He, male, 1945, born in Luzhou, Sichuan, pen name, Xiao, party member, 1968, Peking University Library Department, 1982, graduated from Chinese Department of Xiamen University, and is an adjunct professor at Southwest Jiaotong University. Member of Chinese Writers Association, literary critic and writer, expert enjoying special government allowance from the State Council, honorary vice chairman of Sichuan Writers Association, chairman of Sichuan Literary Critics Association, judge of Lu Xun Literature Award, judge of Mao Dun Literature Award, judge of "Horse Award" for national minority literature creation, and consultant of Chinese Writers Association. He used to be editor-in-chief of Contemporary Literary World, vice chairman of Sichuan Writers Association and chairman of Sichuan Literature Critics Association. He, Cangshan and Muyun are collectively called "three masters of Ci and Fu" by China Ci and Fu magazine.
Chinese name: He.
Nationality: People's Republic of China (PRC).
Ethnic group: Han nationality
Place of birth: Luzhou, Sichuan
Date of birth: 1945
Occupation: literary critic and writer
Graduate school: Chinese Department of Xiamen University.
Main achievements: won the national "five one projects" award.
Main achievements: won the "Starlight" award from the Ministry of Radio, Film and Television.
Won the national TV "Golden Eagle" award.
Won the national "Wenhua" award.
Won the Social Science Award of Sichuan Provincial People's Government.
Masterpieces: Whaling in Blue Sea, Bashu Culture Fu, Chengdu Fu and Dida Fu.
Representative works: China Nong Fu and Bai Yu Fu.
Representative works: Sichuan Fu, China Coin Fu, etc.
Title: Professor of Southwest Jiaotong University
personal record
1945, from Luzhou City, Sichuan Province;
1960 to 1963 in Luzhou No.1 Middle School;
1963, admitted to Peking University Library Department as the top liberal arts scholar in southern Sichuan;
1968, graduated from university, assigned to the army farm in Beidahuang, and later served as a cadre of propaganda station in Siping City, Jilin Province;
197 1 to 1978, a teacher in Luzhou No.5 Middle School, Sichuan Province.
1979 he was admitted to the Chinese Department of Xiamen University as a graduate student of literary theory, studied under Mr. Zheng Chaozong, and began to study Xue Qian. The title of He's graduation thesis is Historical Evolution of Qian Zhongshu's Aesthetic Thought. When Mr. Zhou read the comments on He's thesis after the defense, he wrote: He's exposition on "Talking about Art Record" is extremely incisive, and it is more than enough to get a master's degree in this chapter. On the basis of the original paper, He wrote a monograph on monetary research in Whaling in the Blue Ocean. Zheng Chaozong, the tutor, said in the preface that he was "full of energy and eloquent, and he was quite a long-term worker in Su Like and a saint in his hometown."
1982 After graduation, he joined the Sichuan Writers Association (during the period 199 1 joined the Chinese Writers Association) until his retirement.
On April 22, 20 15, he was hired as an adjunct professor at Southwest Jiaotong University.
Character speech
1. Write with courage. You have no energy in your thirties. How can you play such a grand momentum?
2. On the other hand, the spirit of carrying forward the inscription fu is doomed to its strong vitality, which is also in line with the historical tradition of writing inscriptions in the prosperous times and will surely become a prominent school.
Many people invited me to write Fu, and I refused any invitation to write Fu for my family or individuals. Because "sorrow and joy are things, and articles are public tools", this is the criterion that intellectuals abide by.
I appreciate Qian Zhongshu's remark that the most annoying thing in life is to find some irresponsible people, hold some irresponsible meetings, spend some irresponsible money and write some irresponsible articles.
5. Besides the aesthetic appeal of language, we should pay more attention to the communication of ideological implication. No matter how gorgeous the words are, they are empty shells without souls.
Social assessment
Zheng Chaozong, a professor at Xiamen University, commented on He's writing style as follows: "He is full of energy, eloquent, and quite like Su Changgong, a sage in his hometown";
Qian Zhongshu commented on He's study of Xue Qian in this way: "Looking through it a little, you can see the penetrating power of acupoints, which is admirable and awesome."
Wu, a scholar of Bashu culture, commented on Bashu cultural fu: "Only six words can clarify the origin of Bashu.
Mr. Chinese-American, chairman of the American Chinese Writers Association, commented: "The first person in the world writes fu."
Personal work
work
During the period of 1982, when he was a graduate student at Xiamen University, he wrote a 6.5438+10,000-word graduate thesis "The Historical Evolution of Qian Zhongshu's Aesthetic Thought", and on this basis, he completed the first monograph on monetary science in China, "Whaling in the Blue Ocean", which had a great influence at home and abroad, and was highly praised by nearly 100 newspapers and periodicals at home and abroad.
During his tenure as editor-in-chief of Contemporary Literary World, He wrote a lot of articles about contemporary literary criticism, and later published a book, Criticism and Exploration.
He has written a long collection of reportage, Bloody Style, Master of Tibetan Medicine, Wrong Confucians and Talented Men, Thirteen Towers to Win, etc., which are applied to hermeneutics, totaling more than 3 million words.
He wrote more than 65,438,000 inscriptions, including Bashu culture, Chengdu, Dida, China agriculture, Bai Yu, Sichuan cuisine and China coins. Among them, Fu on the Earth and Fu on Agriculture in China were printed and exhibited in China Agricultural Exhibition Hall and China Millennium Monument respectively, and Fu on Coins in China was collected by China History Museum. Together with Cangshan Muyun and He Zhi, they are called "three masters of Ci and Fu" in China Ci and Fu magazine, and He is praised by overseas scholars as "the first person to write Fu in the world".
In addition to theoretical and editorial work, it also involves a wide range of literary and artistic creation. The TV works mainly include 10 episode of the music epic Song of the Long March, 16 episode of the large-scale TV movie Long Flowing on the Ancient Weir, 35 episodes of the Sichuan tourist scenery film Charming Tianfu, 8 episodes of the large-scale TV documentary Ba Jin Centennial and the documentary "Fighting Poverty", totaling nearly 100 episodes, most of which are broadcast on CCTV.
As the creative and chief screenwriter of several large-scale cultural evenings, representatives include the opening ceremony of Sichuan International Television Festival, Datang Huazhang, Bashu Huazhang and so on.
He is good at cultural planning. He wrote creative copywriting for large-scale sculptures in Sichuan Province, such as Bashu Cultural Wall, Guojiao Cultural Square, and the idea of building Luzhou Waterway Twin Cities.
editor in chief
Editor-in-chief has selected works of Sichuan literature in the 50 years since the founding of the People's Republic of China, comments on young and middle-aged writers in Sichuan and many other collections.