Good rain knows the season, when spring comes.
Sneak into the night with the wind, moisten things silently.
The wild path is dark, and the river is bright.
Look at the red and wet place, the flowers in Jinguancheng are heavy.
Delighting in Rain on a Spring Night expresses the poet's love and praise for the selfless dedication to the drizzle on a spring night.
One or two words of "good" are affectionate and praise the spring rain. "Knowing the season" endows Spring Rain with human life and emotion. In my opinion, the spring rain is considerate and knows the season, and it floats around when people are in urgent need, prompting the opportunity. What a good spring rain! The first couplet not only expresses the "occurrence" of the spring rain, but also implicitly conveys the author's anxious mood of eagerly looking forward to the arrival of the spring rain. Couplets are obviously the poet's auditory feelings. Spring rain has come, coming with the wind in the boundless night, quietly moistening everything, without any intention of seeking "goodness", just seeking dedication. You see, the author observes the rain scene so carefully that even the spring rain and silence are heard by the poet. Visible, Yu Chunyu unconsciously surprised, the poet stayed up all night. Tie couplets around the neck, the poet only looks forward to the spring rain for one night, but he is afraid of an abrupt end. He is happy and worried. He pushed the door out and stood there overlooking, only to see that the usually distinct field paths were also dissolved into the night, and it was dark, showing how dark the night was and how dense the rain was. The river boat fishing fire is even more dazzling, reflecting the vastness and darkness of spring night, and also highlighting the richness of spring rain from the side. In the words of imagination, the poet witnessed the continuous spring rain, and was gratified to think that at dawn the next day, Jinguan City would be a colorful spring scenery. Flowers are red and full of vitality, which are formed by subtle, moist and condensed silent drizzle.
2) Appreciation of Bai Juyi's Spring Tour in Qiantang
From the north side of Gushan Temple to the west side of Jiating, the lake is just level with the embankment, with low clouds and waves on the lake.
Several early orioles raced to the sunny tree, and their new swallows were carrying mud in their nests.
Colorful spring flowers will gradually fascinate people's eyes, and shallow spring grass can barely cover the horseshoe.
I love the beauty on the east bank of the West Lake, and I can't get enough of it, especially the white sand embankment under the green poplar.
The first couplet focuses on the big picture and writes about the scenery seen by Gushan Temple. The first sentence is position, and the second sentence is vision. "Chuping" refers to spring water, which is slightly flat with the embankment. "Low cloud feet" means that the white clouds are low and connected with the lake, and the outline of early spring is outlined. The calm water at the foot and the low-hanging cloud curtain in the sky constitute a quiet ink painting of the West Lake.
The poems written by Zhuan Xu were seen by poets during their travels. Yingying is a singer in spring, and everyone is competing to fly to the sunny tree to sing; Yan, the messenger of spring, has begun to build nests with mud and is full of vitality. Using "jujube" to describe oriole reflects Bai Juyi's sincere love for these vibrant little lives. The word "struggle" makes people feel that spring is rare and precious. Using a word "peck" to describe the busy and excited appearance of the swallow seems to bring the swallow back to life. These two sentences deliberately describe the dynamics of Yingying Yanyan, thus making the whole poem full of vitality and vitality in spring.
Writing flowers and plants in neck couplets focuses on the poet's feelings. The horse walked briskly on the shallow grass and looked at the flowers for a long time. His eyes were full of colorful flowers, which made people dizzying and puzzled. This pair of couplets and the first pair of couplets are the core of this poem, and they are also the crowning touch to describe the spring scenery in the white poem, especially the spring scenery in the West Lake. This is an emotional and energetic description of the scenery, which fully shows Bai Juyi's careful observation of the object of description and his accurate grasp of its characteristics.
At the end of the poem, the scenery of Baishadi is written, which directly expresses the poet's joy. The "lack of lines" is due to the lack of sight, which shows that the poet lingers.
From the northern foot of Gushan Mountain to the present Pinghu and Bai Causeway Autumn Moon, the poet reported the information of spring to people all the way: the lake is full of spring water, the trees are full of spring warblers, Chun Yan is in the air, the spring flowers are blooming on the shore, and the spring grass is just green. The poet's keen and delicate brushwork makes people realize that the West Lake is wearing spring clothes in a stretch. The poet praised the spring scenery of the West Lake and pointed out that he loved walking on the white sand embankment. There is water on both sides of Bai Causeway, and willows and peach trees are planted on both sides of the embankment. Walking on the Bai Causeway in spring, the lake is at your feet, and you seem to be walking on the water; Willow branches in early spring, like smoke and fog, like silk, come to your face and make your heart swell with infinite tenderness and infinite love. You are like in a dream and a fairyland. When you walk on the Bai Causeway in spring, you can better appreciate the poet's feelings and moods when he wrote this poem.
The theme of the whole poem is mainly on the word "travel", closely following the word "spring outing" to describe the scenery. But the West Lake is too big and the journey is too long, so the poet only intercepts a paragraph to write-from the north of Gushan Temple to Baisha Land. After reading this poem, we naturally have the feeling of enjoying the early spring scenery of the West Lake with the poet.
The whole poem has tight structure, strict meter, neat antithesis, fluent language and vivid and natural tone, which embodies the characteristics of popularity and fluency. Generally speaking, the poet describes the spring on the lake and is good at describing the scenery on the way. He chose the combination of typical and classified arrangement: he wrote four most beautiful spring scenes in the middle and chose the combination of animals and plants, which was unique. He is also good at grasping the characteristics of the scenery and using the most expressive words to describe and render it.
3) Appreciation of Du Mu's "Jiang Nanchun Jueju"
Thousands of miles of Ti Ying green reflects the great river, and Shuizhaishan fruit wine flags the wind.
More than 480 ancient temples were left in the Southern Dynasties, and countless pagodas were shrouded in wind and rain.
This is a four-line poem describing the scenery in the south of the Yangtze River. How charming and desirable Jiangnan is. "When the sun rises, the river is brighter than fire. When spring comes, the river is as green as blue." Bai Juyi has painted a series of gorgeous pictures for us, but that is only macroscopic, while Du Mu's "Jiangnan Spring" is relatively specific. It seems that we have been to several scenic spots, and we are more impressed. Du Mu not only depicts the beautiful spring scenery in the south of the Yangtze River, but also reproduces the misty balcony scenery in the south of the Yangtze River, making the scenery in the south of the Yangtze River more magical and confusing. "Thousands of miles of warblers sing green and red, and the water town is full of fruit wine flags." First of all, the poet brought us into the colorful Jiangnan world. You see, there are songs and dances everywhere, green trees and red flowers everywhere; Dripping water village, battlements surrounded by mountains, especially the wine flags fluttering in the wind, are so charming! The interpretation of A Thousand Miles is to write about the whole south of the Yangtze River, but the whole is expressed through concrete images. "Four hundred and eighty temples in the Southern Dynasties were covered with misty rain." There are also temples, which are an important part of the transition to the scenery in the south of the Yangtze River and have a sense of vicissitudes. Many Buddhist buildings left over from the Southern Dynasties are looming in the spring breeze and spring rain, adding confusing beauty. What the poet said here is not "480 Temple in the South of the Yangtze River", but "480 Temple in Chaochao", which obviously has another meaning. The rulers of the Southern Dynasties lost their lives for Buddhism, wasted people's money and built a large number of temples. "Southern History Guo Ancestral Family" said: "When the emperor understands Buddhist scriptures, he will change his customs. Therefore, the ancestors said that they all went to more than 500 Buddhist temples, which were extremely magnificent, with more than 100 thousand monks and nuns. The assets are rich, and there are no words in the county. " On this basis, Mutu said that there are obviously fewer "480 temples". Today, the "480 Temple in the Southern Dynasties" has become a historical relic and an integral part of the beautiful scenery in the south of the Yangtze River. There is no lack of irony in aesthetics, and the connotation of poetry is richer. The four sentences in this poem are all scenic words, each with its own characteristics. There are sounds and colors, space expansion and time tracking. In just 28 words, the poet painted us a vivid and verve picture of spring scenery in the south of the Yangtze River in very popular language.
4) Appreciation of Rain and Sunny by Wang Jia;
Before it rains, flowers appear first, and after it rains, there are no flowers at the bottom of the leaves.
Bees and butterflies have climbed over the wall, but spring scenery is next door.
This impromptu poem is about the last spring scenery when walking in a small garden after rain. The scenery absorbed in the poem is very simple and ordinary, but it is interesting to see strange things in the ordinary. The first two sentences of the poem are marked with the word "flower" symbolizing spring scenery, which contrasts the scene before and after the rain and reveals a feeling of cherishing spring. Before the rain, spring has just arrived, and the flowers have just spit out their bones and have not yet opened; After the rain, all the flowers disappeared, only the trees were covered with green leaves, indicating how long it had been raining, and the beautiful spring scenery was killed by this bitter rain. How disappointed the poet was when he saw the small garden with flowers falling and spring coming!
Not only poets, but also bees and butterflies are disappointing. The next two sentences of the poem are written by flowers to bees and butterflies. Bees and butterflies trapped by the bitter rain for a long time finally look forward to the fine weather in spring. They flew to the small garden with the same happiness as the poet, thinking that they could feast on spring scenery among the flowers, but there was no one, and the small garden had no flowers and leaves; They were as disappointed as poets and flew over the courtyard wall with regret. Flowers fall, bees and butterflies leave. Isn't the small garden more desolate and the poet's heart more melancholy? Watching bees and butterflies "climb over the wall", the poet who loves spring suddenly had a wonderful association: "I suspect that spring is nearby." There are neighbors on the other side of the courtyard wall, and the poet's idea seems to be true; However, the small garden next door separated by a wall will naturally not be blessed, how naive the poet thinks; After all, the height of the wall blocks the line of sight, so we can't be sure, so the poet only says "doubt". The word "doubt" is very measured and adds realism. These two poems not only vividly describe the manner of bees and butterflies chasing spring scenery, but also vividly describe "spring scenery". It seems that Yangchun really has feet. Instead of living in her own small garden, she ran to her neighbor's house. How naughty and funny she is!
"I suspect that spring scenery is next door" can be described as "a stroke of genius", and the strange peak of language is suddenly refreshing. This sentence is the essence of the whole article and plays a role in turning the stone into gold. Through it, small gardens, bees and butterflies, and spring glow with different spirits and are full of fun. The ancients said that "poetry is expensive and vivid" (Wu Qiao's poem around the stove) refers to this fresh and vivid poem that can best express the poet's unique feelings.
In Du Mu's "Jiangnan Spring", there is a saying that "thousands of miles of warblers sing green and reflect red". Yang Shen, a writer in the Ming Dynasty, commented: "Who can hear a thousand miles of Yingge? Thousands of miles of green and red, who can see it? "
Isn't it ridiculous to change it to "ten miles" to hear it?
5) Spring thinking
Lipper
The grass is as green as Beth, and the mulberry leaves in Qin area are green.
When you miss your hometown, you were missed and sad a long time ago.
Spring breeze, since I dare not know you, why should I separate the silk curtain beside my bed? ?
The title of Li Bai's five-character ancient poem is "Spring Thoughts". At first glance, it is a poem describing and thinking about women's inner world. According to the traditional expression habit of China's classical poems, the word "spring" is generally a semantic pun. First, it refers to the spring of nature, and second, it can be compared to the love between men and women. In ancient times, every time a boudoir woman was in beautiful spring, what she thought was naturally her husband who was away from home. Many poets in the Tang Dynasty were masters in writing poems about missing women, and the theme of young women's longing for spring really left many vivid works. For example, Wang Changling's "in my heart forever", which is known as the "Seven Unique Hands", said: "Young women in boudoir don't know how to worry, so they put on makeup in spring. Suddenly I saw the willow color on the stranger's head and regretted teaching my husband to find the marquis. I vividly and delicately reproduced a carefree "boudoir young woman". Because she lived a carefree life, she dressed herself up carefully, boarded a tall green building and watched the beautiful spring outside. Who knows, it doesn't matter at first glance, but the splendid spring scenery evokes a deep-rooted "spring": I regret that I have been encouraging my husband to make contributions to the frontier, but in the end I failed to live up to this beautiful "spring scenery" and wasted my "youth". However, because in my heart forever was written in the most popular four-line style at that time, it showed a relatively superficial secular aesthetic emotion and tendency, that is, it was a pure fashion. Although it belongs to the same theme, Li Bai's Spring Thoughts is written in five-character ancient poems because of its different genres, so it is more tortuous and euphemistic in expressing feelings. At first glance, in my heart forever is a typical Tang poem, which is undoubtedly a masterpiece of the prosperous Tang Dynasty. However, Spring Thoughts gives people a simple and beautiful aesthetic enjoyment. Emperor Qianlong of the Qing Dynasty once commented on this poem: "The ancient meaning is beautiful, and the body is close to the beam. "It means that, in terms of style, it is very similar to the folk songs between Qi and Liang Dynasties in the Southern Dynasties, but it is a little more subtle and connotative in expression and connotation. This style, which is quite similar to the Book of Songs, is called "ancient meaning". Rhetorically, however, it is very special, using different antitheses, starting with a general neat counterpoint, "Your grass is blue jade in the north, and our mulberries bend green threaded branches here. "Then he skillfully and carefully constructed a pair of" flowing water couples "."Does my concubine feel sad when you finally want to go home? " The refinement and tempering of this art is the "beauty" affirmed by Emperor Qianlong.
6) Appreciation of Hope in Spring
spring scenery
Du Fu
Chang' an fell, the country was broken, and only the mountains and rivers remained; Spring has come, and the sparsely populated Chang' an city is densely forested.
Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate.
The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold.
Twisting with melancholy, scratching my head and thinking, the more I scratch my white hair, I can hardly insert a hairpin.
In August of the first year of Zhide (756), Du Fu was captured to Chang 'an by the Anshi Rebellion. After more than half a year's life as a prisoner, Chang 'an was devastated and desolate, and his family was separated for a long time, and the pain of the poet's home country was more intense. The following year (757), he wrote this touching five-character poem.
The first two sentences are what you see in hope, extremely general and extremely painful. The country is broken, and the rivers and mountains are still there, but the rivers and mountains have changed their owners. Chang' an in late spring is covered with vegetation, and the visible people are sparse and desolate. The poet is sad when he sees things, and the feeling of hurting the country arises spontaneously, and he is depressed and sad. As Wu Jiansi wrote in Du Fu's Poems: "Du Fu's poems are full of words, and those full of god and reason, such as the destruction of the country and the eternal existence of mountains and rivers, are all sadness in the words;" The spring grass is deep and the deep words are full of beauty. "
Zhuan Xu writes flowers and birds, closely following the theme of poetry, so as to express the poet's homesickness. Because of lamenting current events, I shed tears when I see pleasing flowers; Because I deeply hate parting, I was shocked to hear the sweet birds singing. The poet feels abnormal. Flowers and birds are usually recreational things. Seeing them makes you cry and smelling them makes you sad, which is enough to see the poet's inner sadness. Here, the poet used the method of contrast to put sadness in the beautiful scenery, making sadness feel sad and wonderful, which will be told through the ages.
Next, write about the long war and the scarcity of letters from home. The poet's anxiety about other times is more profound and concrete. The sentence in Bonfire carries the sentence of "feeling of time", and the sentence in Letter from Home carries the sentence of "hating farewell", which is not only structured and rigorous, but also full of emotion.
Finally, the poet reflected his homesickness when he was worried about his country and people with specific details. There is little white hair on the head, and there is even less constant scratching. I can hardly wear a hairpin. This poem ends with "invincible", which makes people feel that the poet closely combines his own destiny with the destiny of the country, and it is sincere and touching.
These five methods are neat, harmonious and harmonious. The image of the landscape contains the poet's emotion; The poet's feelings appeal to the description of scenery images, which is very infectious.
7) ... The night now gives way to the ocean of the sun, and the old year melts in freshness.
-Tang Wangwan is a berth at the foot of Beibao Mountain.
Commenting on these two poems in his Outlaws of the Marsh and Yue, Tang said: "Since the poet, this sentence is rare. Zhang (Zhang said) wrote the title of the town hall and showed his ability every time, making it a model. " What did Zhang say to people, unfortunately? There is no explanation, but two points are worth noting: first, he "hands-on" these two poems, and second, he "shows his abilities".
Good writing is all about the accuracy of words. For example, the words "Sheng" and "Ru" here not only make this couplet stable, but also link two unrelated things, namely "Sea Sun" and "Remnant Night" and "Jiang Chun" and "Old Year", which are also vivid. The sun rises a little from the dark sea, like a child leaving his mother's abdomen. The word "life" is really vivid. The sun has just risen, and the earth is still basically in darkness, but the night has been torn and the word "residual" has written an irresistible disappearance. Night is passive, but it is also helpless. It gave birth to the sun, but it faded because of the sun! The word "Jin" is more vivid. Although Jiangnan is still the winter of the old year, spring has painted a layer of spring scenery on the willows along the river. This word "such as" is very impolite, almost wedged, and it is a new spirit. The willow color is close to the author's boat, so it can be seen, and the word "Jiang" should be defined before "Spring", which also points out the environment and scene of "the next berth on Beibao Mountain". These words are concise and measured. Because he not only wrote the scenes of his old age and his old age, but also wrote the specific visual gap at this time, which is vivid and vivid. The old year refused to recede, but finally could not stop the power of new life; However, freshmen seem to be wedged in whether you like it or not. The word "Confucianism" does have an irresistible trend. Zhang said that he is good at supporting backwardness and is determined to reform, which is probably related to his appreciation of old and new poems. Maybe that's why he wants to talk about government hall?
8) Wulingchun
Li Qingzhao
The wind has stopped the dust, the fragrant flowers have blossomed, and I am tired of combing my hair at night. Things are people, not everything, and tears flow first.
It is said that Shuangxi Spring is still good, and it is also planned to make canoes. I'm afraid the ship can't carry much worry.
This word was written by the author when he took refuge in Jinhua, Zhejiang for five years (1 135) in Shaoxing, Song Gaozong. She is fifty-three years old. At that time, she was already in a state of ruin, her dear husband died, most of her treasures were lost, and she was homeless in a foreign land, and her feelings were extremely sad.
The first sentence describes what we have seen so far, because the wind is full of flowers and desolate, but it avoids describing the fury of the wind and the messy flowers from the front. It is very meaningful to use the word "wind to dust" to express the consequences of such a small disaster, and then the wind destroys the flowers and falls all over the ground. Moreover, when the wind doesn't stop, flowers fall like rain. Although it is extremely unbearable, there are still residual flowers visible; After the wind stops, the flowers have been stained with mud, and people have turned to dust, leaving traces, but with the smell of dust, the spring scenery has been swept away, which is even more unbearable. Therefore, the word "wind leaves dust fragrance" is not only implicit, but also expands its capacity because of its implication, which makes people feel more. The second sentence is because what you see is what you see, so you do it. The sun is already high, and my hair has not been combed yet. Although it is similar to "getting up and combing your hair" in "The Phoenix Stage", it is all where will you go's sorrow. This is the hate of death, with different shades.
Three or four sentences, from implicit to vertical writing, point out all the bitterness, and the origin is "things are different." This kind of "things are wrong" is by no means an accidental, individual or subtle change, but an extremely extensive, drastic, fundamental and significant change, which involves endless things and endless pain, so it is summarized as "everything is closed". This is really "the seventeenth history, where to start"? So I was just about to say, tears have come out.
The first two sentences are implicit; After two sentences, the truth rate. Implicit, because this situation has nowhere to sue; Truth rate, because although you know there is nowhere to sue, you still have to sue. Therefore, if they are opposite, they are actually complementary.
The first movie spoke eloquently about the unbearable scenery and the sadness of the mood, so the next movie kicked off and talked from a distance. This poetess likes to travel around the mountains best. According to Zhou Hui's Qingbo Magazine, when she was in Nanjing, "it snowed heavily every day, that is, wearing a hat and coat, looking for poetry all over the city." Winter is like this, and spring can be imagined. Since she has a hobby of sightseeing, she also has a sad mood that needs to be relieved by sightseeing. Shuangxi is a scenic spot in Jinhua, so she naturally has the idea of boating in Shuangxi, which is called "How much is a spring outing" in Nian Nujiao. But in fact, her pain is too great and her sadness is too deep. Can boating be alleviated? Therefore, before I swam, I had predicted that the ship was too heavy to carry. This idea is both novel and true. The next * * * four sentences, the first two sentences open, a turn; After the two sentences are together, it is another round; The six function words "listen and speak", "imagine" and "fear" have vivid turning points. Although Shuangxi Spring is good, it is just a "smell"; Going boating was just a "plan", and then "fear" suddenly appeared below, killing the "plan" above. I thought about it when I heard about it. As a result, I just sat at home worrying.
Wang Shizhen's Flowers Are Picking Up says: "We can't bear many worries", "We can carry the worries of the twilight home" and "We can only carry a boat away from hate and go to two States", so we can look at each other. "Don't leave the paddle on the boat, you will have difficulty driving one day." This comment tells us that there must be a limit to the novelty of words. The right thing, after one step, becomes a mistake; Beautiful things, after a step, become ugly. Like "sculling", it is both "leaving the boat" and "a troubled day", so it is difficult to be accepted for fear of being unclear, artificial and unnatural. Therefore, "Wen Xin Diao Ding Long Poems" said: "Those who coincide with each other are clever with new ideas, and those who do not agree with them are blamed for their death." The difference between "coincidence" and "strangeness" is only one step.
Li Houzhu's "Young Beauty" said: "I asked you how sad you can be? Just like a river flowing eastward. " Just more worry-free than water. Qin Guan's "Jiangchengzi" says: "Being on the riverside is tears and endless worries." Then sadness materialized and became something that could be put in the river and discharged with the water. Li Qingzhao and others put it further on the boat, so sorrow has weight, which can flow with the water and be carried away by the boat. In Dong Jieyuan's "The West Chamber", "Lu Xian Dian Jiang's lips are wrapped in the tail" said: "Mo Wen's parting is too heavy to be carried on a horse." Then sadness was unloaded from the ship and put on horseback. Wang Shifu's "The West Chamber" zaju "Gong Zheng Rectification Ending" said: "All the troubles in the world fill the chest, how can these cars bear it?" He unloaded the sadness on horseback and put it in the car. From these small examples, we can see that literature and art must be inherited and developed at the same time.
The whole layout of this word is also worth noting. Ouyang Xiu's "Picking Mulberry Seeds" says: "After all the flowers are gone, the West Lake is good, messy and red, birds are misty, and weeping willows are withered." When all the tourists left, they began to feel the spring sky, lowered the curtains, and Shuang Yan returned to the drizzle. "Zhou Bangyan's" Looking at the South of the Yangtze River "says:" The prostitutes are scattered and return to the embankment alone. The grass is full of smoke and water, the west of the city is cloudy and dark, and the nine strangers are not stained with mud. Under the peach and plum blossoms, the Spring Festival Gala was unsuccessful. Outside the wall, flowers find their way, and horses cross warblers in the willows, which is sad everywhere. "The practice is the same and can be compared. The first sentence of Tan Xian's Tang Fu Thorn criticizing European words is: "Sweep the floor and be born. "This is the layout characteristics of these three words. Sweeping is sweeping, and life is life. Judging from the first sentence of these three songs, they are all talking about the end of the previous stage. The words O and Li mean that spring has passed, while Zhou Ci means that beauty is gone. At the end of the day, wheatgrass is full of flowers. Of course, there are many touching scenes to write, but after the end, what else is there to write? Didn't you just sweep away everything you could write at the beginning? It was not until I read on that I realized that there was another scene below. Ou Ci wrote about the leisure and sadness in late spring, Zhou Ci wrote about the bleak mood of returning to the embankment alone until returning, and Li Ci wrote about the deep pain brought by the dust. And these are exactly what the screenwriter wants to express, and they are also the most moving parts, so they are called "sweeping the floor and being born". It's like we went to see a full-length play and arrived a little late. When we entered the theater, a very lively scene began just after watching one o'clock, but we didn't know the content of the following scene. When we watched it again, we found that we had caught up with the most wonderful climax of the whole play. The social life that any work can reflect can only be in certain aspects. Due to the limitation of space, the lyrics are even more so. This way of writing can use the omitted part as the background to set off the text, which unexpectedly strengthens the appeal of the text, so it is desirable.
9) Yulouchun Ouyang Xiu
Before opening the bottle, I plan to talk about the return date, and I want to talk about spring first. Ah, there is love in life, and love is in the depths of madness. This is not irrelevant to hate-the wind overhead, the moon in the sky.
Before the farewell party, Mo sang a new tie. This song has a sad feeling. It's easy to see all the flowers in Los Angeles at first.
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The author stayed in Xijing to promote the official position. When he left Luoyang, he said goodbye to his relatives and friends, and his heart was desolate. At the parting party, I was going to say I would return, but I swallowed it first. The words "Zhunba" and "Yu Yu" contain many feelings of farewell that I can't bear to say. But as a rational poet, although parting is inevitable, he is not addicted to his own parting, and he can't get rid of it himself. On the contrary, he pushed the parting to others on the same theme of the whole world. The author clearly realizes: "Leaving love without hating is an emotion that people are afraid of, and it has nothing to do with romance." So, don't reinvent the farewell song, because it is heartbreaking. Ci is remarkable in expressing the theme of parting, with sadness and lofty sentiments, which embodies the poet's love for beautiful things and his understanding of the impermanence of life.
The first two sentences of this poem, "I plan to return to my hometown before the bottle, and I want to talk about spring before I swallow it", are a direct description of the present situation, and at the same time, between the wording and structure, the poem shows a unique artistic conception. In front of the bottle, what a happy occasion it should have been, what a beautiful figure it should have been, but in front of the bottle, it was about the return of parting, so the joy in front of the bottle and the beauty of spring turned into sadness. In this transformation and contrast, we can see the tension between Ou Gong's love for beautiful things and his sorrow for the impermanence of the world, and the contrast between them.
Before the regression theory, the word "quasi-ba" was used; But before "Chunrong" and "miserable swallow", the word "desire language" was used. Although the word appears to be repetitive on the surface, it actually contains two different levels. "quasi-ba" is still just what I think, and "I want to talk about it" is the time to speak. On the contrary, I can see how much I can't bear to recall and express my deep affection for the "return date" that points to parting.
As for the following two sentences, "life is infatuated, and this resentment has nothing to do with romantic feelings", it is a kind of ideological introspection and thinking about the status quo, which confuses the feelings about the status quo. 鋈鋈鋈鋈鋈鋈鋈鋈鋈鋈鋈鋈鋈鋈鋈鋈. k？ Jian basong? Allow the star hammer to close? Strange beer scar? Xian? Hey? What's the matter with you? KINOMOTO SAKURA shakes thin K? Why not drive in a separate kernel? Pour? Pull? Hey? Sword? > hey? Street? Hey? Unload? Why are you so depressed? Is the overseas Chinese pine mixed with stars and hammers still dazzling? Allow the star hammer to flash? Tear the tears of work or 4 masters? \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ What happened? Ah, six? Su Zhao? Rectangular cone? Hey? Blowing with turbidity, thin dam? Hey hey hey! Chairs, hands? What about diazine α K? Rhyme, continuous, four coughs, arc clothes, naked wishes? Sulfide? Futan υ 缃 缃? Where is the hammer cover? Come on, that's it! What's wrong with it? Hey? What about radon? Health care amine? Living naked, closed, clumsy and piled up? The α bandits "don't listen to the old songs, listen to the new version of Yang Liuzhi", just like Liu Yuxi's poem "Please don't play the previous songs, listen to the new version of Yang Liuzhi". Before the words "picking mulberry seeds", Ouyang Xiu's Reading the West Lake also said "turn over the old words and write them in a new style". The cover of the old song "Yangguan" is already unbearable to listen to, and it is also "a song can teach the intestines to tie knots." The dissuasion of the word "end of qi" in the previous sentence is written so earnestly that it is enough to contrast the sadness of the "intestinal knot" in the latter sentence.
The last two sentences suddenly rose, writing the pride of "seeing all the flowers in Los Angeles, it is easy to bid farewell to the original spring breeze". Ouyang Xiu's poem "Spring on the Jade Tower" clearly contains deep sadness of parting and melancholy of returning to spring, but it happened that such a bold sentence was written at the end. In these two sentences, he not only "read" the "Flower of Los Angeles" completely, but also showed a sense of ridicule, and his tone of "straight beard" and "beginning * * *" was also extremely heroic and powerful. However, the "flower of Los Angeles" is "tired" after all, and the "spring breeze" is "farewell" after all, so there is a heavy sadness in luxury. Therefore, when Wang Guowei talked about these sentences of European words in "Words on Earth", he said that they were "calm in bold and unrestrained, so they were particularly high".
10) I have no desire for spring, and everyone is jealous. I was mashed into mud and crushed into dust, only the smell was the same!
This is not Yongmei's poem. I express my feelings through plum and use plum as a metaphor. "Striving for spring" originally refers to the blooming of spring flowers, which reminds people of the ugly behavior of flattering others in society; "Jealousy" means jealousy, and it also reminds people of the jealousy of the sage and the victim in the court. The poet's anthropomorphic writing of plum blossoms, the unity of flowers and people, and eternal happiness are excellent works in chanting things.