Basic Introduction Chinese Name: Nationality at that time: China Nationality: Birthplace of Han Nationality: Yangzhou, Jiangsu Date of Birth:1May 966 Occupation: Teacher, Calligrapher, Seal Maker Graduate School: Major Achievements of Nanjing Art Institute: First Prize of China Lanting Calligraphy Award (Theory Award) Published works: Personal introduction of Ruan Yuan's calligraphy research, appreciation of works, brief list of academic works, prose, works and personal introduction Jin Dan, Doctor of Literature, Professor of Nanjing Art Institute, Doctoral Supervisor, Head of Calligraphy Department. Evaluation expert of national social science fund art project of Ministry of Education. Member of China Calligraphers Association, member of Xiling Printing Society, director of Jiangsu Calligraphers Association, and vice president of Jiangsu Seal Cutting Research Association. He studied calligraphy at the age of 8, and painting at the age of 15, and studied under Mr. He from Yangzhou. 1988 was admitted to the first calligraphy major of Nanjing Art Institute. 1998, studied for master's degree and doctor's degree in calligraphy successively, and the tutor was Professor Huang Yun. After graduation, he stayed in school to teach and was rated as an outstanding young backbone teacher of "Blue Project" by Jiangsu Provincial Department of Education. The training object of "333 High-level Talents Training Project". His calligraphy works have been selected and won awards in many national exhibitions, and his works have been included in the calligraphy works of the winners of previous national exhibitions. In addition to his calligraphy creation, he also devoted himself to the study of the history of calligraphy. He won the first prize of the 5th China Calligraphy Lanting Award (Theoretical Award), the first prize of the contemporary seal cutting academic seminar of Xiling Printing Society, and the third prize of the 5th Higher Education Scientific Research (Humanities and Social Sciences) of the Ministry of Education. The paper was included in Collection of Contemporary China Calligraphy. He is the author of China's Calligraphy History (co-author), The Complete Works of China Calligrapher Yi Bingshou and Chen Hongshou, Bao Calligraphy Review, Ruan Yuan Calligraphy Research, From Copy to Creation, Dong Qichang, On Baihao Art, Calligraphy Appreciation, Calligraphy Wonderful Road, and Copy Seal Carving. At present, he has published more than 50 papers in professional journals such as China Calligraphy, Calligraphy Research, Calligraphy, Southeast Culture and Rong Baozhai. He presided over the project "Kang Youwei and the Study of Inscriptions in Qing Dynasty" of the Ministry of Culture, and edited the Dictionary of Carving Characters for Painting and Calligraphy in Qing Dynasty. Since 2006, he has been teaching "Approaching Calligraphy" in Jiangsu Education TV Station. China's calligraphy, China's calligraphy and painting, China's calligraphers and other special presentations. A brief list of works appreciation and academic writings on 1 Three appraisers and calligraphy and painting appraisal (in cooperation with Zheng Qi) (No.3, 200 1) 2. Preface to Ruan Yuan and Lanting (No.7, Southeast Culture, 200 1) 3. On Ruan Yuan and the North-South School of Calligraphy, on the North Monument and the South Posture (Art and Design, No.2, 2002) 4. The Origin of Confucian Classics and Ruan Yuan's Calligraphy Thought (Calligraphy Research, No.2, 2003) 5. Ruan Yuan and the Pavilion in Spring (No.3, Shanghai, 2003), page 6. Collection of Wang Shengjiao (Calligraphy) introduces Proceedings of Calligraphy Academic Seminar, No.8, 2003. Chronology of Ruan Yuan Jinshi Calligraphy (Calligraphy Research,No. 1, 2004) 9. On Bao's Calligraphy Criticism (Calligraphy and Painting World, September 2005) 10. Ruan Yuan's second theory. 2005) 1 1. On Bao's calligraphy criticism (Art and Design, No.4, 2006) 12. On Bao's Calligraphy School and Its Phenomenon (Proceedings of the Seventh National Calligraphy Symposium, 2006) 13. No 3 of 2007) 14. Radical and Variation —— On the Two Sides of Bao's Calligraphy Thought (Proceedings of the 6th China International Symposium on Calligraphy History, 2007) 15. Different views on the influence of Bao's calligraphy thought on the recent calligraphy circle (Art and Design, No.3, 2008) 16. A Review of Bao's Calligraphy Stages and Styles (Calligraphy and Painting World, September 2008) 17. Qing people and the world. Proceedings of the International Symposium on Calligraphy History in Ming and Qing Dynasties, July 2008) 19. Bao's Imperial Examination Life and Academic Thought (Rong Baozhai, No.3, 2009) 20 pages. Radical and Variation —— On the Two Sides of Bao's Calligraphy Thought (China Calligraphy, No.7, 2009) 2 1. On Gao Ershi's Calligraphy Style (Part I) The Vision of Calligraphy Style (First Issue of China Famous Calligraphy City, 2009) 23. Qing Dynasty and heming of Yi Nationality (Proceedings of the heming International Symposium of Yi Nationality), No.24, 2009. Bao Calligraphy Art Criticism (I) (20 10,No. 1 issue) 25. Bao Calligraphy Art Criticism (Ⅱ) (20 10, No.2) 26. On Dong Qichang's concept of temporary post in creation. Study on the Calligraphy Style of Jianghuai, 20 10) 28. On the new vision of Ruan Yuan's epigraphy research (Proceedings of the International Symposium on Revitalizing Epigraphy by Xiling Press, 20 10) 29. Comments on Bao's Calligraphy Techniques (Selected Calligraphy Papers of Contemporary China) (Techniques, Creation and Education, 20 10) 30. On the Calligraphy Creation Mode of the Combination of Northern Monument and Southern Postal Service in Qing Dynasty (please attach the book: Proceedings of the International Symposium on Ancient Calligraphy Creation Research, 20 10) 3 1. * * * Sex and Individuality —— On the regularity and particularity in higher calligraphy education (2000) 20 10) 32. A new vision of Ruan Yuan's epigraphy research (Rong Baozhai 20 1 12) 33. Snowball (China Calligraphy No.20112) 34. The Errors of the Biography of Wanbaishan by Deng Xiaoping (20 1 1 year of Deng Shiru Award National Calligraphy Exhibition), 35 pages. Random Thoughts on Creation (China Painting and Calligraphy 20 1 1 No.8) 36. Wu Xizai's View on Printing and the Relationship with Friends (Third Gushan 20 1 1 year) 37. Jin Nong and Eight Points of Writing Thirst (Reader Appreciation (Theoretical Edition) 20 1 1 year1/month) 38. Wu Xizai's View on Printing and the Relationship with Friends (I) No.4 20 12) 40. Inscription calligraphy: a breakthrough in the study of epigraphy in Ruan Yuan (third issue, China Calligraphy, 20 12) 4 1. Travel and seal cutting: a textual research on the travel and seal cutting of the shogunate in Ruan Yuan, Chen Hongshou (Proceedings of the International Symposium on the History of Seal Cutting in Ming and Qing Dynasties) 20 12) 42. On the Authenticity of Preface to Lanting from the Unearthed Wood Ink (Rong Baozhai, No.5, 20 13) 43. A textual research on Ruan Yuan's calligraphy and epigraphy (I) (Rong Baozhai, No.8, 20 13). (China Calligraphy Summer 20 13) 46. Research on Deng's Friendship with Liang Kui and Mei Kui (Proceedings of the International Symposium of Xiling Publishing House) 20 13) 47. On Ruan Yuan's epigraphy (Rong Baozhai No.6, 20 14) 48. Textual research on the course and style of Ruan Yuan's calligraphy (proceedings of the symposium commemorating the 250th anniversary of Ruan Yuan's birth) 20 14) 49. Trang Van Printing Dialect and Yangzhou Printing Forum in Qing Dynasty (Proceedings of the 4th International Printing Summit of Gu Shan Yin Zheng Xiling Printing Press, 20 14) 50. On Ruan Yuan's Calligraphy Thought (Daya Yuntai: Ruan Yuan Studies International Academic) 201515. Textual research on Ruan Yuan's calligraphy history and style (China Calligraphy 20 15No. 10) 52. Monument line: Interpretation of Kang Youwei's manuscript calligraphy (academic works of the 11th National Calligraphy and Seal Cutting Exhibition, 206534, also published in Xiling Fine Arts Works (No.1, 20 16) 54. Fragments of Indian History-Yangzhou Seal Carving (China Calligraphy,No. 16) 55. Bao's Calligraphy History of Guo Chao Shu (with co-author, Liaoning Fine Arts Publishing House, 200 1) 2. China's Painting Ontology (edited by Tianjin People's Fine Arts Publishing House, 2005) 3. China Calligrapher's Complete Collection Yi Bingshou and Chen Hongshou (Hebei Education Press, 2006) 4. Bao Calligraphy Criticism, Press, No.5, 2007. The classic inscription "The West Chamber" (Gu Wuxuan Publishing House, 2007) Volume 6. From Copy to Creation, Dong Qichang (Shanghai Painting and Calligraphy Publishing House, 20 10) 8. The Wonderful Way of Books (Southeast University Press, 20 1 1) 9. Calligraphy Appreciation (edited by Huang Yun, Jiangsu Education Press 20 12) 10. A Study of Ruan Yuan's Calligraphy (Rong Baozhai Press, 20 12) 1 1. Seal cutting and copying series (edited by Jiangsu Education Press 20 13) 65438+.