What are the textures of watercolor illustrations? Watercolor is rich in texture, and there is still a lot of original space for individuals. It is unlikely to be systematically enumerated in an article. There are also many illustrations. While using watercolor, you can combine many other materials, and using different papers will produce many different effects. Generally speaking, common textures include:

1, wet painting smudge: wet paper with clear water before coloring, and all colors naturally smudge and connect.

2, dry painting water stain effect: write directly on dry paper, the color is full and moist, and natural water stain marks will appear on the edge after drying.

3. Flow: One end of the paper is colored with a pen rich in water. When the paper stands upright, the pigment will flow, forming a flowing trace.

4. Blow mark: Drop a drop of very saturated color on the paper. Due to the surface tension, a small lake will be formed on the surface of the paper. When you blow with your mouth, the color will show splash marks.

5. Alignment: Fold two pieces of paper or a piece of paper in half, draw one side in full color, then stick the two sides together, press it and then open it, which will have a natural alignment effect.

6. Printing on the reverse side of the glass plate: Brush more colors with a piece of paper with weak water absorption, then cover it face down on the glass plate, flatten it and uncover it, which will form a very beautiful dendritic impression.

7. Sprinkle salt method: Sprinkle some salt particles in the water-rich color area, and the color will gather at the salt particles to form traces of stars, which is suitable for painting snow scenes.

8. Scratches: Before coloring, scrape dark marks on the paper with hard objects such as toothpicks, and then paint quickly with a pen with less water, which will leave blank spaces at the scratches, which is suitable for flowers and plants to highlight or hair to receive light.

9. Crayons: Before watercolor painting, draw lines or fill colors on the paper with crayons. When painting again, watercolor will avoid the traces of crayons and produce interesting effects.

10 In addition to rubbing, such as using towel gourd tendons, dry turf, leaves and other things, dipping pigments on paper will also have a variety of rich textures.

1 1, diluted with oily pigment and poured on the water, the pigment will float on the water, put a few colors in it, stir it with a pen a little, and you will see beautiful stirring lines, cover it with white paper, and the pattern will be printed on the paper.

There are many, many, you can try it yourself slowly, but for illustration, texture is not the first factor after all, so don't worry too much. The content is still the most important.

Several drawing methods of PS noise texture illustration, as the name implies, are to add noise to the illustration, so that the picture becomes spatial and three-dimensional from the plane. It is often used in commercial illustrations, because noise texture illustrations are simple and easy to use, and can show very rich visual effects through color matching and creative thinking. These two years are very popular on the internet.

The following are four noise texture rendering techniques commonly used in Photoshop, and the differences and characteristics of different rendering methods:

First of all, we need to know what the dissolution mode is before we can make good use of it.

The definition of dissolution is "the process in which one substance (solute) is uniformly dispersed in another substance (solvent), such as the process in which sugar is dissolved in water to become a uniform sugar solution". This is a process and a phenomenon. The verb "dispersion" is the key word, and the amount of sugar determines the state of dispersion. Let me make an analogy. A layer is on B layer, and the style of A layer is changed to dissolve, A is sugar and B is water. Then the opacity is the amount of sugar. The higher the opacity, the denser the distribution of A (Figure 1), and the lower the opacity, the more sparse the distribution of A (Figure 2). This is the layer dissolution mode.

Therefore, the key point of dissolution mode is opacity. In the process of drawing illustrations, you can change the density of noise by changing the opacity of the brush. Because its noise is always 1PX, it is rough and not suitable for small-size painting.

When making layer styles such as inner shadow, projection, inner light, etc. For graphics, add noise, change the layer style to dissolve, and change the density of noise by controlling the values of opacity and noise. This method can quickly produce noise projection and other effects, adjust the density of noise at any time, and quickly copy the layer style.

First, make an internal glow with dark color and add variegated colors. It can be clearly seen that the added variegated color is a very stiff area, and there is no natural transition of particles.

Use layer styles. After adding variegated colors, change the mixing mode to dissolve. See the effect. Its particles become coarse particles of 1PX, and there will be a state of particle dispersion transition.

Now choose a brighter color than this yellow, adjust the color values of opacity and noise, and some parameters below to achieve the noise effect you want.

The use of brushes is much softer and more delicate than dissolution. By changing the brush size and opacity, the noise transitions naturally and the picture is soft, which is the most casual and effective way to use the noise mechanism and can be applied to various scenes.

Now use the noise brush to make some details for the moon, and you can add a little scene to enrich the picture. Note that when adding noise, don't add all the graphics, only add dark parts and bright parts, so that the picture will have a three-dimensional sense and a sense of space. When coloring, in addition to being brighter and darker in the dark, we should also pay attention to adding some environmental colors or complementary colors to set off.

This is the fastest method, and the noise is fine and evenly distributed, making the whole picture appear as matte texture. Because it is evenly distributed, it is mainly suitable for pictures with good lighting effect or adding texture to the background.

Now remove the texture of the noise brush in the above picture to flatten the picture again, then stamp the layer and perform Filter-Noise-Add Noise. You can add noise values according to your own style, thus adding noise to the whole picture. This is the quickest way.

Through the comparison between brush and filter, we can clearly see the difference between them. The filter has a film graininess.

The above are several methods of drawing noise texture illustrations, which should be used flexibly in appropriate positions to improve the efficiency and quality of drawing and achieve ideal results. Finally, I think the most important thing is creative thinking and composition. I hope you can use the pen in your hand to outline the picture in your heart flexibly.

What software is used to draw this kind of illustration design similar to Chinese style, and what should I do afterwards? Photoshop and SAI can be used, and they prefer PS. Need to download some special brushes, pencils and other brushes, and choose your favorite brush. Then, like painting, it is convenient to draw on the computer by layering, and some inappropriate places can be repeated. You can also adjust the color tone and add mechanism and noise.