When writing, pen and ink should be concentrated and the language should be concise.
The structure should be distinct. It is best to put forward the evaluation of the work directly from the beginning and prove it below to form a total score structure.
It should have the flavor of literary criticism, evaluate and analyze the works with vivid language as far as possible, and infiltrate the views into charming and aesthetic words.
Form serves content, and conversely, content needs to be expressed through form.
Choosing the right point means that you can see through the main meaning of the work or express the main writing method of the work.
How to write "Literary Criticism Writing" by Cobo? If you don't have this quality, you should carefully apply for books such as Literary Criticism Theory, Western Literary Theory and Analysis of Literary Criticism Principles. Difficult answers, such as philosophical aesthetics, must be especially metaphysical.
In the process of deepening the reform of urban literature, Lu's The Wall is also a work worth mentioning. When the old wall of a design institute collapsed, the height, style and material of the new wall became the central topic in the hospital. People are divided into several major factions, and some even drag on the "Grand View Garden" when expressing their opinions, and opinions cannot be unified. As a result, everyone broke up in discord. Unexpectedly, when I went to work on Monday, the new wall had been erected, so unwilling people began to point the finger at the fast management department and unanimously attacked the style and function of the new wall. Unexpectedly, foreign scholars praised the unique style of the fence at the annual meeting of architecture, so the fence became the crystallization of the cooperation of all members of the design institute, and everyone began to figure out how to add their own contributions to the academic summary.
This is a novella with the nature of ridicule. Lu described a story close to farce in humorous language. However, there is a sad truth in this farce: in real life, "safety" is indeed "often synonymous with slowness", and how many people in Mao Mao are regarded as unstable because of their skillful and fast work? The human spirit has been alienated, and the value scale of judging things in people's minds has been reversed. Lu Wenfu said: "The purpose of building a wall is to tear it down; Build a tangible wall and tear down an invisible wall, that is, tear down the stereotypes and customs that trap us tightly, as well as the endless mystery of pushing and pulling. For several years, I felt that I would meet this invisible wall everywhere, which made people feel helpless and ridiculous. "In this novel, Lu tried to reveal some disadvantages that people have become accustomed to in real life, such as chronic syndrome in bloated institutions, bad habit of boasting, secular prejudice of judging people by their appearances, vulgar psychology of getting something for nothing, and tried to eradicate them. It can be said that Lu's reform is aimed at people's social, cultural and psychological levels. Compared with those reform works that only describe conservative resistance, his thinking is obviously much deeper.
Problems that should be paid attention to in writing literary criticism Appreciation is the basis of criticism, and criticism is the rational sublimation of appreciation. (1) The object of literary appreciation is literary works, while the object of literary criticism can be works or other elements besides works. (2) Literary appreciation generally focuses on successful or even excellent works, while literary criticism can be unsuccessful works. (3) Literary appreciation focuses on aesthetic feeling and experience, and literary criticism should be rationally analyzed and studied to know why.
How to write the literary criticism of Pride and Prejudice? In this novel, Austin shows the different attitudes of girls from middle-class families in villages and towns to marriage and love through the different treatment of Bennett's five daughters to lifelong events, which reflects the author's own view on marriage: it is wrong to marry for property, money and status; It is also foolish to get married without considering the above factors. So she is not only against getting married for money, but also against taking marriage as a joke. She emphasizes the importance of an ideal marriage and regards the feelings of both men and women as the cornerstone of an ideal marriage. Elizabeth, the heroine in the book, comes from a small landlord family and is loved by Darcy, the son of a rich man. Despite the gap between family status and wealth, Darcy proposed to her, but she refused. Elizabeth's misunderstanding and prejudice against him is one reason, but the most important thing is that she hates his arrogance. Because Darcy's arrogance is actually a reflection of the status difference, as long as there is such arrogance, he and Elizabeth can't have the same thoughts and feelings and ideal marriage. Later, Elizabeth observed Darcy's behavior and a series of actions with her own eyes, especially seeing that he changed his arrogant attitude in the past and eliminated his misunderstanding and prejudice, thus concluding a happy marriage with him. Elizabeth's different attitudes towards Darcy's several marriage proposals actually reflect women's pursuit of personality independence and equal rights. This is the progressive significance of Elizabeth's image.
From an early age, Elizabeth is smart, resourceful, brave, far-sighted, self-respecting and good at thinking. As far as a young lady waiting for the word at that time is concerned, this is commendable. It is precisely because of this quality that she has an opinion on love and has a happy family with Darcy.
In Pride and Prejudice, Austin also wrote about the marriages of several sisters and girlfriends of Elizabeth, as a foil, in contrast to the heroine's ideal marriage. For example, although Charlotte and Collins lived a comfortable material life after marriage, there was no love between them. This kind of marriage is actually a social tragedy hidden under the gorgeous coat.
Although the theme of Austen's novels is narrow and the stories are quite plain, she is good at creating vivid characters in everyday ordinary things, whether Elizabeth and Darcy, whom the author thinks worthy of recognition, or Wickham and Collins, who are satirized, are real and touching. At the same time, Austin's language is tempered. She pays attention to humor and satire in the art of dialogue, and often uses humorous language to set off the personality characteristics of characters. This artistic innovation makes her works unique.
How to write a critical composition for modern poetry and prose literary criticism Yu Yuyao, Zhejiang, 1946, a famous contemporary art theorist, cultural historian and essayist in China. Yu and his composition evaluation composition is 1600 words. After graduating from college, he stayed in school to teach for many years. He used to be the dean and professor of Shanghai Theatre Academy. President of Shanghai Writing Society. After resigning, I continued to engage in teaching and writing. His main works are Historical Draft of Traditional Chinese Opera Theory (1983, published by Shanghai Literature and Art Publishing House), Artistic Creation Plan (1978, published by Shanghai Literature and Art Publishing House) and Cultural Journey (1992, published by Knowledge Publishing House). Published by Feng Chun Literature and Art Publishing House), Yu Qiu Prose (published by Zhejiang Literature and Art Publishing House 1994), Notes on Mountain Living (published by Wen Hui Publishing House 1998), and 1997 was awarded the title of "National Outstanding Contribution Expert" and was included in many World Who's Who. His prose collection "Cultural Journey" won the first prize of Shanghai Publishing, the Shanghai Literature and Art Excellence Award, the best book award of Taiwan Province United Daily News and the most influential book award of Jinshitang. Notes on Mountain Residence won the highest prize of overseas Chinese literature-the first prize of the Best Book Award of Taiwan Province United Daily News. Yu spoke highly of his unique expression and profound thoughts. His prose evaluation is 1. In the essays such as Daotai, Snow in Yangguan, Shanghainese and Chaohou, Yu shows a kind of "perceptual experience" and at the same time contains his rational speculation. His "perceptual experience" comes from emperors and generals, talented people and beautiful women, and laws and regulations. He pays attention to them with dual cultural personality. He is not only a university professor who is deeply influenced by China's cultural tradition and has accumulated the genes of cultural tradition, but also a modern man who is collided by western cultural thoughts and embraced by the current reform and commodity tide. So he combined his aesthetic photos with the paradox of inheriting and criticizing cultural traditions, which produced some cultural and philosophical anxiety and a sense of historical vicissitudes. And a sense of mission to get out of trouble, which is what he calls a "cultural journey." In fact, this is a "difficult course" for thinking to get rid of history and reality. (Wu, Nineties: The Present Tense of China's Prose) 2. The transcendence of Yu's prose over contemporary prose is not only manifested in the ideological and cultural fields. It also shows a strong sense of subjectivity. The reason why Yu's prose has a strong appeal lies in the writer's integration of his vivid cultural life into his works, and this specific cultural life is accumulated by a profound and heavy real history. The heavy pressure of real history makes the writer's cultural life like "a thousand springs, pouring out in disorder", so one after another human landscape becomes the concentration of history, and then history reveals culture. In this way, Yu's prose finally got rid of the barriers of prose in the past 40 years and walked out of petty aesthetic norms such as "small experience", "small decoration" and "small philosophy". ......................................................................................................, who has established a truly tall and independent subject image, can only write a book mourning for the past, and you will never spread a "spiritual Dojo" between heaven and earth. Therefore, a truly pure subjective consciousness needs insight into history, anxiety about reality, persistence in the future, certainty about life and understanding of the whole human culture. To borrow the words of the sages is to get rid of the "villain Confucianism" and reach the realm of "gentleman Confucianism". Yu's prose does not pay attention to the secular life and even the social and political level, but pays great attention to the real history from a higher level. Among them, happiness, worry, liberation and distress are closely related to history, reality and future, and are closely related to the sublime and humble, profound and vain in the current situation, forming a multi-dimensional prose. This kind of subjective consciousness pushes contemporary prose to a new milestone with its rich, tall and pure characteristics, such as Yu Yu's Comments on Essays in Senior Three 1600 Words (On the Cultural Orientation of Prose, Journal of China Renmin University) 3. If Yu has endowed rich and vivid cultural images with meaning from the perspective of life, it is from a micro perspective. Then pay attention to it from the perspective of the country and the nation, which is the macro framework of culture. This concern is reflected in the author's blending of the mountains and rivers of the motherland, national feelings and Chinese culture as a whole. He regards culture as the soul of the nation and places his feelings for the nation on mountains and rivers. In the Taoist Tower, the author associated the cultural relics left by the Mogao Grottoes with foreign invasions and national disasters, "wrote a young poet that night. When adventurer Stan was ready to set off with a team of ox carts full of boxes, he looked back at the gloomy sunset in the western sky. There, the wound of an ancient nation is bleeding. "Not only several boxes of cultural relics were carried away, but the author clearly saw the spirit of a nation-culture, scarred and bleeding under the bayonet of the great powers. A tall cultural giant, suffering and writing in front of the times. Through Yu's prose, we can see that there is a deeper cultural significance, that is, nationalism and patriotism, which are the essence and core of China culture. "I even want to kneel down to him and beg him in a low voice." "Please wait a minute, wait a minute ..." "Wait a minute ..." Then I began to cry ... We seemed to see the author's innocent heart, full of cherishing national culture and deep feelings for the motherland. His sad begging and calling not only stored the cultural heritage of the Mogao Grottoes, but also contained deeper patriotic connotation ... Yu's "cultural journey" not only has a strong sense of life and national consciousness, but also is more historic. The essence of Yu's prose all comes from his profound and exquisite accomplishment as a historian. The sense of history in his Culture is not a simple description of the past, but regards history as an endless river and closely links the past and the present with culture. In his view, culture is like a rolling wave full of vitality, pushing the Chinese nation forward. The author looks at culture from a broad perspective of human history, and culture has become the accumulation of history. Culture and history have become an inseparable whole. His "landscape" is "human landscape." This is caused by the long-standing charm of China's history and culture and its long-term influence on me. I can't get rid of it. Everywhere I go, there is always a heavy historical pressure hanging over my whole body, which makes me inexplicably moved and sighed "(Preface). Mogao "always has a unique gift, endless life." "The place where the Mogao Grottoes can make foreign monuments proud is that it has accumulated at different levels for more than 1,000 years. Looking at the Mogao Grottoes is not a specimen that has died for a thousand years, but a life that has lived for a thousand years. It lived forever for 1000 years, with smooth blood vessels and even breathing. What a magnificent life! " The charm of history can be described as powerful! The article "Mogao Grottoes" is not an appreciation of cultural relics, but a vivid representation of thousands of years of historical vicissitudes in China. From the color flow of the portrait, he actually saw thousands of years of civilization in detail. When history and culture are combined, there is no indifference and harshness. The vitality of history drives away the monotony and dryness of the "cultural journey" and presents us with liveliness and freedom. Perhaps this is also a "cultural journey" (Zhang Zhaojun et al., "Coagulation, Elves and Accumulation-Cultural View of Cultural Journey", "Exploration of Social Science") 4. I walked out of my study, out of the bustling city, and quietly arrived. From the autumn wind to the spring rain in the south, the dust of the sandstorm in the Tang and Song Dynasties was black and thin, exploring the Su Sheng power of our ancient nation and the freshness of cultural renewal. I let out a sad sigh of life. This is a real great sorrow, and it is no exaggeration to say that it is a touch of ink in history. Look at the whole "cultural journey", starting from Dunhuang in the northwest, to Wuhou Temple and Dujiangyan in the southwest, and then to Wuyue Spring and Autumn Period in the southeast. At first, you will have a sense of pride and comfort. Because, after all, we had the prosperous Tang Dynasty and the splendid Dunhuang civilization created by the prosperous Tang Dynasty, although future generations ruined her. Then you feel cold, because the ghost of the literati appears, slowly you will be silent, you will be sad, you will sob, and finally you will stop moaning in the face of a group of China people with black hair and yellow panels who no longer speak Chinese? China's culture, are you really ruined here? Are you really as civilized as ancient Egypt and Greece in the end? No, it won't! Taoist Pagoda and Mogao Grottoes should be the awakening after the robbery, and Yangguan Snow has already jumped out of the circle of "people who leave Yangguan for no reason". While paying homage to the ancient Shanghai civilization, Shanghainese fully affirmed the present Shanghai civilization and put forward the concepts of "ordinary citizen" and "big citizen". Yu is the kind of person who is willing to immerse his pen in the vicissitudes of history, but his eyes are always worried. An ancient mottled archway, a broken temple with scarlet peeling, and a wrecked ship with its coast eroded by wind and frost are the scars of years of scabbing, the silent but cruel iron hoof of years, and the unbearable helplessness of human beings. Here, the vicissitudes of life have become a human landscape, which requires a high-grade aesthetic state of mind! (Tian Chongxue's Style of Great China Prose ── Impression of Yu Prose ── From Cultural Journey to Notes on Mountain Residence) 5. In the Taoist Temple Tower, when we were angry with the author, we also wanted to stand in the desert with the author to stop the Dunhuang cultural relics and ancient books convoy of western cultural robbers, but it was suddenly stopped by the author. Emotional pain suddenly turned into ideological pain. Taoist Pagoda was written in the morning at the turn of the last century. "Taoist Wang gets up early every day and likes to walk around in the cave ... and then starts painting." We can even read black humor here, because Wang Daochang painted Dunhuang murals that have been circulating for thousands of years! This vivid and ever-changing description of emotional connotation is full of all of Yu's essays, and often written more brilliantly. (A sentence from the great China) Such a worried language shows the author's deep love for China culture and helplessness for cultural destiny, which is full of historical vicissitudes. The Taoist Temple Tower just confirms a passage of Lu Xun: "What Chinese Duke * * * is really hard to survive. If,
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How to write short story literary criticism? The literary criticism of short stories is written from two aspects:
1, write life phenomena from your own content;
2. As far as ideological content is concerned, education written for the people.
How to write a biography is a literary genre that records the deeds of celebrities in different countries and fields. Biographies are generally written to introduce the growth experiences of characters in childhood, adolescence, youth, middle age and old age.
How to write a literary criticism is a comment on a short article. First, we should read the article deeply, and then use the principles of literary theory to explain it. You can quote classics, but you must be relevant.
How to write Lu Xun's essays in literary criticism? There are quite a lot of Lu Xun's essays, all of which are quite deep.
You can read one of his essays first.
Then you can choose one of them to comment, or start with the overall idea of his essays.