Yan's A Probe into the Characteristics of Russian Ecological Literature was published in the fourth issue of Russian Literature and Art in 2009. The works mainly emphasize that Russian ecological literature has inherited the cultural tradition of Russian critical realism literature in the19th century, paying close attention to the political destiny of the country, keeping close contact with the people and paying attention to social phenomena. Russian literature has been struggling for the future and destiny of the country and the happiness and freedom of the people, with a high sense of social mission, morality and responsibility. Russian writers are concerned about the country and the people, and tirelessly seek ways to get rid of poverty, suffering and happiness for the whole Russian nation and even mankind. Russian intellectuals have been paying close attention to major social issues, and put forward such issues as "Russia, where are you going", "Who can live a good life in Russia", "whose fault" and "how to do it", which reflect people's voices and arouse people's deep thoughts. For example, at the end of the article "New Road" written by writer Bunin, "The train is moving forward on the newly-built railway, and no one knows what is waiting for people ahead"; At the end of the article "Farewell to Maggiora" written by writer rasputin, "The ship got lost in the foggy sea and people shouted in despair"; At the end of the article "The King of Fish" by writer Astafyev, many contradictory and confusing issues of the times are raised. Many writers adopt open endings in their works. They raised many unresolved social questions, but they didn't answer them directly, leaving people more room for exploration and thinking. It can be said that Russian ecological literature is also "for life" literature and "problem literature". Mr. Lu Xun once said that the main feature of Russian literature is to pay attention to life and society. Since Nicholas II, it has been "for life". No matter whether its idea is to explore or solve, or to fall into decay and mystery, its mainstream is for life. Russian writers are very concerned about the country, society, people's livelihood and natural environment, so they have a strong sense of anxiety in many works, which shows the writers' anxiety and anxiety about the universe, the earth, mankind and nature. Trouble refers to a kind of anxiety, uneasiness, sensitivity, ups and downs, and sadness. Berdyaev once said that Russian literature was not created in joy, but was born out of deep thinking about people's suffering, human destiny and the salvation of all mankind. The Russian nation has a strong sense of hardship, and it is a nation with a very rich sense of hardship. Russian eco-writers have a deeper sense of historical mission and a more serious sense of social responsibility.

Liang Kun pointed out in the article "The tendency of eschatology in contemporary Russian ecological philosophy and literature" that there are many myths about nature in Russian ecological literature, which have the characteristics of early pantheism and polytheism. Professor Heck said that the Slavs' primitive religious beliefs believed that everything had gods. The article "Russian Forest" written by writer leonov points out that people express their perception of primitive life in the form of myths and legends. The King of Fish written by Astafyev in 1972- 1975 also describes the fishing experience of the protagonist Igna Gigic, who is a fisherman. The greedy fisherman Ignacio Gizzi threw down the hook to catch fish in Yenisei River. One day, he caught a big fish. He doesn't know that this big fish is the "king of fish" that Grandpa told him. The king of fish is a fish. Both of them were desperate, waiting for death, and almost died. Finally, the fish escaped from the hook, and he avoided a difficult situation. Igna Gigik realized that man and nature are a unified whole through this death adventure, and also reflected on the relationship between man and nature and women from the perspective of ethics. Man is born in nature and is a member of nature. We agree with the law of creating human beings, which is independent of human will. Ecologists believe that a person's moral level depends on his attitude towards nature. People who are particularly obsessed with nature have a pure and healthy inner world. Philosophical and religious worldviews are embodied in the natural landscape. In A Farewell to Maggiora, the surreal images of "Island Master" and "Tree King" endow natural images with characteristics. "Island owner" is a small animal. This is very wise. It foresaw a great disaster on this isolated island and witnessed the bad luck of Maggiora Island. "Tree King" is an entity with a natural soul. It is an old tree that can dominate the soil and water in all directions, and the village of Majiola is fixed by it at the bottom of the river. "He" is like an incarnate god, and people will be punished by him if they provoke him. Relatively speaking, Aitmatov's myth consciousness is more conscious and strong. He is very good at using myths to express the tragedy of life, so his novels have become modern myths. The myths he wrote are varied and varied because of the precipitation of Russian and Kyrgyz cultures. Beyuli, the wolf god, is the image on the guillotine. "Wolf God" is the object of Akbar, the female wolf, and the ethereal spirit on the moon. Akbara lost three cubs in a row because of human atrocities, and he was very lonely in this world, so he took Beyuli as the object of his talk. There is such a passage in the book: "... come down, Beyuli, the wolf god, come down to me, let's sit together and cry together." Wolf spirit, come down and let me take you to the grassland where there is no place for me now. Here, under the mountain, there is no room for us to move. There seems to be no place for wolves anywhere. " These myths and legends are priceless. Our great ancestors always stared at non-existent phenomena in all directions with frightened eyes, some were amiable and some were gloomy and ferocious. Polytheism, a symbol of fear and piety, came into being. As a beautiful and kind-hearted towering old tree, it is reflected in the natural forces worshipped by our ancestors. People revere these ancient trees, and under them, people often carry out some trials or praise the past merits of the tribe. Solovjeff's theory of "the integration of all things" theoretically summarizes the worship of nature. He believes that the principle of God's love is the unity of man and nature, and the essence of God in philosophy is the unity of all things. This theory is mainly aimed at western rationalism and secularization tradition, which does have pantheism factors, and it is cosmocentrism that causes pantheism. Solovjeff bridged the differences between anthropocentrism and cosmocentrism, and also bridged the differences between theology and philosophy. The theory of "seeing God freely" organically combines science, philosophy and theology, forming a symbol of a relatively complete knowledge system.

The article "Ecological Literature in Russian Literature in the 20th Century" written by Yang Sumei scholars mainly emphasizes that the relationship between man and nature is an eternal topic for human beings and an inexhaustible source of literary creation. The article points out that the traditional theme of Russian literature has always been the relationship between man and nature, and flowers, trees, creatures, mountains and rivers all have unique aesthetic themes, which are closely related to people's personality consciousness. /kloc-Russian writers in the 0/9th century condemned human beings' killing creatures and destroying nature from the humanitarian point of view, while Soviet writers in the 0/8th century/kloc-on the one hand developed the significance of the traditional theme of man and nature, broadened the boundaries of humanitarianism, and thought about the new relationship, new connotation and new laws between man and nature from the philosophical point of view; On the other hand, it has inherited the fine traditions of Necrasov and other predecessors, called on people to love and praise nature, and condemned human acts of destroying nature.

Shujie Wang, the author of The Call of Harmony between Man and Nature —— Russian Ecological Literature, is a teacher at the School of Foreign Languages, Shandong University of Science and Technology. This paper, published in the Journal of Mudanjiang University, praised the beauty of harmony between man and nature, and made philosophical thinking on the relationship between man and nature-challenging anthropocentrism, thinking about ecological tragedy, human tragedy and moral deficiency, advocating the call of harmonious coexistence between man and nature, and advocating caring, loving, relying on nature and integrating with nature. Through the deteriorating living environment, we realize that there is only one earth, and cherishing nature means cherishing human beings and cherishing tomorrow. To borrow the words of Soviet ecologist Astafyev, protect the earth! Protect our noble Mother Earth forever and at any time, and protect our lives.

Wu Ping's paper "The Call of Nature-A Glance at the Ecological Literature of the Former Soviet Union" was published in the 5th issue of Foreign Social Sciences (1998). This paper investigates a series of problems about the relationship between man and nature in some ecological works of contemporary Russian writers. These include the moral exploration of the internal relationship between man and nature and the exploration of the sense of hardship in philosophical exploration. The discussion of these problems reveals the purpose of ecological literature, that is, to cultivate people with global thinking, so as to form a new attitude towards life as soon as possible and fight against the forces that destroy nature.

The article "History and Present Situation of Philosophy of Natural Science in the Soviet Union (Russia)" published by Wan, Institute of Science, Technology and Society of Northeastern University in Journal of Yanshan University,No. 1 in 2002 mainly analyzes that ecological philosophy as a natural science is an important part of Soviet Union (Russia) philosophy. Based on Lenin's thoughts on philosophers and natural scientists, this paper demonstrates the achievements and shortcomings of natural science and ecological philosophy in the Soviet Union (Russia) for more than 80 years. On 2011February 18, China green times published a commentary saying that Niyi bayev, a Russian expatriate writer, had lived in China for 48 years. Ethnically, he is Russian, but in life, he is from China. "China Green Times" made such an evaluation of Baikoff, saying that he is the best eco-writer ever. The King was published many years earlier than Silent Spring published by Carson in the United States, so some experts say that the founder of ecological literature is Russian writer Nibayev in China. The King has been silent in China for more than 50 years, but it has been neglected in the Soviet Union because it is not a "domestic literature" of the Soviet Union. But gold always shines, and The King has been translated into Chinese, French, English, Italian, German and other languages, becoming a world-class work. This is an endless nature epic. There are Zhangguangcailing and Laoyeling in the northeast, with beautiful scenery and beautiful mountains and rivers, which are the best mountain scenery in the northeast. Dadingzi Mountain, the main peak of Zhangguangcailing, borders Laoyeling in the east and Jilin Province in the south. It is the highest peak in Heilongjiang Province, with an altitude of 1.690 meters. It is also the most beautiful mountain scenery in the whole Northeast: the first natural barrier canyon of Longjiang, which is 4000m long and1000m deep, and the thousands of feet Waterfall. The King begins with the description of Datu Mountain, and the article perfectly shows the scenery of the mountains in Northeast China. The hero "Wang Da" spent his whole life on the big bald mountain. The protagonist of "The King" is the tiger "King". The novel has been written about 35 kinds of animals, including Korean tiger, Siberian tiger, mink, tiger badger, flying squirrel, red deer, moose, Xianbei ferret, otter and red wolf, owl, Shan Ying, tits, suzaku, blue finch, crow and so on. It can be said that the king is a picture of birds and beasts in the northeast. There are all kinds of beautiful scenery in the novel. Summer: In the morning, clouds surround the peaks; At dusk, the peak is golden; At night, a red moon rises from behind the ridge and casts a silver light among the mountains. Autumn: pine trees are green, thick plum trees are black, poplar trees are yellow, birch trees are white and maple trees are red-it's really colorful. Winter: the white snow on the top of the mountain and the blue sky set each other off ... The scenery here is so beautiful that it can be called a hundred scenes. It can be said that "The King" is an infinite extension of nature, which is unforgettable. You can hear all kinds of music here: from the loud noise of mountain springs to mountain shadows, from the twittering of crickets to the roaring of tigers swallowing mountains and rivers, from the rustling of birch trees to the rolling of pine trees-it should be said that "The King" is a unique symphony. The King is also a great natural epic. This epic vividly shows the harmonious ecological environment in the northeast of China in the early 20th century. Therefore, The King is still an epic of ecological harmony in Northeast China. It is no exaggeration to say that in China, Russian, French, British, Indian, American and other literary powers, no writer can truly describe the ecological harmony of nature-the king is unique!

Liu Minjuan's On the Historical Track and Characteristics of Soviet Ecological Literature is her master's thesis in Nanchang University. This paper discusses the early ecological works of 1900, but it has not been paid attention to, but laid the foundation for the later ecological literature creation. In ecological literature, writers pay special attention to the relationship between man and nature and agree with the unity of man and nature. The ecological theme in the early 20th century provided rich themes for the current ecological literature. From 1940 to 1950, with the development of economy and the progress of science and technology, more writers call on people to create together with nature and live in harmony with it.

The Contemporary Soviet Ecological Literature written by Xu was published in Russian Teaching in ChinaNo. 1987 andNo. 1. This paper expounds that "ecological literature" is an old problem, but it is a new term in contemporary Soviet literature, that is, the relationship between man and nature. This paper summarizes three characteristics and three achievements of contemporary ecological literature. Three characteristics are: tragedy, politics and beauty. Three distinctive features are related to three major achievements: First, the theme of protecting nature is related to traditional moral themes. At the beginning of publication, these articles were classified as the theme of social morality. Because the main plot of these works is the struggle between good and evil, the endings of these works are almost tragic. Perhaps writers feel the urgency of protecting nature, but because people's awareness of protecting nature is not enough, nature is destroyed again and again, and the result is often that good people are not rewarded, and evil people are only punished morally. The overall feature of these works is tragedy. Secondly, contemporary ecological literature raises objections to some traditional concepts about the relationship between man and nature, such as "conquering nature". The cognition of traditional ideas has formed an inherent thought in people's consciousness, so works such as ecological literature are very political. Thirdly, contemporary ecological literature pays more attention to the combination of natural beauty and spiritual beauty and the harmony between man and nature. It can be different from the previous ecological literature, and it can also surpass the previous ecological literature works, mainly by bringing forth the old and bringing forth the new and taking its essence. One of the main ideas and principles of Prishven's works is the harmony between man and nature. Obviously, contemporary ecological literature inherits and continues this concept and principle, on the one hand, it can be said that it is a step closer than previous ecological literature. There are two absolute views on the relationship between nature and man in the Soviet literary world. One view is that nature is sacred and inviolable, and the progress of science and technology has destroyed the development of nature to a certain extent, so it is even necessary to limit the progress of science and technology in order to protect nature. Another view is the opposite of protecting nature. For example, Prohanov said, "Today, we should not only talk about the tragedy of nature, but also the tragedy of technology." This sentence refutes the first view to some extent.

The article "The tendency of eschatology in contemporary Russian eco-philosophy and eco-literature" published by Liang Kun in the third issue of Foreign Literature Review in 2003 mainly investigates the religious consciousness and rational color of Russian eco-philosophy and eco-literature, as well as the accumulation of eco-eschatological consciousness of doomsday feelings and salvation spirit among Russian writers. Based on the analysis of Russian ecological philosophy and literary texts, this paper discusses two main characteristics of Liang's ecological philosophy: the use of mythological images and the modern enlightenment contained in eschatological myths.

Han, a scholar of Chinese Department of Hainan Normal University, put forward the ecological aesthetic consciousness of "harmony between man and nature" in the third issue of Journal of Hainan Normal University in 2004. It has a deeper and fresher connotation in the contemporary ecological literature of the Soviet Union, showing the characteristics of globality, modernity and nationality.

Liu Dongmei's paper "Hometown-the Eternal Home of Mankind" was published in Journal of Liaoning Radio and TV University, No.2, 2006, which described the same theme in Russian literature-nostalgia for homeland and land. Contemporary Russian writers believe that nature plays a vital role in people's production and life, is also the main body of life, and plays a very important role in people's aesthetic consciousness and moral formation. The whole article takes the works of three typical local writers, Astafyev's The Fish King, leonov's Russian Forest and rasputin's Farewell to Maggiora, as examples to make a concrete analysis of ecological literature. It is not difficult to see that in the hearts of contemporary Russian writers, there is a love for nature and a deep affection for the motherland.

Shujie Wang, School of Foreign Languages, Shandong University of Science and Technology, published an article "Calling for the Harmony between Man and Nature" in the 8th issue of Mudanjiang Daily 20 10. Starting with typical Russian ecological literature works, the author interprets the characteristics of Russian ecological literature in different time and space, and profoundly examines the philosophical connotation, moral ethics and philosophical value of the relationship between man and nature.