Keywords: China's classical poetry reading style, characteristic language
After studying the ancient literature of China, I feel that poetry is the most beautiful, moving and lyrical writing in ancient China. They are deep and quiet, meaning eternity. Sometimes the beauty is extreme, but also the boldness is extreme. Elegant mood, broad-minded, generous and touching. Thoughtful, but also the most charming words.
Poetry in the Tang Dynasty is a splendid scene. The comprehensive and prosperous economic and cultural background enables the Tang poetry to be fully brewed. The first thing I came into contact with since I was a child was Tang poetry, and what impressed me the most was its lofty artistic conception and heroic spirit. It is also a fresh and natural, wandering and secluded pastoral life. Even in the late Tang Dynasty, Tang poetry can also have a brilliant sunset glow.
Tang poetry has the freshness and naturalness of pastoral poetry.
As gentle and amiable as Meng Haoran's poems. His "Passing through the Old Village" uses the simplest spoken language to write about the future and talk about family affairs. "Prepare chicken and rice for me, old friend. You entertain me on your farm." Put aside your troubles for a while and be invited to visit your hometown. This is the simplest and deepest friendship. "We look at the green trees around your village and the pale blue of the surrounding mountains." This beautiful scenery alone is the best enjoyment. However, the description in just two sentences is filled with the poet's relaxed and happy mood, which shows that he is also very fond of and yearning for this pastoral scenery. "We open your window, overlook the gardens and fields, and talk about Sang Ma with cups in our hands." In this simple folk custom of "Tianjia", we are even more happy, putting aside vulgarity and unhappiness, drinking and having fun, tasting delicacies and enjoying ourselves. Finally, I am reluctant to part with you and meet "I'll come back when I'm on holiday in the mountains."
Such pastoral poems are so real, so simple and natural. Even if you can't see the taste of poetry, you can see the mellow beauty in the plain and experience the deep friendship in the simple.
Tang poetry also has tragic frontier feelings.
What impressed me most was Cen Can's frontier poems. It is integrated with the description of natural scenery, and the writing is warm and magnificent! The military life in his works is more about the desolate frontier scenery and the bravery of soldiers. Just like his The Journey to the West, he first brought us into "Harmony with the sand, coming up from the desert and prospering". On the night of the ninth month, a cold wind was blowing in the wheel tower. And valleys, full of broken boulders like pecking measures, down, forward, with the wind. "The western regions. There was a strong wind, flying sand and stones, and smoke everywhere. It is also a description of the fierce enemy of Xiongnu in the harsh environment. " General of China's army, start your battle! Wear your armor all night, March in the middle of the night, and the sharp tip of the wind cuts your face like a knife. "The general personally went out to meet them on the battlefield and marched in the stormy weather. Such a hardworking and brave heroic army must be "you will no longer need a real battle!" "We are waiting for the news of victory in Xiguan! "It is inevitable! The optimism and heroism in the poem let us fully appreciate the spirit only in the prosperous Tang Dynasty.
In the Tang Dynasty, there was a wild horse-Li Bai, "Poet Fairy".
Li Bai, a poet, is chivalrous and bold. He is politically meaningless, but he can travel in the sea. He is open-minded and hates love. When he is happy, he drinks, sings and laughs at the sky. When you are sad and angry, you should "smash the Yellow Crane Tower" and "fall on Nautilus Island". He loves the great rivers and mountains of the motherland, and his free and easy poems and songs in his roaming life show us his freedom and broad mind. Those who don't need exquisite meticulous painting, his poems are freehand brushwork. "As high as a banner, the six dragons drive the sun, far below, and the river lashes its flow": The sun god drove the six dragons here and had to turn back, and the rushing river had to bump back. His incomparably rich imagination is constantly changing like a gust of wind. This description is just exaggerated and more vivid! "Green Mud Mountain is made up of many circles. For every hundred steps, we have to turn nine times in the middle of its mound." This wonderful landscape description, the difficulty and preciseness of Shulu Road, and the strange curve of Qingniling Road are all vividly displayed. "It is difficult to get through the Shu Road, and it is difficult to go to the sky", which is fascinating and sad! Only Li Bai's mind and unrestrained personality can accommodate such a thrilling momentum, and only Li Bai's fantastic ideas can make us feel such magical and magnificent colors!
In the late Tang Dynasty, there was another contact poet who had a rough life and a bleak situation. He once warned the monarch of today's dynasty that "the spring breeze cuts the palace brocade all over the world, half for obstacles and half for sails", but in the end he was increasingly frustrated politically and his ambition was hard to pay. But his love poems are the most brilliant afterglow in late Tang poetry! He is Li Shangyin.
After careful reading, we will be addicted to "she looks at her hair changes in the morning mirror, but dares to sing the chill of the moonlight at night", and we will also think that "the flowers in spring are not * * *, even if it is the bright flame of love, are there only ashes?" "The sincere beauty of emotion and the poet's inner confusion and sadness. His lines are interwoven with the hope of love, which are "Spring silkworms should weave until they die, and the wick should be drained every night" and * * *. The language is deep and beautiful, serious and romantic. Sincere feelings, obsessed heart and his love swan song make readers exist and indulge in the fiery emotional world created by the poet.
His poems are euphemistic, affectionate and intriguing. "Late Rain Rising Autumn Pool" gives people a feeling that it is not just torrential autumn rain and rising pool water. Obviously, it is the emotional wave that he misses his wife infinitely in sleepless nights! Scenes are affectionate, and the blending of scenes constitutes his tactful and tortuous technique and the characteristics of creating hazy beauty. I can taste that his poems and songs contain rich emotional nectar!
Song ci is a fragrant and gorgeous garden. Her colorful, changeable and colorful spirit competes with Tang poetry. Such as flowing clouds and flowing water, accompanied by romantic feelings, is the most lyrical. Write eroticism without delicacy, wealth without vulgarity. Generally speaking, Song Ci can be divided into bold school and graceful school. The bold and unconstrained writing is chic and detached, lofty and clear. Just like a hero on the battlefield, he is full of blood and extraordinary spirit. Graceful words, such as falling in love with apricot flowers and spring rain, are breathtaking. Elegant and graceful, the scene blends, and the music is full.
Bold ci began with Su Shi. He liberated Ci from the world of entertaining guests and developed it into an independent lyric art. Su Shi's poems are all pearls, and any one of them is radiant when picked up. Scenery of mountains and rivers, scenery of farmhouses, traveling in all directions and ambition to serve the country have all become the themes of his ci. In addition to romantic tenderness, he also moved words from flowers and flowers to a broad social life, turning words into a tool to express his wishes.
He expresses himself in words, which is patriotic enthusiasm for resisting the enemy and enduring humiliation, and melancholy yearning for the past. He praised the great achievements of history with a heroic statement: "The river of no return, the prodigal son, the eternal romantic". He used a magnificent momentum to connect the vast historical time and space and run through countless heroes. He told us a glorious historical story about Nian Nujiao. In gorgeous language, he wrote a poem-writing Cao Cao, a prancing Sun Quan, a determined Longzhong to Zhuge Liang, and a resourceful Zhou Gongjin. "Life is like a dream, and a bottle is like a moon": The historical reality is shocking, which makes people suddenly wake up. Since life is like a dream, why not send your love to the great rivers and mountains?
The content is ups and downs, unprecedented. Past and present, philosophy and life run through his gorgeous rhetoric. It walks high and low, and after a smooth transition, it is passionate and generous. Reading his poems is to feel the warm and unrestrained style, to read the short and powerful melody, and to think about the thoughts of returning to peace after depression.
In the field of ci, Li Qingzhao, an outstanding poetess who broke through the shackles, is famous for her gracefulness.
She showed us a lovely girl "leaning against the door and smelling her childhood" with euphemistic and delicate strokes and unique spiritual feelings of women. The fresh and lively language is concise and beautiful, and anyone can read the shyness and affection of that charming and graceful girl in her works.
She boldly expressed her sincere love for her husband in elegant and decent language. The metaphor of flowers and water in Plum shows that feelings are born with the scene, and the scene moves with the situation, blending with the scene, seemingly casual and unpretentious. "Who sent the brocade book" reveals the suffering of lovesickness with the romance of the wild goose crossing the book. "Just frown, but in my heart", but it is endless. The words are fresh and vivid, beautiful in meaning and sound, and subtle.
After crossing the south, the country was ruined! Let this once happy family worry about wandering and lonely life. Her sense of loss, which is "searching" without sustenance, is only lonely in the "cold and lonely, sad and miserable" environment. "The geese cry", the geese that met in the past fly by, but the husband is dead, and there is nowhere to send this brocade book. Think about it, only "sad". Moved by this scene, she felt sorry for herself: "Yellow flowers are piled all over the floor, and no one can pick them now." Chrysanthemums are in full bloom, but I am haggard and emaciated because of sadness and sorrow, and I have no intention of picking flowers. It's hard to stop and miss home!
It's like pouring pearls, big and small, into a plate of jade, which seems to have overlapping words. The fast rhythm and sad mood condense the hatred of national subjugation and the sorrow of the deceased husband, and depict it very delicately. Makes us feel sad. This, together with tears, wrote "Slow Sound", which is the most beautiful and delicate brushwork she described in her later years: what a sad sentence!
Taste Li Qingzhao's words, clear as water and alcohol as wine!
In China's classical poems, we sleepwalked in Tianmu Mountain with the romantic Li Bai, and went to the blue boat alone with the sad Li Qingzhao. We have heard Su Shi sing in Chibi, and we can feel Bai Juyi's desire to play the pipa. Whether you like to reminisce about the tragic grandeur of "Golden Goma Iron, Swallowing Wan Li Like a Tiger", or you want to ponder the bleak helplessness of "Lonely Wutong Deep Courtyard Locking Clear Autumn", as long as you can read it carefully, China's classical poems can make you intoxicated with its infinite charm!