Camille asked Mr Rodin for a marble. She wants to carve a bust for her brother Paul. In this family, besides his father, Camille loves his brother Paul the most. Although he is still very young, he can write excellent poems.
Dad, Mr. Claudius is back. Camille met him at the station. Before entering the house, my father stuffed some money for his favorite daughter. But this scene was still seen by my mother. She stood in the upstairs window and looked around. She cried and shut herself in the back room, scolding her family for lying to her, and everyone suffered for a fool who was crazy about playing with mud.
In order to express gratitude to the teacher, Camille carved a foot with slight blue veins and gave it to Rodin. This work made Rodin immediately decide to invite Camille as his assistant to participate in the large-scale sculpture work of the museum memorial.
That day, Camille was working on the scaffold. She accidentally saw Rodin fiddling with the plump and white naked female model in front of her with an ambiguous action. Camille was shocked. Somehow, her eyes were full of tears.
In the evening, in Paul's room, Camille whispered to her brother that she didn't want to go to Rodin's house again. Paul looked at his sister sympathetically. Maybe Rodin doesn't even know what she's thinking. The legendary figure's actions are unimaginable bohemian and arbitrary. Hugo, whom he worships, said such a thing.
Early the next morning, Rodin asked if there was any news from Camille. His assistant shook his head and suggested hiring another one. "no!" Rodin refused without thinking. He decided to go to Camille himself. The carved feet on the table told him that she was an irreplaceable assistant and a superb sculpture genius.
Rodin's visit made Camille's resentment and grievances disappear. When Camille posed for a nude female model, Rodin saw Camille learn what it took him years to learn.
Hugo died, and people ran around telling each other, which was embarrassing. The death of Hugo made Rodin feel tired of life. He was inspired by the nude model and was at a loss. So, Camille decided to give her fate to Rodin for the first time, and she boarded the base of the model. The naked Camille showed the master a perfect Eve. The rich skin and body like white jade disturbed Rodin's mind. He couldn't help touching and kissing her.
The Claudius family returned to their hometown and spent their holidays in Lower Vilov. In order to express her gratitude, Claudius ignored her daughter's objection and invited Rodin and his wife to Vilov. Rosie is Rodin's unmarried wife. She has a son with him. He accepted Vilov's invitation this time and hoped Camille could return to Paris as soon as possible. He wants to carve portraits of Hugo and Balzac. How can he show everyone's charm on his face? Inspiration is like a naughty child playing hide-and-seek with him. He can't accomplish these tasks without Camille, only she can bring him endless inspiration.
The love between my sister and Rodin made Paul feel left out and became an unnecessary person. Camille lives in Pei 'an Garden, which Rodin bought recently on the outskirts of Paris. In this temporary home, which is more like a workshop, she works day and night, alienating her family and friends and being almost isolated from the outside world. Inspiration, enthusiasm, skill and body, she dedicated everything to Rodin.
Rodin's masterpiece is about to be completed, but Mr. Claudius is uneasy to find that his daughter has stopped working since she met Rodin and seems to live only for Rodin. But if she doesn't show her work, she will never be recognized. He reminded Camille that her future belongs to her, and she shouldn't show up too much with Rodin. Gossip around her is enough to kill a genius.
Camille found out she was pregnant. She stayed alone in Pei 'an Garden, and the whole day's work left her without a decent dress and a pair of decent shoes. In addition to dealing with friends in the art world, Rodin often stays with sick Rosie. Rosie came to the door and had a big fight. Camille had a miscarriage. Rodin cried for three days. A few days later, Camille suddenly disappeared. In her studio, Rodin was very excited to find a perfectly carved image of himself. He decided to put it on display.
When Camille appeared again, she asked Rodin to choose between her and Rosie. Rodin said he couldn't drive Rosie away like a servant. Camille suddenly realized how pertinent her father's words were. She works for him day and night and seldom thinks about herself. She will never have everything other women have, only stones.
Camille, who had nothing, found Paul and asked her brother to let her stay for a while. Her heart was broken when she finally agreed to leave Rodin.
Camille is still immersed in sculpture after her initial recovery. My brother ran away from home, and my parents are going back to Vilov. The whole family moved to Paris for her and her sculpture, and now the whole world has abandoned her. They are disappointed in each other. The only thing Camille has is sculpture. Only sculpture can distinguish her from Rosie.
With the help of musicians Debussy and others, Camille's works were exhibited. She wants to fly again with a limp. People have different opinions about her works, which are distorted by pain. But all the praise belongs to Rodin, because she is his student and he showed her how to find gold. Life has become a cross. Paul's words are too thorough. He has said to her: "Rodin dreams, you work." She never seems to get out of Rodin's shadow. Camille is more lonely in her own world than before, and she will become a sculpture. But even a sculpture will not be abandoned like this.
Rodin came, but was turned away, and Camille in the door became extremely fragile and vulnerable. The success of Balzac's full-length portrait made Rodin visit again because Camille had inspired him. However, to his surprise, the reunion after such a long separation turned into a hurtful abuse. Camille, mentally unbalanced, is crazy. She suspected that all her misfortunes were due to Rodin's practical jokes. When the landlord offered to take back the house, Camille rushed to Rodin's house in grief and indignation, smashed his doors and windows with stones and growled, "Rodin, get out of your kennel, what do I love you!"
The shrill cry echoed in the darkness.
Paul has been neglected by his father. When he returned to France, he had become an outstanding writer. Camille threw herself into her father's arms and felt ashamed that she had let him down. Mr. Claudius found his daughter's beautiful blue eyes tarnished. He put his arm around poor Camille and read her a poem by Paul.
Judy, a newspaper reporter, interviewed Camille in order to write a biography of Rodin. She told Camille that many people have realized that she is a rare female artist in this era. Even Rodin admitted that he had guided her to look for gold, but later found it was on her. No matter what the reporter said, Camille decided that she was sent by Rodin and refused to be interviewed by her. "My relationship with Rodin is zero."
19 13 In the autumn, shortly after Mr. Claudius' funeral, Camille was signed by a doctor in a mental hospital in Paris, which proved that she suffered from severe schizophrenia. At the moment when he was sent to the hospital prison car, Camille grabbed the window and the iron railing, and his eyes were full of desolation and fear.
In the madhouse, Camille earnestly wrote to his brother Paul again and again, hoping to leave this tortured place as soon as possible: "Don't leave me here, how much I want to go home and live with you, and make sure that my things don't fall into Rodin's hands. He is afraid that I will go out and will do everything possible to stop it. I really want to go home. Your exiled sister. "
194310 June19, Camille claudius died in Montkrone asylum at the age of 80.
Rodin built it for Camille. Kiss. Use Camille as a model.
For Camille, art is the whole of her life and represents her position in this world. Art means desire, love, fate, or simply the tragicomedy of life.
How to objectively and correctly evaluate Camille's life? First of all, we should consider her time and historical background, including the education, economy, culture, politics and other social conditions in France in the19th century. Camille is a female sculptor. In France at that time, sculpture was purely a man's art, and women had almost no right to contact sculpture art, so Camille could not be recognized by the public and was not accepted by the upper class. Even in the activities where other female artists gather, she is unknown because she is not good at socializing and lacks contact and communication with her contemporaries. These are one of the reasons that brought her to the dead of night. Knowing this, it is not surprising why depression and sadness are always potential themes in Camille's works. Beneath the sweet and charming appearance of this talented female artist, there is a lonely inner world full of dirt all day long.
Through the correspondence between Camille and her younger brother and nephew in her later years, we can see that she misses Villenave's childhood very much and wants to return to the young village. It was there that she first experienced the tranquility, purity and serenity of nature. There, silence and nature were her first teachers. Inspired by them, she can find beauty in mud, haystacks and stones and happiness in the mystery of nature. She penetrated the deep existence with passion and expressed the deepest feelings of herself and the whole human heart. Indeed, for a sculptor like Camille, a peaceful and quiet life helps her capture vivid moments in life.
It is from her memory of childhood, her longing, capture and loss of love that Camille turned her experience into the driving force of creation. She records the disappearance and return of life with sculptures, looking for the meaning of life, love and death. Here, she expressed her monologue about life, turning loneliness into a compliment to the real world.
Secondly, when we treat Camille's sculpture art, we should make it clear that they can and must be separated from Rodin's sculpture and put it on her own platform to think. Camille's works are also a mirror of her brother and poet Paul's rhetoric art. They all noticed the harmony between opposites, internal and external.
Behind the changeable phenomenon, Camille's sculpture can grasp the unchangeable essence, just like a hymn in sculpture art, showing us the traces of life and the changeable world. It comes from Camille's silent dialogue with God and nature. It is the simplicity of the inner world, the purity of the soul, the beauty of love, the joy of being loved and the tenacious resistance to death that make Camille's art maintain the constant connotation in the changeable form, and then achieve eternity.
The ultimate meaning of loyalty, mystery, love and existence is also the theme that Camille tries to express in her works and the material that she constantly seeks in her daily life. Her works are different from others, which are manifested in the harmony of opposites, the interaction between universality and particularity, the blending of exterior and interior, the exchange of eyes and thoughts, the dialectical relationship between time and eternity, and the relationship between subject and object.
When evaluating the busts of Paul 13 and Paul 16 produced by Camille, the art critic Mr. Aslan once said: "Although the sculptures were not completed at the same time and the models were not Paul of the same age, they had the same eyes, the same strength and the same belief. This woman's observation has wonderful penetrating power. "
Indeed, Camille is such a sculptor. She can harmoniously integrate all these different aspects into a beautiful whole, making her works concise, balanced, wise and eternal. The sculpture "Little Mistress of the Castle" is an example. In this sculpture, we see a brand-new world, and people seem to be out of time. Camille conveyed the theme that "life is a miracle" to us through children's eyes. Obviously, Camille's childhood experience in Villenave can help her better understand this miracle. When she walked in those primitive villages and Woods, she experienced the rhythm of natural movement, the smell of the earth, as well as boulders, grasslands and blue sky ... She always admired the wonderful scenery on this huge canvas with awe. Life is so wonderful!
She also tries to understand the silent words of nature and feel the eternal dialogue composed of silence and mystery. Her early creation Elena reflects her understanding of this dialogue: Elena's life seems to have been absorbed by the overwhelming silence of this land. She waited quietly, as if she had seen through the loneliness of life and saw that death was coming to her. That is, from then on, Camille clearly knew that no matter what she would become, silence would always accompany her.
From these early sculptures, we can see that Camille expressed her thoughts and feelings through artistic forms, and made it a remarkable feature of her sculptures. Although Camille's sculpture does not represent her time or class, Camille has crossed the seemingly insurmountable gap between women and art at that time, and Sagondaro is the best example of this leap.
On the whole, Camille's sculptures have a certain connection with Renaissance sculptures, which is not always shown directly, but through a series of19th century French sculptors. For Camille, contact with nature is the basis to guide her creation. She endowed everything with loyalty, tranquility and harmony. Sculpture works are not all kinds of fragments gathered together at random, lacking harmonious beauty. Her works are a natural whole, calm and quiet, which comes from pure and naive ideas rather than chaotic and turbulent ideas. In any of Camille's works, her emotion and wisdom are manifested in her grasp of the form of things and her ingenuity in selecting materials and conceiving. Every step and material in her sculpture can be skillfully integrated with the whole, showing the beauty and harmony of the sculpture.
Camille's works not only retain the real thing, but also absorb and reflect the light of thought. It is this kind of light that makes the form and theme of her works tend to be stable and transparent, with a sense of the times. The beauty and glory of the world shine in Camille's art, and we should appreciate and taste her works with the same love, joy and sincere feelings, as well as the loneliness of putting ourselves in the shoes. For those who appreciate and praise them, these works of art provide a space for quiet thinking and an eternal belief. They are a mirror, reflecting the suffering experience given by life and the silence and miracle of life itself. All this is based on lasting happiness.
At this point, she is completely different from Rodin: Rodin pays attention to the expression of ideas and can be completely divorced from the prototype of real life. His works are famous for their complexity, abstraction, instability and vagueness. On the contrary, Camille's art emphasizes the spontaneous unity and harmonious combination of opposites, and never needs to get some mystery by dissolving reality. In her works, silence and language, time and eternity, body and soul are interlinked. Her works are all born out of isolation and natural feelings. Her sculpture is not to express abstract existence or imagination, but to focus on the writing of specific emotions, which brings us from the ever-changing world into another eternal meditation.
Camille believes that she needs to faithfully reflect the reality in her works through the observation and balance of her eyes and brain, which is definitely not an abstract symbol. She firmly believes that art is life itself, just as life itself has the mystery of existence, art should adjust its form to express life-the silent language of God. For her, time can save all existence, because it will make everything finally return to their origin: silence. Camille observes real life by observing silence. The feeling of loneliness is so real that she has even forgotten the expressive power of words.
Camille uses her works to communicate with the real world and the world observed by people. She pays attention to the relationship between change and constancy, time and eternity. In the end, Camille's works release an Odyssey-style humanistic spirit: you must escape from yourself to understand yourself.
Imagination, passion, new and unexpected things are part of a good artist's mind. Camille's own idea is this: she responds to the beauty, loyalty and love of nature, and her mind is full of Roman recognition.
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The works of Auguste rodin, a French sculpture artist, are largely expressed by texture and modeling, and devoted to great psychological influence. He is regarded as the greatest realistic sculpture artist in19th century and early 20th century. Rodin's position in the history of European sculpture is just like that of the poet Dante in Europe. Rodin and his two students, Mayol and Budel, are called the "three pillars" of European sculpture. 19 17165438+1October17 Rodin, a master of traditional sculpture in Europe for more than 2,000 years, the creator of new sculpture in the 20th century and the French sculptor, died.
Auguste rodin was the most influential French sculptor in19th century. He worked hard all his life and dared to break through the shackles of the official academic school and go his own way. He is good at absorbing all excellent traditions and has a deep understanding of the beautiful, vivid and contrasting techniques of ancient Greek sculpture. His works build a bridge between modern western sculpture and modern sculpture. Rodin is an epoch-making figure in the history of western sculpture.
He was born in a poor Christian family. His father is a police messenger and his mother is a poor civilian woman. Rodin loved art since he was a child, but his other classes were terrible. With the support of his sister Mary, his disappointed father had to agree to send him to the Paris School of Arts and Crafts. His sister Mary paid for his room and board with the money she earned, so Rodin loved her deeply since she was a child. At the age of 65,438+04, he studied painting with Le Conde Bois Baudrin, then studied sculpture with Beye, and served as Behles's assistant. He went to Brussels to create decorative sculptures for five years. He visited Italy from 65438 to 0875 and was deeply inspired by Michelangelo's works, thus establishing realistic creative techniques. His works include Bronze Age, Thinker, Hugo, Citizen of Calais, Balzac, Walking Man and so on. Everyone has new creations and has been criticized by the French academic school. The design of Hell's Gate, including 186 sculptures, was not realized as planned due to the obstruction of the official at that time, and only some works such as The Thinker, The Kiss and Eve were completed. He is good at creating vivid and powerful artistic images with rich and varied painting techniques. He has made many sketches in his life, and his style is unique, and his artistic theory has been passed down from generation to generation. Rodin's position in the history of European sculpture is just like that of the poet Dante in Europe. Rodin and his two students, Mayol and Budel, are called the "three pillars" of European sculpture. For modern people, he is the last sculptor in the old period (classicism period) and the first sculptor in the new period (modernism period). He left one foot in the classical courtyard, but the other foot has crossed the threshold of modernism. It can be said that Rodin opened the door to modern sculpture in the new era with his mature and powerful hands and creative spirit that was not bound by tradition. When the young artist rushed in and ran forward, he was old and could not walk. His creation has a great influence on the development of modern European sculpture. Auguste Rodin
Rodin's life is a life of being attacked and ridiculed, and also a life of being understood and supported by others. But he always faces all this correctly with great personality. Rodin climbed all his life and finally reached another peak after Michelangelo. Rodin firmly believed that "art is emotion". All his works have proved this concept and profoundly revealed the rich feelings of human beings. Rodin prefers tragic themes and is good at discovering contribution and beauty from fragmentation, which makes his art have profound and profound character. He initiated a brand-new era and created a brand-new artistic technique. The ideological and spiritual charm embodied in his works will always bring people a profound sense of beauty and inspire people to keep thinking.
Edit this life
Learning in school
Rodin King's Art and Craft School was founded by Madame de Pompadour's favorite painter Bessie Lier in 1765, where students studied the art of binding and painting. Here, he met Horace Lacock, the first teacher he admired in his life. Lacock is an ordinary art teacher, but he encouraged Rodin to be faithful to the real artistic feeling from the beginning, instead of following academic dogma. Perhaps it was this teaching that influenced Rodin's life. During this period, he often went to the Louvre to copy the famous paintings of the masters. Unable to afford oil paints, Rodin transferred to a sculpture class and fell in love with sculpture. Lecocq also introduced him to the famous French animal sculptor Baye (Barye 1796 ~ 1875), which gave him a good basic training. After three years of hard and diligent study, Rodin is full of ambition and ready to enter the Paris Academy of Fine Arts. Lecocq introduced Rodin to the famous sculptor at that time (Hippolyte Maindron1801~1884) and asked him to sign Rodin's application for admission as a referee, but it was useless and Rodin lost the election. I still lost the election the next year. In the third year, an old host simply wrote next to Rodin's name: "I have no talent in my life, and it is a waste to continue applying." In this way, the future European sculptor was rejected by the Paris Academy of Fine Arts forever. This is a heavy blow to young Rodin who is eager to become a sculptor.
Be driven into a monastery
A bigger blow followed. Rodin's beloved sister Mary entered the monastery because of lovelorn love. Two years later, her weak spirit and body could not bear the frustration and cold life, and she died of illness. Rodin's spirit completely collapsed under this double blow, and he resolutely embarked on the road of his sister and became a monk. However, Rodin's strong body provided him with endless desires, among which the desire for creation ignited an uncontrollable flame in an artist's heart, which made Rodin, who was equally devout to God and art, fall into inner contradictions and pains. Auguste rodin, a kind and wise abbot.
Emma saw Rodin's thoughts from his depressed expression. He created conditions for Rodin to have the opportunity to paint and carve. When he saw that Rodin was really talented, he persuaded Rodin to return to the secular world, continue his sculpture career and "serve God with art". This encouraged Rodin. With a soothing and grateful heart, Rodin made a statue for Dean Emma in the monastery. This statue shows that Rodin, 23, has the insight, skills and skills to become a sculptor.
The beginning of art
Rodin returned to Laycock and, with his help and support, began a career of self-study while working. Unable to afford a model, he hired a flat-headed beggar named Bibi as his model. The ugliness of the beggar made Rodin see sadness and desolation on his gaunt face, and at the same time he thought of Michelangelo, a lonely sculptor who worked hard all his life. Therefore, the beauty and ugliness of life and art have different meanings in Rodin's eyes. When he creates, he pays attention to the expression of light on the surface of his works, and integrates the ideological connotation he wants to express into his works, making sculpture a powerful language, and people's thoughts and feelings far exceed their visual feelings. This artistic concept is exactly what the master Michelangelo pursued in his later years, and it was first shown in Rodin's The Man with the Broken Nose more than 300 years later, and it has been the source of their soul and charm all their lives.
Edit this sculpture master
Great teacher
Rodin is not only a master of sculpture, but also a great teacher. His students or assistants, even if they only had contacts, were deeply influenced by Rodin in art, but Rodin, as a teacher, never bound his students from the artistic point of view, so his students all matured and stood out, forming their own unique style. They learn from Rodin's creative spirit, so many of them are excellent, and some of them will become famous teachers in the future.
Great personality
But he always faces all this correctly with great personality. Rodin climbed all his life and finally reached another peak after Michelangelo. Rodin firmly believed that "art is emotion". His complete "Bronze Age"
All the works have proved this concept and profoundly revealed the rich emotions of human beings. In this respect, Rodin is the most outstanding master of realistic sculpture. But his greatness lies in his profound thoughts: he has no shortcomings that are easy to see in romanticism, such as superficial enthusiasm, empty exaggeration and false connotation. He prefers tragic themes and is good at discovering strength and beauty from breaking. This makes his art have profound character, touching and inspiring, and makes us wander in the waves of the soul, the meaning of life, the mystery of the universe and the magic of creation. From this point of view, Rodin surpassed romanticism, sects, times and regions and became a bright star in the historical galaxy. He sympathized with the working people at the bottom, loved the motherland, and devoted his life to the persistent pursuit of art and thinking hard about all kinds of pains in life. He initiated a brand-new era and created a brand-new artistic technique. The ideological and spiritual charm embodied in his works will always bring people a profound sense of beauty and inspire people to keep thinking.