I have been engaged in scientific research for more than 30 years, and now I have star cream on my temples, and I don't know that I am old. When I was young, I didn't meet, which made me cherish time more.
In the early 1980s, I was transferred to the office of Xing Zi county government, in charge of place names office, county records office and religious affairs. I attended the provincial local chronicles study class twice, and learned the Tongzhi version of Xing Zi County Records and the Kangxi version of Lushan Mountain Records, which enriched my knowledge of the history and geography of Xing Zi and Lushan Mountain and formed the habit of taking details without donating. 1983, I was appointed as the director of the county archives office and the editor-in-chief of Xing Zi county archives. In order to concentrate on writing, I posted seven words at the door of the office: "Small talk is only five minutes". It was not until the third draft of the county annals was compiled that the county magistrate agreed to let me go to graduate school.
1985 was admitted to the Chinese Department of Jiangxi Normal University. After the teaching, his tutor and Tao instructed us to write poems. After graduation, he was assigned to the provincial ancient books sorting and planning office, which belonged to the provincial social welfare association at that time. At first, I was interested in studying Jiangxi ancient literature, and contacted some local literature, mainly studying Hu Sijing's yu zhang Series. Soon, the Jiangxi Poetry Society was established, which was subordinate to the Office of Ancient Books, and had the motivation and pressure to write poetry.
My research direction is mainly at both ends of the Song Dynasty and modern literature and history. I have written papers about the Song Dynasty, such as Ouyang Xiu, Li Gou, Huang Tingjian, Yang Wanli, Lu Jiuyuan, Zhu, Xin Qiji and Lu You. There are many articles by Ouyang Xiu, Zhu and Xin Qiji.
Modern literature is also governed by interest. In the early 1990s, there was a complete collection of Jiangxi writers and artists, but I found that there were few modern poets, because the characters collected in this book mainly came from county chronicles, and most of these county chronicles were compiled during the Tongzhi period. After Guangxu, many poets disappeared. In order to make up for this defect, I began to write Modern Jiangxi Poetry Talk, copied a lot of poems and extracted a lot of materials. 1997 successfully applied for the national social science project "Research on Old Style Poetry in the Republic of China". That is, from the lower limit of modern poetry research to 1949. This topic fills the gap in this field, so many people come to me to edit and review the manuscript. For example, Professor Huang Xiuji of Sun Yat-sen University compiled the History of China Literature in the Twentieth Century, and the Institute of Literature of China Academy of Social Sciences compiled the General History of China Literature, all of which asked me to write this chapter of modern poetry. There are also the literary heritage of Taiwan Academia Sinica and the collection of China literature, history and philosophy.
In the process of collecting modern Jiangxi poets, I decided to focus on Tongguang Jiangxi School represented by Chen. In the meantime, he wrote several papers about Chen and held a seminar in Chen (1994). In 2006, I applied for the national social science project "Research on Chen and Tongguang Poetry School", and related papers came out one after another, such as Comparison between Nanshe and Tongguang Poetry School, Chen and Zhang Zhidong, Chen and Wen, Chen and Zheng, and Comparison between Zhengzhen and Chen and Li.
Besides studying poetry, I also like writing poetry. I thought to myself that it would be a pity to write poetry instead of poetry, so I said in the preface of my collection of poor works, Huxiang Poetry, "Poetry and poetry are like two wheels of a car, which complement each other." I don't know the ups and downs of writing poetry, but it's hard to tell whether it's true or false. How can we still travel to the ancients? " Learning ancient poetry is not only to find information for writing a paper, but also to immerse yourself in it, so as to know people, explore the world and provide reference for your own poetry creation. If you can attend a seminar somewhere and visit places of interest, you can kill two birds with one stone.
Poetry is the history of people's minds. I have written Chen Yinque's biographies, such as Lonely Building, Biography and Master Chen, all of which restore the master's mood and environment according to his poems. I thought that as long as there was a collection of poems, I could make a biography based on it.
In the study of ancient books, he has published many articles in Literature and History magazine, such as Two Poems of Shao in Song Dynasty Unearthed from the Tomb of Song Dynasty. I sorted out the books of the Ming dynasty, identified the right and wrong of different languages with flat and even meter, and listed several articles. Shao's poems, a general of Peking University, were compiled in The Whole Song Poetry, and they were also collated. Later, Cheng quoted six articles in his book Textual Research to illustrate that collating should have this knowledge. I published the article "Collection of Newly Discovered Agricultural Heritage of Yanshan Mountain" in Literature, and Huang of China Academy of Social Sciences introduced him to visit Jiangxi and compiled the collection. Yan, published by China Social Sciences Press, 1996. These two books were published after my research and introduction. I have written On the Gains and Losses of the Classification of the General Contents of Sikuquanshu, A Brief Introduction to the Publishing and Engraving of Jiangxi Sages' Works, and A Collection of Jiangxi Sages' Works-Two Kinds of Zhang Yu Series. Participate in the compilation of "Two Zhang Yu Series Inscriptions" and complete the content of the History Department. In addition, I also participated in the translation of southern history in the full translation of Twenty-four History. There are punctuation errors in the edition of Nan Shi by Zhonghua Book Company. I have listed the articles to be published. This year, the headquarters of Twenty-four History of Zhonghua Book Company still asked me for this manuscript.
1992, Comrade Zhou Shushu and Yao Gongqian initiated the compilation of the local literature anthology series "Jiangxi Ancient Literature Essence Series", and I was the youngest editorial board member at that time. In this series, I finished the travel volume by myself, which was published in 1995 and reprinted one year later. I also cooperate with others to select and annotate poetry collections.
At the beginning of 1994, Jiangxi People's Publishing House and I planned and edited ten kinds of Jiangxi famous mountain chronicles in order to publicize Jiangxi famous mountains and preserve ancient books. A lot of efforts have been made from topic selection, examples to preface and postscript, from soliciting contributions to reviewing manuscripts. He was appointed as the special editor of Shi Zhongshan Annals and Qingyuan Mountain Annals to review the first draft of Longhu Mountain Annals. Mainly proofread Wu Zongci's Lushan Records, * * *1.4000 words. Because the source of this book is extremely extensive, involving more than 500 kinds of ancient books, consulting more than 40 kinds of reference books and related reference books, and because I was familiar with Lushan Mountain in Xing Zi in my early years, I was able to complete the proofreading and annotation work more accurately. The book was reprinted after the first edition. Based on the records of Lushan Mountain, I extensively collected photos of cliff stone carvings in Lushan Mountain, supplemented more than 30 ancient and modern travel notes, and edited 700,000 words of Lushan Poetry and Stone Carvings, which was published in September. 1996.
Invited by Jiangxi Fine Arts Publishing House to proofread the complete works of Eight Mountain Men and Eight Friends of Zhushan (both won the National Book Award). I must identify these eight cursive scripts from the pictures. If I am not proficient in the writing rules of ancient poetry, the level of poetry and the brush strokes of calligraphy, I will be stretched.
Fortunately, my work is in line with my personal interests. Doing scientific research in the Academy of Social Sciences seems to be more stressful and free than teaching in colleges and universities.
What should I do if the task assigned by the leader conflicts with my personal research major? I will still try my best to do well, and I can also publish some scientific research papers. More than ten years ago, Yao Gong, the former principal, hired five people to plan to compile Jiangxi Social Science Annals, and on this basis, he wrote Jiangxi Academic History. Later, three people didn't start work, so I had to be in charge of the overview of Yuan, Ming and Qing Dynasties. After I finished my task, I had by-products, that is, about how Jiang studied conscience, about Jiangxi scholars in Taizhou school and about three scholars in Jiangxi in the early Qing Dynasty. The leader asked me to compile people from Jiangxi Province. Although it's not my major, I can still publish some papers.
My academic experience is this: first, find your own foothold, do digging research, wait a little deeper, and then make a bigger pit. I take the study of Jiangxi literature and history as my living place, but if this is the only way, I can't broaden my horizons, so I adopt the method of "basing myself on Jiangxi and facing the whole country".
The second is to open up literature and history, focusing on literary research, as well as history and philosophy. I have written a history of Jiang's surname, and I have also written a study of Hu's origin, which was published in the magazine "Seeking Roots". I also dabbled in Buddhism and Zen. The year before last, at the invitation of Sizu Temple in Hubei, he taught Zen and Painting for the summer camp. Last year, the Institute of Religious Studies held an essay contest on "Religion and Harmonious Society", and my article "The Value of Buddhism in a Harmonious Society from the Perspective of Enlightenment" won the first prize.
The third is concentration, concentration and never delay. In the series "The Essence of Jiangxi Ancient Literature", the travel volume I made was the first to be completed. Although the number of words is as many as one million, Lushan Annals in Jiangxi Famous Mountain Annals is the first one. I wrote Master Chen in the series "Research on Jiangyou Masters", and I was the first to finish it, often one or two years earlier than others.
Fourth, do something and do nothing. A person's energy is limited. If he is unwilling to give up certain things and activities, he can't do what he wants to do. Must endure loneliness, bite the old vegetable root, sit on the bench and don't admire Li Rong. I worked as a reviewer in the provincial press and publication bureau for several years. I took the opportunity of changing people in the library to quit my job and didn't put much energy into it.
On my 43rd birthday, I wrote a poem saying, "The city and the sea are hidden in the sky, and the school will miss the Chinese New Year. There is nothing to be ashamed of whether suffering is seeking fame and fortune. Jiang kuo came to the DPRK to rent a boat to cross, where to see the flowers in spring. However, judging from the four walls, this ancient poem is going through the wall. " At the beginning of 49 years old, Fu Zhiyun said: "Who can drag a Japanese train when you are sad? Life is not winning or losing. Poetry is a thousand poems, and studying in the sea occupies an area, and I devote myself to studying. Looking for you with a stick, Ming Sheng, youth is addicted to thread-bound books. Looking up to the sky, I don't envy Ling Yunshi, but scribble with the letter. " This year, Tsung i Jao of the University of Hong Kong gave me a book of poetry, and the rhyme in it impressed me deeply: "I worked hard in my early years and secretly read it to worry. Waste material for half a life, and be forced to 50 a year. Poetry is a bitter habit, and stars come out of the temples. I am ashamed to be a genius, but I can't stand it. Newly moved to Kochi Building, the environment is very different. I'm not used to pandering. It's a shame to occupy a seat in my study. Curiosity has not changed, and books are full of walls. " I learned a thing or two from my research, and I also included these three poems. However, everything is marginalized, just to comfort myself.
In the aspect of collating ancient books, I have participated in the Complete Translation of Twenty-four Histories and Annotations of Song Ci. Served as the editor and writer of Jiangxi Ancient Literature Essentials Series (ten volumes), China Tourism Poetry Series, and Kuomintang Jiangxi Organization Records, and presided over the compilation of Jiangxi Famous Mountain Records Series (* * * twelve kinds, four million words). Editor-in-chief ***3 episodes of Jiangxi Ancient Books Research, and served as executive deputy editor of Jiangxi People. At the invitation of the publishing house, I finished the writing and editing of China Song Zhengqi and the proofreading of The Complete Works of Badashanren. He also edited dictionaries, such as the dictionary of contemporary poets and artists in China. His published poems include Fan and Hu Xingji (published by Writers Publishing House in May 2003). A collection of essays and travel notes, Heron in the Lake, will be published by Writers Publishing House soon. He prefaced more than 40 kinds of poems and was invited to write inscriptions for Hukou Bridge and Liwen Expressway. He wrote and hung couplets for the Grand Stage of the Golden Sage Tower, the Confucian Temple, Hu Xiang Wanshou Palace, Youmin Temple and Dieshan Academy.
Main works: Published by Baihuazhou Literature and Art Publishing House1August, 994, and won the third prize of outstanding achievements in social sciences in Jiangxi Province. Served as the editorial board of Jiangxi Ancient Literature Essence Series, independently edited and annotated Jiangxi Ancient Literature Essence Series Travel Notes, which was published by Jiangxi People's Publishing House in June, 1995, and won the first prize of outstanding achievements in Jiangxi Social Sciences 1996. Collaborated with Professor Lu to edit and annotate Series of Poems of Jiangxi Ancient Literature Essentials, published by Jiangxi People's Publishing House in August, 1998.
From 1996, he served as the editorial board, and contributed a book "China Song Zhengqi", which was published by Jiangxi Fine Arts Publishing House from 1998, and the book was selected by the National Five-One Project. In 2000, he was the punctuation and text proofreader of the five-volume Complete Works of Badashanren published by Jiangxi Fine Arts Publishing House. This book was published at the beginning of this year and is actively applying for the 2000 National Book Award. In addition, I also participated in the translation of the complete translation of Twenty-four History of Southern History. Some Annotations on Annotation 5 of Song Ci.
I have worked in the provincial ancient books sorting office for ten years, mainly engaged in the sorting and research of ancient books, the research of Tang and Song literature and modern literature, and also dabbled in the research of ancient philosophy and history in Jiangxi.
I also cooperated with Mr. Wang Zichen to sort out the subset of Castanopsis fissa, which is a provincial social science planning project during the Eighth Five-Year Plan and included in the Ninth Five-Year Plan for the collation and publication of ancient books in China. My share in this project has been completed.
1997 At the invitation of the Institute of Ancient Books of Nanchang University, he wrote more than 20 kinds of abstracts of ancient books in the history department of Zhang Yu Series. Will be compiled into "Zhang Yu Series Summary", inscribed by Comrade Zhong Qihuang, Deputy Secretary of the Provincial Party Committee, and prefaced by Mr. Yao Gongqian. At present, it has been completed by five people and edited by me and another comrade.
Since the year before last, the 500,000-word Biographies of Celebrities in Jiangxi Province, written by Comrade Zhou Hanshu, has been completed, and written by more than 20 authors specializing in learning. I will list them here. In order to reduce the mistakes in this book, Comrade Zhou Luanshu selected me and Professor Changqun Huang from Normal University to review the manuscript. I made hundreds of suggestions and did some editing work seriously and responsibly. The Journal of Jiangxi Social Sciences sponsored by the Society was written by me as a part of Jiangxi social sciences research in ancient Yuan, Ming and Qing Dynasties. This part of the writing task is difficult, involving all aspects of literature, history and philosophy, and the text needs to be concise and clear. However, I completed my task quickly and well, sketched the development vein of Jiangxi's academic thought in the past 700 years, and won the praise of experts such as Zhou Luanshu and Yao Gongqian. In addition, at the request of Comrade Liu, the editor of this book, I revised some words from the Eastern Jin Dynasty to the Song Dynasty, the Republic of China and the people.
In terms of philosophy, some papers have been published in recent years, such as On Taizhou School of Jiangxi Scholars, On Similarities and Differences among Three Schools in Jiangxi in the Early Qing Dynasty, and some papers will be published soon, such as The Debate and Development of Jiangyou and Wang Xue.
In terms of history, published articles include Textual Research on Life, Textual Research on Liu Chenweng's Life and Zhu Zaijun in Nankang Army. At the invitation of Shandong Pictorial Publishing House, I also wrote "The Story of Chen Yinque" for the centennial biography series of China celebrities published by Shandong Pictorial Publishing House, which was completed at the beginning of 1997, and signed a publishing contract with Shandong Pictorial Publishing House. Because of its large scale, this series is still in the process of publication.
At the beginning of 1997, I applied for the college-level scientific research project "Jiangxi Landscape Tourism Poetry", which was also approved that year. On the basis of extensive reading of famous mountain records in Jiangxi, the project has completed more than 50,000 words such as Poyang Lake, Longhu Mountain, Sanqingshan Mountain, Magu Mountain Mountain, Ehu Mountain, Qingyuan Mountain, Yunju Mountain and Wugong Mountain, which were sent to the Tourism Department of Nanjing Southeast University by Mr. Yu Xuecai and compiled into its files.
1995 10, at the invitation of Jiangxi Fine Arts Publishing House, served as the editorial board of China Song Zhengqi, engaged in the selection, writing and annotation of figures of past dynasties. I proposed that it be divided into three categories and approved the article entitled "Integrity, demeanor and demeanor". The editor-in-chief of this book is Gong Mu of Jilin University, who won the 1997 Five One Project Award for spiritual civilization construction in Publicity Department of the Communist Party of China.
In social group activities, I am also the vice president of Jiangxi Poetry Society and the deputy editor of Jiangxi Poetry. Vice President of Jiangnan Poetry Society, senior person, editor-in-chief of Autumn Rhyme. Over the years, I have not only edited Jiangxi Poetry in my spare time, but also participated in some academic and social activities.
I think, for many years, I sat at my desk until eleven o'clock every night. It seems possible to write thousands of poems, hundreds of papers and ten books in this life, without empty talk, cherish time and customize the "Thousands of Projects".