Japanese control (ひか), ぇがきできでじぶんのきのききのぐ.
Tetsuro Morimoto pointed out that the more vague and subtle a language is, the more elegant and profound it can be, with a long aftertaste and endless aftertaste.
Tetsuro Morimoto (もりもとてつろぅ) により, oral performance (ひょぅぅ)
This passage is from a quotation, and the original Japanese words can't be found on the Internet. Better change them into the original words. ※.
In Japanese classical literature and traditional art, implicit expression is emphasized. Yoshida Kenko and others all advocate that language expression is implicit and has charm, and things should not be described incisively and vividly.
Japanese classical literature (こてんぶんがく), とでんとげぃじよじじじじよじじじ)
Matsuo Bashō also emphasized the promotion of implicit and ambiguous aesthetics. In the traditional art of kabuki, a few lines and dialogues really make people feel mysterious, which is the essence of Japanese classical literature and tradition.
Matsuo Bashō's Aesthetics (まつぉばしょぅ) (びがく) をしてぃ.
It is from this obscure and unfathomable art that the Japanese feel lingering aftertaste and emotional harmony.
Japan はこのよぅなはっきりさせなぃぃのぃ
*PS: Thank you for waiting. There is a lot of information.