The development and inheritance of China's outstanding national music is the need to realize the Chinese dream, to build a great socialist motherland and to promote China's music culture and art to glory. The following is my paper on the cultural inheritance of national folk music, welcome to refer to it!
China folk music art has unique national music characteristics, which originates from life and is higher than life, and is an excellent part of China traditional culture. National folk music inherits and innovates in the communication and interaction of all ethnic groups, leaving a deep mark on the history of music development in China. In order to inherit and carry forward the traditional national music in China, this paper systematically analyzes the characteristics of national music in the process of inheritance and development from the current situation of national music, and puts forward feasible suggestions for the further development and inheritance of national music, with a view to promoting the healthy development of national music in China.
Keywords: national folk music; Characteristics; Inheritance and development
China folk music is accumulated and developed on the basis of China's unique traditional culture. In this development process, national folk music has gone through ups and downs, but its essence is still passed down, and it still retains the rich cultural and regional characteristics of the Chinese nation. * * * created a unique charm of China folk music, and promoted the brilliant development of China traditional culture. Therefore, it is of unique practical significance to analyze and discuss China folk music [1].
First, the analysis of the current situation of China national music.
National music is developed on the basis of reflecting the national culture, life and regional characteristics, and shows the traditional cultural characteristics of the nation. China folk music art is an excellent art form with unique features and expressive force in the world at present, and it is also the foundation and core of traditional music art in China. To some extent, China folk music art comes from and is deeply rooted in people's life, which has had an important impact on the inheritance and development of the Chinese nation. At present, popular folk music programs include Ten Ancient Songs, Chun Xue, House of Flying Daggers and so on. In recent years, there has been no breakthrough in the development of national music in China. The reason is mainly due to the continuous improvement of China's material living standards in the process of modernization, while folk music, as a traditional art, is constantly being forgotten. Especially in the current situation, with the continuous influx of various western arts, people have little contact with China's traditional classical arts, and the future development of national folk music is not optimistic [2]. More seriously, many kinds of folk music have been cut off and even endangered. Especially in the field of education, China's folk music is neglected, while pop music and western classical music are full of music classes. Every year, there are not only a large number of candidates who apply for national musical instruments and western musical instruments, but what is more heartbreaking is that many people even refuse because they don't appreciate them. In addition, the development of social diversity is also an important reason for the decline of national folk music. Especially in the fast-paced era, many people lack a sense of national identity. In the long run, our national folk music may gradually decline. These must be highly valued by relevant institutions and educators.
Second, deconstructing the characteristics of folk music
During the development of national music, China's theory of national music has matured. At present, the national folk music art mainly refers to the music related to opera, folk art and folk songs. The author will analyze and deconstruct the characteristics of these music [3].
1。 improvise
Generally speaking, national folk music mainly includes China's instrumental music, opera and folk art, which is the general name of popular folk music. National folk music refers to all kinds of music circulating among ethnic groups, with the largest number of songs. Such as folk songs, labor songs, minor and so on, all belong to the artistic category of national folk music. For example, songs such as Pilgrim's Progress are very improvisational and are a true portrayal of people's lives at that time.
2。 rheological property
As an important part of China traditional culture, the rheological characteristics of national folk music are very obvious. With the development of the times and the gradual acceleration of the pace of life, especially the arrival of the era of globalization, China's national folk music is constantly changing itself to adapt to the current era. Many music tracks have spread from one region to the whole country and even the whole world, and different changes have taken place. The fluidity of national folk music has an important influence on the interactive development of urban and rural music culture.
3。 sovereign right over territory
China is a multi-ethnic country, and all ethnic groups are geographically characterized by "big mixed residence, small mixed residence", which is also reflected in national folk music. Regionality is also an important feature of national folk music, which is not only an important manifestation of the production and living conditions and customs of all ethnic groups, but also a concrete manifestation of the different styles of people in different regions. Such as Tibetan, Mongolian and other border areas, their musical expressions are mostly melodious and unrestrained, which is closely related to people's lifestyle and national habits. It belongs to a nomadic people, living on the grassland for a long time, riding horses and grazing, and its singing is melodious and loud, which has become the national folk music style in this area; In Jiangsu and Zhejiang provinces, there are small bridges and flowing waters, and there is also a smoky willow style of "business women don't know how to hate each other, but also sing backyard flowers across the river". The music is delicate, gentle and elegant. Since ancient times, the Central Plains has been a gathering place for wars and people have been displaced, so most of them are impassioned elegies ... It can be seen that the styles and colors of national folk music in different regions are different under different cultural backgrounds [4].
4。 life
We can also find that folk music is beautiful and catchy, and it has some similarities with pop music. National folk music is produced and developed in people's production and life, such as labor chant, which is a form of folk songs produced in labor, and its rhythm is consistent with that of related labor projects. Chuanjiang boatman song, beach watching song, beach going song and pingshui song are typical representatives of this kind of labor songs. Chuanjiang boatman's songs have a changeable rhythm; The battle of "seeing the beach" is tense and explosive; Song of Xiatan and Song of Pingshui show people's peace of mind and yearning for a better life through melodious and comfortable melodies.
5。 Self-discipline beauty
China's folk music is beautiful, which contains profound connotation and shows the characteristics of self-discipline beauty. For example, "Two Springs Reflect on the Moon" expresses the bumpy life of the blind A Bing in a sad style. Music is beautiful and full of sadness, which embodies elegance and sadness in rhythm and emotional expression and has profound cultural connotation. This expression of self-discipline beauty in national folk music can make the audience feel deeply and make the soul stir with the flow of music and feel the same.
Thirdly, research on the inheritance and development of national folk music.
Under the background that the country vigorously promotes the traditional culture of China and "national art enters the campus", the inheritance and development of national folk music has ushered in a beautiful spring [5]. How to further inherit and develop our national folk music art requires the joint efforts of relevant departments, educators and people from all walks of life. Specifically, we can start from the following aspects.
1。 The correct orientation of national folk music
The correct orientation is helpful for us to inherit and carry forward national folk music better. Broadly speaking, national folk music is pentatonic music created by all ethnic groups in China in the long-term production and life process; In a narrow sense, national folk music is music with traditional culture, spirit and life characteristics that the Chinese nation has shown in the process of living on the Chinese land for thousands of years. Today's world mainly includes three major music systems, namely Persian Arabic music system, Greek music system and Chinese folk music system. China's folk music can leap to the third place, not only because of the long history of the Chinese nation, but also because these folk music contains the unique cultural and artistic characteristics of the Chinese nation, which is the musical wealth created by the Chinese nation for thousands of years and is well-deserved among the three major systems.
2。 Organically combine national folk music with other related music.
China folk music can't rest on its laurels if it wants to achieve long-term development. It needs to be organically combined with foreign music, pop music, western classical music and other related music, and learn from each other's strong points to make China folk music with thousands of years of history adapt to the changes of the current social situation. If the mountain doesn't come, I'll be alone. I'll go to the mountain. Musicians in China can also integrate elements of national and folk music into other works to form a unique musical style. This is the only way to realize the long-term development of China folk music.
3。 Strengthen the publicity and promotion of national folk music.
Promotion and publicity are the key factors in the development and promotion of national folk music. Under the current social situation, "the fragrance of wine is not afraid of the depth of the alley" has become a thing of the past, and extensive publicity is the general trend. The country is vigorously promoting and developing the traditional culture of China. As an outstanding representative, national folk music is necessary to stand up and take on the responsibility of guiding people to pay attention to and inherit the traditional art in China.
(1) To develop national folk music, we must innovate on the basis of inheritance, keep pace with the times, integrate national music into modern elements, and develop into popular culture, rather than lofty and sparse.
(2) Schools are obliged to introduce folk music into music education. Children are the future of China, and school education is an important cornerstone. School music education plays an irreplaceable role in the inheritance and development of China national music.
Four. conclusion
To sum up, national music is an outstanding representative of China's traditional culture and an important part of the world music history. Its inheritance and development is not only related to the future development of China's national culture, but also related to the future development of the world. National folk music is not only closely related to people's production and life, but also contains rich national spirit, which is the concrete embodiment of the Chinese nation's hard-working and fearless spirit. Only the national is the world. Therefore, the discussion of China folk music can provide some feasible suggestions for its long-term development. I sincerely hope that, as an outstanding representative of China traditional culture, our national folk music can be combined with other music on the basis of correct positioning and by studying the characteristics of each part, so as to adapt to the current trend of the times. We believe that in the interweaving of tradition and modernity, in the historical torrent of the times and in the ever-changing society, China's folk music will surely stand in the world.
References:
[1] Zhang Jun. A magnificent hymn to Mount Tai —— Appreciation of Sun Jingjia's poem "Mount Tai Zan" [J]. Education and Teaching Forum,
[2] Ding Ning. Exploring the inheritance and development of China folk music, China [J]. Continuing education research,
[3] Fang Guangyao. The Contemporary Significance of the Inheritance of China Folk Music [J]. Journal of Yangzhou University: Humanities and Social Sciences Edition,
[4] Du. A Review of the Development of China Minority Music in the 20th Century [J]. Journal of yunnan arts institute,
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