I once read a sentence, give you a blank sheet of paper, no matter what kind of dreams and miracles can be realized.

Since the birth of animation in19th century, the creation and research of animation in various countries have never stopped. Creation is the charm of animation art ... Animation is a world-wide culture, which fully embodies the social, economic, cultural and technological characteristics of different historical stages. Due to the different cultural backgrounds, national customs and economic forms of different countries in the world, the development course, ups and downs and artistic characteristics of animation in different countries and regions in the past 100 years are also different. It is precisely because of this that the world animation can have such a colorful and continuous landscape.

Next, taking China and the United States as examples, this paper introduces the differences between the two countries in several aspects.

I. Theme and content

The history of 5,000 years has made China rich in themes. In the early days, there were fairy tales, ancient fables, folk stories, historical legends and even foreign stories, such as magic pens, proud generals, fishermen and shepherds and princesses. There are also revolutionary legends, such as newspaper clippings Red Army Bridge and puppet film Red Cliff; There are also class education themes, such as "San Mao's Wandering Story" of puppet show, which describes the tragic fate of children in the old society and "Midnight Cockcrow"; There are even international satirical dramas, such as cartoon-style animation "Golden Dream" and puppet movie "Who sings well". Although China's animation themes are diversified, and there are a wide range of contents to choose from at any time, both at home and abroad have one thing in common, that is, educating people. Moreover, an idea embodied in China's animation creation is that animation is a child's world, while China's animation is naive. Due to the ideological influence of children's animation, there are few love themes in China's animation. Thus, in 2002, an animation about youth, I am crazy about singing, caused quite a stir. Although there are still some remarkable points in the production and picture effect, it is still a great progress in the animation history of China.

As for American animation, many American animation creations are based on the story prototypes of other countries. Take the animation produced by Disney Company as an example, such as Cinderella and Snow White, which are all based on the famous German fairy tale Grimm. Including The Lion King, it also explains the story of Revenge of the Prince. Moreover, in terms of subject matter, the United States does not emphasize educational thought, because educating people is not the purpose of westerners' animation. From Tom and Jerry, we can realize that "music" is fundamental.

Second, the animated image

The cartoon characters designed by China are generally serious and orthodox. For example, Nezha and Magic Pen Ma Liang. Although there are some animated image designs like Three Monks, none of them can become the mainstream. The same is true of today's animated images. For example, the blue cat in The Naughty 3000 Questions of the Blue Cat is also a clever image. Moreover, the characters in China's cartoons don't have their own distinct personalities, especially their eyes. Many times, the expression, eyes, personality and plot of the characters are completely out of touch. The two characters on the same screen have no communication at all and seem to exist independently.

On the other hand, American cartoon image design and character modeling design norms are not much different from the prototypes in life, and most of them are not deformed, with beautiful images and distinct personalities; Most animal images are greatly exaggerated: big head, big eyes, big hands and big feet, which has become a cartoon mode widely used in all countries of the world.

Third, music.

The importance of music to an animation cannot be explained clearly in a few words. The function of general music is to meet people's artistic appreciation requirements as a unique auditory art form. Once music becomes an organic part of animation comprehensive art, it has unique aesthetic characteristics and laws.

China's early animation also attached great importance to the role of music, such as The Shepherd Boy, which was a perfect combination of China's music and painting. Naive shepherd boy, gurgling water and swaying bamboo branches always convey delicate and subtle feelings, which is completely Chinese style. The flute in the whole film is played by China flute master Lu Chunling, who enjoys the reputation of "magic flute", which is even more classic. Moody's is called "the best movie music China has ever heard" by American critics. In recent years, the music of China animation, as if it were an accessory of animation, was born out of animation, and was made purely for the sake of production, with no aesthetic feeling at all.

The music in American animation still takes Disney as an example. In Disney animation, music occupies a large proportion, and every story has its matching music throughout, vividly expressing the emotions that animation wants to express. In Disney's works, the discovery of music is everywhere. We can say that every movie has found music that is very counterpoint and very in tune, and it often complements each other with movies, making both shine brilliantly.

Fourth, artistry.

There is no doubt that China's early cartoons had very high artistic requirements and were very rigorous in creation. Cartoon creators in China have always attached great importance to their creative personality and unique creativity, and made unremitting efforts in the field of artistic expression of cartoons. Many art cartoons have won international awards and enjoyed a high reputation. In the 1980s, the famous ink-and-wash film "Mountains and Waters" taught the fishermen and teenagers the touching story of piano skills through Guqin masters, perfectly combined the highest level of China classical art with Guqin music, and expounded the proud realm of high harmony between man and nature. This work has won 8 awards at home and abroad.

On the other hand, American animation pays more attention to commercial value than artistry. In the early stage of its animation, the United States quickly entered the industrial operation and achieved great success in business. Although there were experimental animations that pursued pure art at that time, such as A Glance at America, commercial animation was the mainstream. The production of a series of animated feature films, such as Alibaba and the Forty Thieves, Beauty and the Beast, Cinderella, The Lion King and Mount Tai, has formed an animation operation system and gained valuable market returns.

As for other aspects, I won't list them one by one. In fact, in terms of the above differences, the differences between Chinese and American animation are quite large. The growing animation of China will surely make great progress if it can combine its own characteristics, foster strengths and avoid weaknesses, and choose reasonable topics. Secretary hodgepodge network