In the daughter country of Daguan Garden, Shi Xiangyun is the most obvious one who shows her pink soul. She always likes men's clothes. Every time it snows heavily, her dress is different: she wears a big coat with fire inside and outside, a red gorilla suit on her head and a big mouse collar. Daiyu smiled and said to her, "Look, the monkey is coming. He usually holds a cigar and deliberately makes a little coquettish. " They also laughed: "He only likes to dress smaller, more beautiful than his daughter." She cooked venison with Baoyu and Pinger. Daiyu laughed at them, and Xiangyun replied, "You know,' true celebrities love themselves', ... We have eaten a lot of food now, but our hearts are full of smiles when we come back." Even when writing a poem, she would recite the poem "Sitting by the fence, tuck in the Leng Xiang" and behave like a hidden woman. Handsome and charming are mixed with some romantic dolls, which makes Shi Xiangyun's image more attractive.
Cao Xueqin also showed her enthusiasm and frankness when she created the image of Shi Xiangyun. She is a very talkative person, a "talking pocket" and shows enthusiasm for people and things. Xiangling wants to learn poetry; She dared not disturb Baochai, so she asked Xiangyun for advice. She's "getting happier and happier, talking about it day and night." Therefore, Baochai criticized her for "not keeping her duty"; Not like a girl's house. She is what she appears to be, outspoken and doesn't mind her boss. Once in the theater, Feng pointed to a child on the stage and said, "This child is dressed like a person." Everyone knows who Feng refers to, but they won't say it for fear of offending people. Xiangyun said bluntly, "I know, like Sister Lin V, she offended V for this reason, and she also had conflicts with Baoyu. On one occasion, she advised Baoyu to take the road of "career economy" and let Baoyu make an "eviction order". Some people say that this shows that Xiangyun has a strong feudal consciousness. Actually, it's not like this. It just shows her naivety. Later, I went to Jiafu and lived with Baochai all the time, and she was also influenced by it. But those words to persuade Baoyu were by no means Xiangyun's own thoughts, just parroting.
The author also shows Xiangyun's transcendental talent and the agility of poetry. Xiangyun's poems come the fastest and most in Lu Xueting's couplets, concave crystal pavilion's couplets and every poetry competition, and show her chic style. Ode to Bai Haitang, she came late. When others have almost exhausted their meaning, she got two songs in a row, which are novel and unique, and have won everyone's admiration and appreciation. When Lu Xueting wrote poems, because he ate venison and drank wine, the poems became excellent, many and good, so there was a situation in which Xue Baoqin, Baochai and Daiyu fought against Xiangyun. Everyone laughed: "It's all because of fast venison." The sixty-second Han Xiangyun Drunk in the Peony Garden is a hymn of youth and a movement of life, which is very lively, and Shi Xiangyun is one of the most active elements. Everyone guessed, drank, and wrote poems. Three called four, seven called eight, and the whole court was full of red flies and green dances, and jade beads shook. Once, at the end of the banquet, Xiangyun suddenly disappeared:
Just then, I saw a little girl coming with a big smile and said, "Look, Miss Yun was drunk and fell asleep on the bluestone stool behind the rock." Everyone laughed and said, "Stop arguing." At some point, when everyone came to see it, I saw Xiangyun lying on a stone bench in a secluded place, fragrant peony flowers flying in all directions, and red incense scattered all over the floor. The fan in his hand is underground, half buried by fallen flowers, surrounded by a group of bees and butterflies. Another bag of peony petals is wrapped in a shark handkerchief as a pillow. When everyone saw it, they all loved and laughed, and rushed to call for help. Xiangyun was still talking in her sleep and drinking, and DuDu shouted, "Spring fragrance is about to drip, and ... I am drunk, so I should meet my relatives and friends ..."
This is a painting, a poem and a poetic Shi Xiangyun. Who doesn't feel cute in the face of such a role? Who doesn't fall for it?
Her parents died when she was a child and she was raised by her uncle. Her aunt treats her badly. So her life experience is somewhat similar to that of Lin Daiyu. However, she is outspoken, cheerful and generous, mischievous and unthinking. She even dared to sleep on a bluestone bench in the garden when she was drunk. She and Baoyu are also good friends. They are sometimes affectionate and sometimes irritable together, but after all, they are open-minded and "never care about their children's affairs." On the other hand, she has no rebellious spirit of Lin Daiyu and is influenced by Xue Baochai to some extent.
Shi Xiangyun's misfortune is mainly the post-80s generation. According to this piece of music and the sporadic materials provided in "Red Yanzhai Review", Shi Xiangyun later married Wei, the son of a chivalrous aristocrat, and their married life was relatively happy. But the good times didn't last long, and soon the husband and wife separated, and she was lonely and haggard. As for the legend in some sequels that Baochai died young, Baoyu became a servant, and Shiyun became a beggar, and finally married Baoyu, it seems that this is not in line with Cao Xueqin's original writing plan, but the attached poem "The White-headed Double Star Kirin" produced in the thirty-first cycle. In fact, the "White-headed Twin Stars" means that Wei and Shi Xiangyun live separately until they are old, because Shi Xiangyun's golden unicorn and Xue Baochai's golden lock are similar, both of which are used as proof of marriage, just as Pang Tuan said: "The unicorn attached to the nursery in Lan Ruo for the last dozens of times is also this unicorn. The outline lies on this back, and the so-called grass snake gray line is thousands of miles. "