1. A summary of the research on Han Fu in recent two years in Academic Information of Nanjing University, No.74 and No.75;
*2. Try to describe the great significance and theoretical achievements of Wen Xin Diao Long, Journal of Nanjing University, No.3,1990; Edited by the editorial board of Introduction to the Study of Wenxin Diaolong: Essays on Introduction to the Study of Wenxin Diaolong, 24 1 page, Shanghai Bookstore, 1995 edition;
√3. The ups and downs of ancient music and the changes of poetic style —— the musical and literary attributes of four-character poems and their origins, China Social Sciences No.5,1991;
*4. From Mixed to Single: Stylistic Features and Decline Reasons of Four-character Poems, Journal of Huazhong Normal University,No. 1992,No. 1;
*5. Also on Mr. Chen Yinque's research method of proving history with poetry and telling poetry with history, Journal of Huazhong Normal University, No.6,1992; Overseas Chen Yinque researchers cited it many times;
√6. On Metaphysics and the Renaissance of Four-character Poems in Wei and Jin Dynasties, China Social Sciences No.2, China Ancient and Modern Literature No.4, copied by the National People's Congress in the same year;
*7, the cornerstone of the construction of the history of historical criticism-comment on Dr. Zhang Sanxi's Criticism on the History of Criticism, Zhejiang Academic Journal No.6, 1993, materials copied by the National People's Congress,1993;
*8. On Metaphysics and the Rise and Fall of Four-character Poems in Wei and Jin Dynasties, Jianghai Academic JournalNo. 1994,No. 1;
√9. Evolution of Buddhism and New Style —— Also on the reasons for the prosperity of landscape literature in Jin and Song Dynasties;
China Social Sciences No.5, 1994, the English version of China Social Sciences was translated into English; A compilation of debates in Wen Jian Bao.
* 10, from the distinction between writing and writing to rewriting and lightly writing —— A new interpretation of Poetry, Journal of Huazhong Normal University,No. 1 issue, 1996, also in China Ancient and Modern Literature No.6,1996;
1 1, Wei and Jin calligraphy and culture, Journal of Huazhong Normal University, album1996;
√ 12, The Evolution of Buddhist Doctrine and New Style of Writing, China Social Sciences (China Social Sciences English Edition)1996.1;
* 13, is the traditional cultural upsurge moving towards neoconservatism? Journal of Huazhong Normal University, No.2,1997;
14, Philosophical Thinking on Commitment System, Journal of Yuncheng University, No.3,1997;
15 all philosophy is practical-reading Mr. Zhang Shunhui's "On Zhou Qindao and Journal of Central China Normal University" album1997;
* 16, the division of religious beliefs of the gentry and the differences between the literature of the Northern and Southern Dynasties,
Journal of Central China Normal University, No.4, 1998, also seen in China Ancient and Modern Literature Copying Materials, No.0/kloc, Imagined World-On Taoism and China Ancient Literature, Heilongjiang People's Publishing House, 2006; Excerpts from Xinhua Digest, National Journal of Liberal Arts and Academic Monthly.
17, the relationship between socialist legal system and socialist spiritual civilization, Hedong journal1999 no. 1;
* 18, the relationship between Ruan Ji, Ji Kang and wine, Taoism and religion, Jianghan Forum 1999No. 10;
19, On Taoist Thought of Bamboo Slips from Guodian Chu Tomb, Collected Papers of International Symposium on Guodian Chu Slips edited by institute of chinese studies of Wuhan University, Hubei People's Publishing House, 1999 edition.
20. Query on Fan Zhen's Anti-Buddhism Theory, Journal of Minnan Buddhist College,No. 1 2000;
2 1, the possibility of Ruan's belief or inclination to Buddhism from Ruan Ji's poems, Journal of Yuncheng University, No.2, 2000;
*22. Weiqi in Wei and Jin Dynasties and Wang Fan's Chess, Literature, No.2, 2000;
*23. An Analysis of China's Traditional Aesthetic Education Philosophy and Quality Education, Journal of Huazhong Normal University, No.6, 2000;
24. Zhi Dun, a eminent monk, Journal of Minnan Buddhist College, No.2, 2000;
*25. A glimpse of Wei-Jin landscape literature under metaphysics, Journal of Wuhan University (Humanities Edition),No. 1, 20065438;
*26. China's traditional philosophical aesthetic education and the modern transformation of quality education resources, Journal of South-Central University for Nationalities,No. 1, Youth Shaping the Future, edited by the Central Committee of the Communist Youth League, China Youth Publishing House, 2002, Abstract of University Journal of Liberal Arts, No.2, 2002;
*27. "Discrimination between Words and Meaning" and the New Achievements of Wei and Jin Literary Theories, Journal of Huazhong Normal University, No.2, 2002;
28. The Blending of Eastern and Western Literature in the History of China Literature, the fourth volume of the second series of Literary Criticism Series compiled by the Editorial Department of Literary Criticism and the Chinese Department of Nanjing University, published by Jiangsu Literature and Art Publishing House 200 1;
29. On the category of "truth" in China's classical aesthetics, Journal of Yuncheng University, No.4, 2001;
*30. Tao Yuanming's artistic personality of dialectical unity of Confucianism, Buddhism and Taoism, Journal of Huazhong Normal University, No.4, 2001;
*3 1. Textual Research on the Creation Time of Calligraphy by Yu Jianwu, Calligraphy Research by Shanghai Calligraphy and Painting Publishing House, No.5, 2002, and Historical Literature and Cultural Research by Hubei Dictionary Publishing House, the first series;
32. A Brief Comment on Liang Sanshu, Journal of Southeast University (Philosophy and Social Sciences Edition), No.5, 2002;
*33. Poetic Features and Authors of On Confucius' Poems in Shanghai Bo Jian, Journal of Huazhong Normal University, No.5, 2002;
34. Textual research on Zhuangzi and Northern History cited in Shu Weihan's Biography of Qilin, Research on Ancient Books Arrangement, No.6, 2002;
35. The Origin of Zen Philosophy, the first series of Minnan Buddhism, Yuelu Bookstore, 2002, 1 1 edition;
*36, also talk about "compromise"-A new discussion on the research method of Liu Xie's Wen Xin Diao Long, Qilu Academic Journal,No. 1 2003;
*37. Textual research on Duan Ye's deeds of Wang Beiliang, Journal of South-Central University for Nationalities,No. 1 2003;
*38. Study on Historical Philology of Taoism's Westward Journey to Liangzhou in the Late Western Jin Dynasty, social sciences in ningxia,No. 1, 2003;
39. On the Literary Creation of Buddhist Monks in the Jin Dynasty, Volume III of Hualin compiled by Peking University Institute of Oriental Studies, Zhonghua Book Company, 2003, 1 edition;
*40. Comparison of Three Kinds of Laozi: Guodian Edition, Silk Edition and Hehe Gongzhu Edition —— Centering on the view of benevolence and righteousness in Three Kinds of Laozi, China Historical Relics (Journal of China History Museum)No. 1, 2003;
*4 1, is it "the teacher of the East Palace" or "the cup of the East Palace" —— My opinion on the inscription of the lacquer ear cup of Chu Tomb No.1 in Guodian, No.1 1 of Ancient Chinese Studies, 2003;
42. "Taoist Thought and the Creation of Han Fu", the third series of Changjiang Scholarship edited by the Chinese Department of Wuhan University, Changjiang Literature and Art Publishing House, March 2003.
43. Harmony and Unity —— A Comparison of Early Chinese and Western Views on Harmony, Philosophical Ethics Review, 2003, China Economic Publishing House, 2003;
44. Metaphysical Personality Ontology and the Debate of Wei Jin's Abolishment and Abolishment, Ontology and Interpretation: A Comparison between China and the West (Series 3), Shanghai Academy of Social Sciences Press, 2003;
*45. Writings of Peace, Literature, No.4, 2003;
46. Overview of Buddhist monks' literature in the Southern and Northern Dynasties, Minnan Buddhism, No.2, Yuelu Bookstore, 2003;
*47, "Nine Songs Shan Gui" originated from the assumption of worshipping music and music, Jianghai Journal,No. 1 issue, 2004;
48. Comment on the romantic prime minister of the Eastern Jin Dynasty-Xie An, journal of nanjing university of science and technology (Social Science Edition),No. 1, 2004; Twenty lectures on Wei and Jin demeanor, selected by Luo and Xiao Neng, Huaxia Publishing House, 2009;
*49. On the Blending of Eastern and Western Literature in China, Journal of Huazhong Normal University, No.3, 2004;
*50. Two Topics on Unearthed Documents (2), China Cultural Studies, autumn 2004;
52. Tracing to the Source —— On the Evolution and Characteristics of China's Ancient Aesthetic Consciousness from the Word "Beauty" in Chu Bamboo Slips, Collected Works of Professor Xiao Yuefu's 80th Birthday Commemoration, Hubei Education Press, 2004;
53. A Comparison of Early Chinese and Western Views on Harmony, Journal of Shangqiu Teachers College, No.3, 2004;
54. Literary Achievements of Buddhist Monks in the Southern and Northern Dynasties, Journal of Harbin Institute of Technology (Philosophy Edition),No. 1, 2005;
55. Monks and Monk Poems in Tang Dynasty, Minnan Buddhism,No. 1, 2004, Religious Culture Press;
*56. Re-discussion on the invention time and founder of "Four Tones Eye", Literary Heritage, No.5, 2005 (extracted from China Academic Yearbook and China Literary Yearbook in 2006);
57. Separation and Integration of Buddhism and Buddhism, Proceedings of the Seminar on Buddhist Research Methods and Buddhist Culture Construction compiled by the Buddhist Center of Xiamen University, June 5438+February 2005; Various Aspects of Buddhism, edited by Liu Zeliang, Religious Culture Press, 65438+February 2006;
58. "Heartlessness" and Landscape Metaphysics —— On the formation of "Heartlessness" and its relationship with the aesthetic consciousness of mountains and rivers in Wei and Jin Dynasties, Literature and Religion of Han, Wei and Six Dynasties, edited by Hong Kong Baptist University, Shanghai Ancient Books Publishing House, 2005;
*59. All Liao Language and Buddhism in Liao Dynasty, Proceedings of the International Symposium on Buddhism and Liao, Jin and Yuan Cultures, Hong Kong Nengren College, 2005; Journal of Zhengzhou University (Philosophy and Social Sciences Edition), No.5, 2006;
*60. On the Humanistic Orientation of China's Classical Poetics, Jiangsu Social Sciences,No. 1, 2006;
*6 1, Buddhism and literary innovation in Wei, Jin, Southern and Northern Dynasties, Guangming Daily, 7th edition, February 24th, 2006, supplement of Literary Heritage;
*62. Bamboo Slips of Chu and Pre-Qin Literary Theory —— Talking from the Five Peaks of Chu Bamboo Slips of Warring States in Shanghai Museum (2) People's Parents, Research on Literary Theory, No.2, 2006;
63. Taoist Culture and Literary Theory in Han Dynasty, No.2, Changjiang Academic, 2006;
*64. Re-understanding of Laozi on Guodian Bamboo Slips, Jianghan Forum, No.4, 2006;
*65. Xie Lingyun's Buddhist Writings, China Cultural Studies, Winter Volume 2006, Collection of Literary Theories, edited by Feng Tianyu, China Traditional Culture Research Center of Wuhan University, Volume 2005, Wuhan University Press, 2007.
66. Master Xu Antai of Nanyue, a famous monk in the Tang Dynasty, and his "Sheshan Ballad" and "Voice of Zen Harmony", Religious Culture Press, March 2007;
*67. Concept, research status and trend of Buddhist literature in China, Journal of Zhengzhou University, No.4, 2007;
√68. The relationship between Buddhist literature and China ancient literature, Jianghan Forum, No.8, 2007, and Xinhua Digest, No.2/kloc-0, 2007;
*69, The Original Ecology and Authenticity of China's Pre-Qin Novels, Tianjin Social Sciences, No.4, 2007; China Literature Research Yearbook, 2007;
*70, "Heart and soul of Mencius" and "the fruit of two women", China cultural studies, autumn 2007;
*7 1. Speculation on the time and place of Tian Wen's writing, in Journal of Fudan University, No.6, 2007, see Mo Lifeng's "Who is the Sparse Chisel in Poetry-Proceedings of the China Poetics Symposium", Phoenix Publishing House, 2007;
72, objective summary and dialectical sublation-Han Feizi's criticism and inheritance of the pre-Qin philosophers' thoughts, The Scholars, the first series, Shanghai Ancient Books Publishing House, 2007 edition.
√73. Re-discussion on "Poetry Expressing Aspiration" —— Based on the discussion of newly unearthed bamboo slips, Literature Review,No. 1 issue, 2008.
√74. Looking at the evolution of the concept of "xian" in pre-Qin Dynasty from the word "xian" in unearthed documents, Philosophical Research, No.3, 2008;
75. Han Fei's Criticism and Inheritance of Confucianism and Mohism, Collected Works of Mr. Zhou Xunchu's 80th Birthday Commemoration, Zhonghua Book Company, 2008;
√76. On the Influence of Buddhism on China's Ancient Literary Genre, World Religious Studies,No. 1 2008;
77. Morality-oriented, a matter of course —— Reflections on the establishment of China's Buddhist public image, The Construction of Harmonious Society and Taoist Style —— Proceedings of the 2007 China Buddhist Public Image Theme Forum, edited by Minnan Buddhist College, Religious Culture Press, February 2008;
*78, "Four Books" into the middle school classroom, Guangming Daily, May 5, 2008, Sinology Edition (12 Edition).
*79. Make Chinese Studies Really Hot, Guangming Daily, Chinese Studies Edition, May 26, 2008 (12 Edition);
*80. Brief introduction to the edition of The Analects of Confucius, China Classics and Culture, No.2, 2008 (page 4- 10).
*8 1, Discussion on the Evolution and Influence of Zanti by Buddhist Philosophers of Literature and History, No.4, 2008; China ancient modern literature 1 1 in 2008;
*82. Tracing the Origin of Ugly Righteousness, China Cultural Studies, Spring 2009;
√83. Tao and Tao in Guodian Bamboo Slips, Philosophical Research, No.5, 2009.
*84. Theory of Sex and Emotion —— Reflections on the meaning of the word "sex" and "emotion" in the newly-published bamboo slips of Chu, Journal of Huazhong Normal University, Humanities and Social Sciences Edition, No.4, 2009;
*85. The writing time and related issues of Fan Qin's Return to Wei Wendi, The Twelfth Series of Classical Literature Studies, Phoenix Publishing House, 2009;
*86. Qu Yuan's Ideal of "American Politics" and Chu Philosophy, Jianghan Forum,No. 12, 2009.
87. Zhuangzi and Yan Yuan, the fourth scholar series, Shanghai Ancient Books Publishing House, 2009.