Abstract: Xu Zhimo is famous for his poems, and he also has rich achievements in prose creation, which attracts attention. This paper intends to elaborate the artistic style of Xu Zhimo's prose from three aspects: the leisurely style, the smell of wild horses and the rich poetry.
Key words: self-dissection, gossip and poetry in Xu Zhimo's prose.
As the soul of the Crescent Poetry School, Xu Zhimo is famous for his poems, which have been handed down from generation to generation. His prose is also a good product, swaying and polymorphic, with rich colors, such as songs with rhyme, paintings with color and wine with wine, which is worthy of in-depth investigation. From 1922, he first tried to cry in the literary world to 193 1 year, when he died, it was only ten years. However, his prose creation is quite rich and his achievements are considerable, leaving four collections of essays, including Leaves, Scales of Paris, Autopsy and Autumn, among which there are many classics.
Xu Zhimo's prose has a self-destructive gossip tone, with a cordial tone and sincere attitude, like a friend who has a heart-to-heart relationship with you. Xu Zhimo, who is famous for his poems, endowed all his essays with? Too strong to melt? Poetry. At the same time, he called himself:? I am a wild horse without a halter. I have never stood still. ? (Welcome to the Front) What did theorists at that time and later theorists love? Running wild horses? Describe his free and unrestrained style. This paper intends to discuss the artistic style of Xu Zhimo's prose from three aspects: self-cutting gossip style, unconstrained style and rich poetry.
First, the tone of self-cutting gossip
Xu Zhimo's prose is not condescending? Enlightenment? Tone, has its own kind? Gossip? The atmosphere is cordial and natural, which can be found in Cuishanzhuang Gossip, Notes on Tianmu Mountain and Cambridge as I Know it. It is longer than. Self-dissection, showing one's true feelings, undisguised modification, seeking sincere and unpretentious language modality, publishing articles on self-dissection, re-dissection, seeking medical advice, etc. What do I call it? Self-destructive gossip tone? . Lu Xun created two styles for the creation of modern prose, that is, Morning Flowers and Evening Picks? Gossip? And what does Weeds represent? Monologue? . Xu Zhimo is unique, and coordinating the two can not only go deep into the heart, but also avoid embarrassment and lose the tone of friends' dialogue. Of course, specific to individual chapters, should it be biased or biased? Gossip? Intonation, or more important? Self-dissection? Speak alone, but don't stick to one individual.
Articles such as "Fei Lengcui Mountain Residence Gossip" are all? Gossip? It is calm, friendly, relaxed and natural, and has a leisurely' pen and ink interest'; Not to climb a mountain, so there is no need to sit still; It's not personal, it's difficult, it's obscure, and there's no need to ponder. And relax, for example, meet old friends, listen to their gossip, listen to their guidance, rush to Shan Ye grassland, steal a half-day leisure, seek harmony between spirit and body, and seek freedom and quickness.
Another example is "a letter". The author constructs a scene, that is, in the form of a letter, with a? Friends who complain about boring life? Talk, pour out your heart, open a ghost house and express the contradictions in life. Is this close? Monologue? The meaning is obscure, and it is more symbolic and suggestive to express complex and subtle emotions. The author, after all, is in the form of letters, and the article presupposes a reader-you? -Let's read like old friends. We are unsuspecting, relaxed and have a cordial and sincere sense of dialogue. One of the charms of Mo Chi's writing is his true character, frankness, sincerity, frankness and kindness. In a word, he is childlike. And this kind of character must be written in all kinds of words and pen and ink, and it is carried out by artistic effects, so what is it? Self-destructive gossip tone? .
Second, the wild horse ethos
Xu Zhimo's prose has a wild horse style. His prose is like a runaway wild horse, free to jump, free to jump, smart and unrestrained, free to follow one's inclinations, free to reciprocate, free to sway, light, flying thoughts, repeated associations, and images everywhere. This is the embodiment of Zhimo's personality, creativity and imagination.
Taking Qiu Si in the Indian Ocean as an example, the author stands on the deck of a returning ship, watching a full moon and a silver wave on the sea. With a poetic heart and a wonderful pen, he outlines the real scene and the virtual world, links memory and reality, returns to his own life, and jumps freely between the virtual and the real, the dream and the truth, and the individual and the universal. In the article, it is the drunken men and women by the river, the sweet baby sleeping on the bedstead, the poet injured on the river stone alone, the young woman crying in the woodshed, the miner smoking, the frozen pool and the boat in Zhimo, which leads to round after round of reverie, sudden change, endless changes in time and space. Its wild horse ethos can be seen. But what about this? Wild horse? It's not without trace, rambling and disorderly. Although the pictures in the article are complex and colorful, there is still a connection between them, that is, a clear autumn moon. The autumn moon is the messenger used by the author to contact all parties, and it is the origin and opportunity for the continuous generation of emotions and imagination. And those who haunt the autumn moon are a pulse of sorrow in Zhimo. This is as the author himself said:? I am an unruly wild pony, and I often indulge my imagination and sophistry the reality of life; For example, with concave lenses, we can perceive the present scenery. But from time to time, I can also hear fresh music from the noisy noise and see organized artists in the colorful show. ? (My grandmother's death) Although the author has no pen and ink and indulges in imagination, it is not scattered everywhere and has no center, but there are also tunes in the noise, which are still coherent in the miscellaneous colors. If you use a pen, it is difficult to control unless you have the talent of the author.
Third, strong poetry.
After all, Xu Zhimo is a poet, and his composition is poetic and eclectic, which has become his unique lyric sketch. He has the freedom of prose form and mobility;