Speaking of it, "Japanese drama" has a wide range. In the early 1980s, a number of Japanese dramas similar to Blood Suspicion and Destiny began to enter the lives of China audiences. But at this time, "Japanese dramas" are just Japanese dramas in the general sense, which are very different from those Japanese idol dramas that hit the China TV market after 10. "East Love" created brilliance in 199 1 year. A love story in Tokyo that fascinated China audiences was first introduced by Shanghai TV Station. At that time, no one expected that this TV series would blow a whirlwind in China. The Oriental Love between Wan Zhi and Li Xiang brought the real golden age of Japanese idol drama in China. Since Love Story in Tokyo, Japanese drama has gradually become synonymous with fashion, modernity and city in China, especially after 1995, it has become a culture in the field of film and television. Pirated VCD shops on the street also began to introduce and sell these various Japanese idol dramas in complete sets. Before that, we could not make VCD for TV series, nor could we buy it on a large scale. Japanese drama. Some people say that everyone's age, experience, personality and hobbies are different, and the feelings and gains of watching the same Japanese drama are different; But the same thing-Japanese dramas always touch the hearts of the audience somewhere in some way. Moving, understanding, encouraging, feeling or hoping ... But if we look closely, Japanese dramas bring us more than that. The classic idol drama "Tokyo Love Story": 199 1 Tokyo Love Story, starring Honami Suzuki, Y?ji Oda, Narimi Arimori, Eguchi Yosuke and Akiho Sendo, tells a complicated four-corner relationship and is greeted by Li Xiang's bright smile at the airport. During their work, Li Xiang began to fall in love with Wan Zhi, but the play is a classic of the famous cartoonist Chai Menwen, which caused a great sensation when it was broadcast in China. Known as one of the classic love dramas in the 1990s. This drama made Honami Suzuki, who was unknown at that time, become the chief actress and idol at that time. It is said that the seaside station in the play has since become a place of pilgrimage for Japanese drama fans and couples who love "East Love". The railing tied with the handkerchief left by Li Xiang to Wan Zhi is now covered with white handkerchiefs with words on it. Classic 1996 is released every year-1996' s Japanese drama "Long Holiday" is another classic work loved by Japanese drama fans in China, starring Kimura Takuya, Tomoko Yamaguchi, Youyou Takeuchi, Inamori Kazumi and Matsu Takako. This cast is also considered as the best combination after Love Story in Tokyo, which is one of the best works of the famous playwright Eriko Kitagawa. "Long Holiday" made Kimura Takuya the first male idol in Japan, and extended the declining Tomoko Yamaguchi market by about 10 times. 1997-The Century of Love, starring Kimura Takuya, Matsu Takako and Matsu Takako, is an inevitable classic in Japanese dramas. How can golden couple be ugly? However, the love century is also called Japanese national love. Kimura Takuya's "Zheping" is handsome and gentle, and Matsu Takako's "Lizi" is lively and lovely. The bickering and sweet love between two people affect the hearts of countless people. However, the most noteworthy thing about this drama is that Norika Fujiwara became a miracle in Japanese star-making history with the plot of Feeling Kimura Takuya. 1998-"GTO spicy teacher" is an alternative. Gui, a former gangster in southern Hunan, a karate master and a member of Yeyi, later became a high school teacher and began his professional love experience in the academy. This opening without too many idols made Takashi Sorimachi and Matsushima Nanako famous, and they fell in love with each other because of the play. The hilarious story leads to the truth of being a man, which crushes the education system in Japan from another angle and is loved by countless young people. In addition, there are many classic idol dramas, such as "The Witch Storm" by Matsushima Nanako and Takizawa Hideaki and "White Paper on Love" by Shi Tianguang, Michitaka Tsutsui and Kimura Takuya, which have attracted a lot of China audiences with their unique charm. All stars are idols. To put it bluntly, Japanese idol dramas are TV dramas created by idol stars. There is never a shortage of stars in the entertainment circle. Shi Tianguang,, and others appeared in early Japanese dramas, but now there are,, Wu Zetian,, Song, and others. The attractive combination of handsome men and beautiful women can achieve beautiful results even visually. (But Tetsuya Takeda doesn't think so. ) stars are the guarantee of box office and ratings. The first element of idol drama is of course idol. Generally speaking, the stars of Japanese idol dramas are generally across music, film and television, advertising and other industries. Meanwhile. For example, Kimura Takuya, Fukuyama Masaharu and Noriko Sakai were all born in music, but they became popular in movies and TV. In the end, they gradually crossed the film and television songs and became popular on the Internet. You Xiang Takenouchi, a model, made a cameo appearance during the long vacation, and her beard was wild, which unexpectedly captured the hearts of the audience. Noriko Sakai, a little jasper, is a mediocre singer, but she quickly became popular through a film "Under One Roof". Slim Norika Fujiwara used to work in all walks of life, but she didn't become popular until she was old. She inadvertently showed off her figure in "The Century of Love", and as a result, she became popular and suddenly surpassed Kimura Takuya. In short, every idol in Japanese idol dramas has a unique temperament and charm. Although their performances are different and their adaptability is different, they always successfully complete the performance tasks, which is impressive. I'm afraid this is also caused by the keen eyes of directors and screenwriters when choosing actors. Idol creates idol drama, and idol drama successfully shapes idols. At this level, the two sides are absolutely complementary. Eulogize the truth, goodness and beauty. Japanese idol dramas are highly praised by many fans of Japanese dramas. In addition to its visibility, it also has the characteristics of praising the beautiful side of human nature. Truth, goodness and beauty are the same motif of Japanese dramas, and love, friendship and affection are the themes of Japanese dramas. In Japanese dramas, it is a common plot to overcome foreign difficulties and achieve one's own goals. After watching it, the audience can't help but have a lot of thoughts: people will inevitably encounter difficulties in their lives, and you can overcome them as long as you work hard. Japanese TV plays, like all film and television works, have dreams, but what is commendable is that they always try to bring people back to reality and always let the audience get more or less life experience and inspiration according to their own experiences. If watching Japanese dramas gives people the motivation to make progress, it sounds melodramatic or naive, then it is from the heart to inspire recognition and love for the purity of life and the courage to pursue ideals. The "inspirational" of Japanese idol dramas is not a simple collage of handsome men and beautiful women and affairs, but a beautiful tone for realizing personal values all the time. Criticism of social reality is the result of Japanese dramas intentionally or unintentionally. The rapid development of material often has a negative impact on people's spirit. Many Japanese dramas focus on social hot issues, such as "God, give me more time", which is about AIDS, teenage girls' aid, etc. And it is unabashedly brave. After the broadcast of this drama, it aroused strong repercussions in Japan, and the whole society began to pay attention to this problem, especially the families with middle school girls took a series of effective preventive measures. Another reason for the success of Japanese dramas is that Japanese directors dare to face the reality and express and criticize it heartily. Love, which reflects trendy love, is the main body of idol drama. To make idol dramas last forever, the first thing is of course to ensure the attraction of love. So the design of love story is the key to the success of idol drama. The love between handsome guys and beautiful women is the most attractive place of idol drama, and the fairy-tale emphasis on happy ending can better meet the dreams of young female audiences. For example, The Romance of the Fairy Tale of Tokyo, which flaunts the romantic love story of modern Cinderella, is an urban anecdote of a country girl sparrow turning into a phoenix, creating a new myth of class relations in capitalist society. But with the passage of time, there are more and more emerging love concepts in idol dramas. There are inevitably victims in modern marriage, and idol drama is tantamount to giving these marriage losers a second life. Take Let's Get Married as an example, let the newly divorced Dianshan Keitaro (played by Eguchi Yosuke) and the health care equipment salesman Miyuki (played by Shi Tianguang) get married in a fake way, in order to win the custody of their son, and finally the fake will come true. Although Y?ji Oda, the hero of We Meet. We understand. What is the relationship between acquaintances? With a girlfriend, he fell in love with his brother's ex-girlfriend Atsuko Asano, whose marriage failed and his daughter lived alone. After many years, they broke through many taboos and came together. Rie Miyazawa, the heroine in the concerto, enjoys the tender feelings of Kimura Takuya and Tamura Masakazu, which changes the traditional story that men can only have three wives and four concubines and makes Japanese women gain prestige. There is another kind of love that is increasing now, that is, the tragic love with incomplete and unfortunate characters, such as the silent love in Tell me you love me. So some people say that the greatest charm of Japanese idol drama is such a sentence, "Do you love each other?" Japanese dramas have become commodities. After Akira Kurosawa, Japanese movies can't be brilliant any more. At the same time, the structure and configuration of Japan, a rapidly developing capitalist society, suppressed the resurgence of national films. It is under such conditions that Japan has cultivated a unique audio-visual cultural product, such as Japanese drama, which, like other prosperous national industries in Japan, is well-made and exquisitely handcrafted. It cannot have the connotation of becoming a classic, but it always follows the breath of the times and guides the breath of the times. The direct communicators of Japanese dramas are mostly urban white-collar workers and college students who are still studying. They have relatively mature thinking, but this thinking system will be constantly adjusted and improved with the constant changes of the times and environment. They are eager for novelty and hate obsolescence, but they also attach importance to the accumulation of cultural heritage and the expression of petty bourgeoisie sentiment. They have some relatively mature thinking ability, but they have not yet established a truly mature thinking value system. They are in an indifferent age. It is for such a group of people that Japanese dramas have successfully positioned themselves as selling a way of life. Generally speaking, Japanese drama is a commodity, which has many characteristics, such as excellent actors and a slightly patterned relationship between characters. But its Excellence lies in the accurate presentation of details, beautiful and moving background music, and meticulous lens switching and editing. Especially in the background of increasingly indifferent human feelings, it permeates the sincere attitude of humanitarianism and philosophy of doing things, wins the song of * * * among urban youth, and shows us a life picture of * * * songs worth looking forward to, which is light, elegant and meaningful, and that is our ideal life state.