I. Form 1. The conceptual form of form refers to the external intuitive gestures or actions, which are manifested in thousands of gestures, changing actions and their relationships. "Form" is the most basic feature of artistic expression. Without "form", the most direct medium to express artistic characteristics will be lost. Therefore, the role of "shape" in body rhyme is the basis and the most primitive. 2. The characteristics of the form (1) The artistic characteristics of the form are that the basic form and dance of "twisting, slanting, circle and curve" are all completed under the basic form and dance of "twisting, slanting, circle and curve", so these tiny features add colorful expressions to the "form". Usually, the modeling we do is basically through the twisting of various parts of the body to form different matching angles, thus forming a well-defined and three-dimensional modeling. Most of the movement tracks in body rhyme are mainly drawn circles, and the movement routes of human body are all presented as circles or arcs, emphasizing the movement routes of "flat circle, vertical circle and figure-eight circle" with the waist as the axis; The "shape" in the four core features of body rhyme "shape, spirit, strength and rhyme" fully illustrates this point. The characteristics of "shape" in body rhyme refer to the movement track of "flat circle, vertical circle and figure-eight circle"; The second refers to the external morphological characteristics of "twisting and bending". In addition, the vitality of dance lies not only in static modeling, but in the art of positioning as a circle in the process of movement, and modeling can not be separated from the two characteristics of circle and swimming in movement. (2) The characteristic of "shape" is to follow the artistic law of "starting from the heart, starting from the waist and walking in the body". The characteristics of "shape" in "body rhyme" can be summarized as follows: taking the physical beauty of "twisting, warping, circle and bending" as the core and taking the movement route of "flat circle, vertical circle and figure-eight circle" as the basis of the dynamic elements of the waist. The body rhyme of classical dance is a variety of waist axis movements represented by eight basic dynamic elements. From the analysis of the techniques and methods of movements, the fundamental key to the formation of "three circles" of human body lies in the waist, which is the stress point and center of these movements. Secondly, no matter what you do, you must first start from your inner thoughts and consciousness, and then develop an overall movement that extends to the whole body by exerting force from the bottom of your waist. This is also one of the characteristics of "body rhyme". Second, God 1. The concept of God "God" is what we usually call "verve". This word is extremely important not only in dance, but also in everything. Any art that loses its charm loses its life. Charm is an inner and heartfelt subtle feeling, and it is also the real purpose of dance training and artistic expression. The soul of physical charm lies in being able to show your "charm" incisively and vividly. 2. Features of "God" The artistic feature of "God" is to follow the laws of "heart, mind and qi". Follow the principle of "harmony between heart and heart, harmony between heart and qi, harmony between qi and force, harmony between force and form" before dancing. The so-called "heart, mind and spirit" is the embodiment of "verve". Its real meaning is to dominate and interpret dance movements through one's own conscious consciousness, thoughts and feelings, and play a leading role. Conscious consciousness also includes rich artistic imagination. When we express our works, it is very important to deal with our rich artistic imagination and emotions in order to truly reflect its "charm". In fact, the movements of "dynamic normal elements" and "flat circle, vertical circle and figure-eight circle" mentioned in Xing are closely related to subjective concepts. Even the simplest "lifting" is based on the control of mind, combined with the law of "heart, mind and qi". Third, the strength of 1. The concept of strength is the level, strength and priority of the internal rhythm of the action. In the process of action, the use of strength is divided into priorities and rhythms, just like punctuation in an article. "Gold", the punctuation mark of dance rhythm, is expressed through human movements. Therefore, the use of "strength" also makes the rhythm clearer. 2. The characteristics of strength (1) The characteristics of strength lie in the concept of "point and line". In dance, the connection between points and lines, the expression of primary and secondary points and lines are all interpreted by strength. It is very important to use points and lines to clarify the external action route and the intensity of rhythm processing. In classical dance, the rhythm of body movements is not uniform, but is carried out in the freely changing rhythm of "slow and continuous, fast and not chaotic, static in motion and static in motion". In addition, the strength distribution of the action is also uneven. They are light, heavy, slow, urgent, strong, weak, fast and slow, all of which will be expressed through the main body of the body, so dancers are required to know how to properly use "strength" to express their movements. (2) "Strength" is characterized by various types of "strength". The body rhyme of classical dance attaches great importance to the treatment of "appearance" The power of this "appearance" is a kind of "inch strength" that suddenly closes and stops. It needs to be used properly to highlight the idea of dance. There is also the "contrast strength" of the body pressing down, which is also a very significant feature of body rhyme. Iv. law 1. The concept of law "law" is the regularity in body rhyme and the rhythm to be followed in the action route. The regular connection between normal movements should pay attention to "fluency", and smooth movements can be achieved in one go. However, we also found a lot of "anti-law" from the body rhyme of classical dance, which also produced the effect of overlapping peaks. 2. Characteristics of "law" (1) The so-called "positive law" refers to all normal laws and all smooth movements or connections. For example, when our eight elements are combined or acted, they are basically done in the order of arrangement. If the movements are connected smoothly, the movements can be done in one go, which is what we call the "positive law" in the law. (2) "Anti-law" ① The "anti-law" of the whole action. What we call "anti-law" here refers to the law that actions start from the opposite side. Can produce the ever-changing, confusing and ever-changing feeling of human movements. Judging from the specific movements, classical dance has the saying that "everything starts from the opposite side", and "everything must be lifted when it sinks, relied on when it rushes, followed by the left and right" are all unique "anti-law" of classical dance. 2 "Anti-law" between action and posture We take "double waving" as an example to explain specifically: when doing "double waving", when the arm shakes to the left, the body has the intention to stretch to the right, which is the "anti-law" between action and posture. This kind of action will make people feel mellow and full, and it will also make the action full of extensibility and charm. These "anti-laws" are also unique to classical dance.