengthens the embedded relationship between architecture and natural environment with this ever-changing surface. At the same time, it also uses the permeability and fluidity of the internal space and external space of the building to communicate the small space of the building with the large space of nature, as Park Ji said: "The porch is cool, the window is empty, and it can be admired as Wang Yang, and it is rotten at all times."