Levels are always greater than or equal to paragraphs, that is, sometimes a level contains several natural paragraphs, and sometimes it is consistent, that is, the division of paragraphs in an article only reflects one layer of content; Sometimes a paragraph is larger than a level, that is, a large paragraph contains several contents and there are other levels.
The basic elements of the article-theme, material, structure and language-are the main research objects of article study. In the past, all kinds of writing works were discussed in detail, but the revelation of their conceptual connotation seemed to be thoughtless and the definition was not rigorous. Combining with the relevant knowledge, this paper questions the definition of these four elements and tries to put forward its own suggestions for revision, so as to teach colleagues in the writing field.
Extended data:
Theme is the most important thought and tendency (tendency is the feeling or attitude towards the reality of life) expressed by the author through a series of carefully selected, cut and woven concrete materials.
In this way, the definition is applicable to both logical articles and image articles. In fact, when people (such as Chinese teachers) analyze and summarize the themes of some articles, they usually say that this article expresses the author's thoughts and feelings through ×× (materials and expressions) (some people don't write "expressing the feelings of ××", but say that "topic sentence" is a combination of reason, ambition and emotion.
It can be seen that the definition of the theme that only says "thinking" but not "feeling" is not consistent with the connotation of the word "theme" in actual use, and the revised definition can avoid this.
Only in the opposite connection with a specific subject, a specific "information" (perception and idea) is called material. So, what is the material in this article (such as a concept) can be the theme in that article; If this article is the theme, it can also be another article with a different theme. This is the interdependence and relativity of material and theme.
The dialectical relationship between the two is revealed when the theme is defined, and it is pointed out that the theme is the "most basic thought and tendency" expressed by "a series of concrete materials". This is because there is no theme without the performance of specific materials.
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